Call for Chapter Proposals: Critical Media Literacy and Fake News in Post-Truth America

Critical Media Literacy and Fake News in Post-Truth America

Co-editors P.L. Thomas and Christian Z. Goering

Critical Media Literacies and Youth series, Sense Publishers

Series Editor, William Reynolds

Rationale

In the fall of 2016, just after the U.S. elected Donald Trump president, a black female first-year student submitted an essay on the prospects for Trump’s presidency. The course is a first-year writing seminar focusing on James Baldwin in the context of #BlackLivesMatter; therefore, throughout the course, students have been asked to critically investigate race, racism, gender, sexism, and all types of bias related to the U.S.—through the writing of Baldwin, Ta-Nehisi Coates, Roxane Gay, Teju Cole, and Arundhati Roy, among others.

The student’s discussion of Trump’s policies, however, were hyperlinked to Trump’s campaign website. Discussing the draft with the student revealed that the current post-truth America is a significant issue among youth who seem unable to distinguish between facts and so-called fake news.

To blame youth for this lack of critical media literacy seems misguided since the mainstream media itself plays a significant role in misinforming the public. For example, as a subset of the wider media, edujournalism represents a default lack of critical perspective among journalists.

Claims by mainstream media are impressive:

Education Week is the best independent, unbiased source for news and information on pre-K-12 education. With an average of 42 stories posted each weekday on edweek.org, there is always a news, multimedia, or opinion piece to keep you up-to-date on post-election changes in policy, and to help you become a better practitioner and subject matter expert.

The reality is much different. When journalists at Education Week were challenged about their lack of critical coverage of NCTQ, Juana Summers Tweeted, “I’m not sure it’s my place to say whether the study is credible.”

In other words, mainstream media are dedicated to press-release journalism and maintaining a “both sides” stance that avoids making informed decisions about any claims from their sources—including the campaign of Trump.

This volume, then, seeks contributions that address, but are not limited to, the following in the context of teaching and reaching youth in the U.S. about critical media literacy:

  • Unpacking the lack of critical perspectives in mainstream media.
  • Examining “post-truth” America.
  • Confronting issues of race, racism, sexism, misogyny, homophobia, and xenophobia as related to the media.
  • Exploring the promises of the New Media as a haven for truth.

Contributions should seek ways to couch chapters in practical aspects of teaching and reaching youth in the U.S., but can reach beyond the traditional classroom into youth culture as that intersects with critical media literacy.

Send a tentative title, author information, and 100-word abstract of the proposed chapter as a Word file (use your name to label the file, please). Make sure your abstract clearly shows how the proposed chapter addresses the focus of the volume—critical media literacy, fake news, and post-truth U.S. as related to youth.

Contact: paul.thomas[at]furman.edu

Timeline, etc., TBD


Critical Media Literacies and Youth series, Sense Publishers

Series Editor, William Reynolds

cmls-3

#NCTE2017: Call for Roundtable

After a very inspiring roundtable at #NCTE2016, many of us are energized to propose a related by more hands-on roundtable for #NCTE2017.

Below is a draft proposal for NCTE 2017. Please email me ASAP (paul.thomas@furman.edu) if you are interested in offering a roundtable that is a workshop related to educators developing their public voices in a wide variety of media and purposes. The current roundtables below reflect the focus of the session, but different media and perspectives are strongly encouraged to join.

2017 NCTE Annual Convention

Teaching Our Students Today, Tomorrow, Forever: Recapturing Our Voices, Our Agency, Our Mission

St. Louis, MO
November 16-19, 2017

Proposal: Roundtable

Co-Chairs: Chris Goering, University of Arkansas, and P. L. Thomas, Furman University

From Advocacy to Agency: Workshopping Our Public Voices

This roundtable session will offer participants concrete and hands-on opportunities to investigate the “how to” of writing and speaking in a public voice that reflects our professional agency. Tables will address writing Op-Eds and letters to the editor, starting and maintaining a professional blog, participating in social media (Twitter, Instagram, Facebook, etc.) as a professional educator, and creating and producing podcasts/radio programming. Additionally, participants will be given guidelines for blending scholarly and public work as well as how to integrate our professional advocacy-as-agency with our demanding work as classroom practitioners.

Tables:

Exploring the Op-Ed: Two Public Essayists Share Their Process for Writing in the Op-Ed Genre

Christina Berchini and Peter Smagorinsky

This table will discuss their process for identifying topics, locating a suitable publication outlet, and understanding and writing within the op-ed/blog genre. Participants will also be alerted to the risks and rewards of writing in the public forum.

Adventures in Edublogging: Finding and Developing a Public Voice

P.L. Thomas and Angela Dye

Blogging remains a misunderstood form of communication along with many types of social media. This table will discuss and workshop how to create a professional blog and social media presence while helping participants with the “how” and “why” of creating that professional voice for the public.

Guinness Stew in the Ozarks: The How and Why of Professional Writing Retreats for Teachers

Christian Z. Goering and Nikki Holland

This roundtable offers a rationale and practical advice for gathering teachers in a retreat setting to write for professional audiences. One way that teachers can develop agency in the larger conversations swirling around the punch bowl of education is by writing for professional audiences—broadly defined. The act of doing so is complicated, something that takes time, nourishment, and courage. But aren’t retreats expensive and elitist? The low cost, low maintenance model shared in this roundtable can be adapted and adopted by a wide range of teacher groups or even offered as professional development by a school district.

Blogging Advocacy in the New Latinx South

Bobbi Siefert

Blogging Advocacy in the New Latino South – In this roundtable session, presenters will discuss beginning and maintaining a TESOL Blog in the context of the New South. Discussion will center on initial steps to beginning a blog, responses to challenges, focus and direction, and sustaining momentum in an increasingly xenophobic regional and national environment. We argue that blogging is a virtual platform for our professional advocacy for Latino Transnationals K-12.

Writing Radio Commentaries for Local Stations

 Rebekah Buchanan

Local NPR affiliates can be an effective way of reaching the public about education issues in our communities. Based on my experience recording monthly radio commentaries, this roundtable will present ways to start writing for the radio, coming up with topics, and presenting commentary ideas to local stations.

What Will Attract and Persuade Blog Readers?

Patricia A. Dunn

Academics are used to writing for a particular audience with discipline specific expectations about academic evidence, research, and citation—the very elements that potential blog readers may avoid. How can we attract readers to our public writing, get them to rethink an issue in our blog, and get them to share it? We’ll look at some topics, titles, and formats of several blogs that have been shared widely. We’ll talk about selecting links for providing evidence, keeping the blog lively (and short), and using effective analogies.

Who wants to be the Village Explainer? Opening Conversations, Not Closing Them

Patricia Waters, Daneell Moore, and R. Buchanan

In rural areas the English teacher is often in the invidious position of being The Village Explainer: how can the professional communicate with non-professional audiences by meeting people where they are? How do we not lose sight of urgency but also not alienate where we need allies most?

Crafting Arguments for Change: Expanding Spheres of Influence

Trevor Thomas Stewart and George L. Boggs

This table will discuss the cultural resources employed by teachers who are speaking out in order to consider how teachers can position themselves as experts whose voices ought to count in education reform discussions. By discussing the rhetorical tools being employed by teachers who are currently speaking out online, our table will provide participants with an opportunity to develop practical strategies for engaging in civic action online while managing the risks associated with public dissent.

Telling the Positive Stories of Public Education

Steve Zemelman

To counter the ongoing propaganda attacking public schools, it’s essential not only to advocate for better education policies, but also to let the public know about the work of high quality teachers in their schools, and the meaningful learning their students experience. At this table, we’ll look at examples of published op-ed pieces by teachers, deduce some of their characteristics, get started on some writing ourselves, and brainstorm how to get through to news editors to get our stories published.

Know Thy Enemy

Jonathan Pelto

In his epic, The Art of War, Sun Tzu explains: “If you know the enemy and know yourself, you need not fear the result of a hundred battles. If you know yourself but not the enemy, for every victory gained you will also suffer a defeat. If you know neither the enemy nor yourself, you will succumb in every battle.” This table will serve has a training session for understanding and tracking the charter school industry and their corporate education reform allies through the use of opposition research techniques and tools.  Particular training will be provided on how to utilize federal and state campaign finance reports, IRS 990 forms reports submitted by non-profit corporations and for-profit filings to the Securities and Exchange Commission.   Participants will come away with a better understanding about how to learn more about the individuals and organizations seeking to undermine students, parents, teachers and public education.

Finding Our Public Voices: Building a Community of Writers around Writing for the Public

Ann D. David and Megan Janak

This roundtable will discuss how classroom teachers, preservice teachers, and a university professor developed their individual, public voices and began publishing for the public.  We will share both our process for forming and sustaining our writing community, and our individual experiences with writing for the public across a range of channels.

Blogging from the Inside Out: Mining Personal Stories for Larger Truths

Russ Walsh and Peter Anderson

As educators our days and nights are filled with stories of personal success and personal struggle as well as student success and student struggle. Stories, informative, humorous and tragic, are part of the life-blood of the veteran teacher. As bloggers, we can mine these stories to draw the reader into our world and then reach for the larger truths that these stories illuminate. In this round-table, we will share examples of how this has been done by education bloggers, analyze how it is done, and share techniques for developing engaging blogs based on personal, school-based experience.

Ed Philosophy Book Clubs: Creating Safe Spaces for Dialogue and Debate

Nicole Amato

Teachers are increasingly bound to curricular mandates or policies that directly conflict with what research argues is best for our students, teachers, and school communities.  This roundtable will look at the development and progression of an ed philosophy book club at a high school in Chicago, Illinois. The book club was designed with two goals in mind: to create a safe space for discussing campus polices and to arm teachers with high quality,timely, peer-reviewed research.

Podcast On Your Plan – Using Podcasting as Professional Development

Josh Flores and Lara Searcy

This roundtable will demonstrate how educators can use the podcast format to expand their voice, agency, and professional growth. Attendees will participate in a live podcast during the session in order to explore the hands-on application of “how to” podcast and become familiar with a currently active program, “Podcast On Your Plan.” “Podcast On Your Plan” episodes actively advocate for teachers’ voices by promoting teachers as a resource for professional learning communities and educator’s professional growth. Each podcast episode focuses on deconstructing the expertise of a classroom teacher and their pedagogy. Listeners are encouraged to discuss the practices and strategies presented in each episode with colleagues and reflect on their own pedagogical approaches to literacy.

Barbara Kingsolver: “everything we do becomes political: speaking up or not speaking up”

“So many of us have stood up for the marginalized,” explains writer Barbara Kingsolver in the wake of Trumplandia, “but never expected to be here ourselves,” adding:

It happened to us overnight, not for anything we did wrong but for what we know is right. Our first task is to stop shaming ourselves and claim our agenda. It may feel rude, unprofessional and risky to break the habit of respecting our government; we never wanted to be enemies of the state. But when that animosity mounts against us, everything we do becomes political: speaking up or not speaking up. Either one will have difficult consequences. That’s the choice we get.

She then calls for those of us with a social justice conscience to wear our hearts on our sleeves, including teachers:

If we’re teachers we explicitly help children of all kinds feel safe in our classrooms under a bullying season that’s already opened in my town and probably yours. Language used by a president may enter this conversation. We say wrong is wrong.

I have been using the writing of Kingsolver in both my high school English classes and a variety of college courses since the 1990s, and my first book-length examination of teaching a writer focused on Kingsolver.

The most enduring writing from Kingsolver for me as a teacher has been her essay writing. And while Kingsolver’s politics drives her fiction—such as Flight Behavior—and her poetry, there is a artistry to her essays that allows her politics to meander instead of immediately provoking.

For example, her collection Small Wonder grew out of 9/11, and the essays speak powerfully with a progressive voice that is unlike the American character and that challenges the flag-waving patriotism/nationalism the terrorism spurred across the U.S.

And while Kingsolver actually lives her convictions, her newest confrontation of what Trump means for the U.S. reads as an intensified Kingsolver-as-activist.

“We refuse to disappear,” she announces.

The American character has long misread and misrepresented the label “political,” and the rise of Trump may have, as Kingsolver argues, brought about inadvertently the change promised by Obama: “everything we do becomes political: speaking up or not speaking up. Either one will have difficult consequences.”

But only one—speaking up in the name of the good and the equitable—has the potential for the sort of consequences a free people should be seeking.

“Out of Time” in Post-Truth Trumplandia

We’ve been through fake-a-breakdown
Self-hurt, plastics, collections
Self-help, self-pain
EST, psychics, fuck all

“Country Feedback,” R.E.M.

Maybe this is the stuff of Legend, or false memory—or that the Russians can hack even that—but it seems R.E.M. kept a running list of possible album titles as they recorded, a practice often including daring titles left to linger with the specter of a very unlike-R.E.M. outcome.

For the now 25-year-old Out of Time, that title, I recall, came from a final statement on that board—the band was out of time for submitting the recordings and title.

That the album most associated with R.E.M. and their delayed rise to pop culture fame, fueled as well by their becoming MTV darlings, has turned 25 in the year of electing Trump seems cruelly painful, and whether or not my recollection about how the album was named is factual has become irrelevant in post-truth Trumplandia.

Throughout the 1980s, R.E.M. was immediately loved by Rolling Stone and the so-called college radio crowd, and they were a touring alternative rock success—a reality that had much to do with fans and music critics recognizing that within the realm of popular music, R.E.M. took their craft seriously and were uniquely adept at that craft.

By the time the band angered those 1980s alternative fans by signing a huge record contract with Warner Brothers, and then (gasp) achieved fame with “Losing My Religion,” R.E.M. had become known as both a highly ethical band (making money but not selling out their artistic autonomy) and a political band; neither seemed to hurt the band in ways that other performers could not avoid (think many years later the fate of the Dixie Chicks).

Still now after the band has called it a day, after their fame dwindled into petty sniping at the albums produced after Bill Berry retired (Up, Reveal and Around the Sun unfairly slighted by critics and fans), after the inevitable rush to reconsider the enduring excellence once R.E.M. no longer was a practicing band—it is the politics of R.E.M. that fascinates me, from the more overtly political “Orange Crush” and “Ignoreland” to the ambiguously political “Fall on Me” or intimacy politics of “Tongue.”

Yes, Out of Time soared into the wider national and international consciousness with “Losing My Religion” as the least likely of hits (dare we say radio hit in the context of the album’s first song and the fact that this world is now a distant memory?) and an iconic tour-de-force in music videos.

But appreciating an album also requires taking the album as a whole:

Out of Time
01. Radio Song
02. Losing My Religion
03. Low
04. Near Wild Heaven
05. Endgame
06. Shiny Happy People
07. Belong
08. Half A World Away
09. Texarkana
10. Country Feedback
11. Me In Honey

The paradox of R.E.M., for me, is that the popularity of the band includes “Losing My Religion” and the odd controversy over the so-called too-poppy “Shiny Happy People”—and maybe that the album has guest vocals from KRS-One and Kate Pierson of the B-52s—but that many among those wider, late-to-the-party fans don’t understand: “I’m not sure all these people understand,” Stipe sings in the haunting and magnificent “Nightswimming.”

Maybe, just maybe, R.E.M. is about the politics of understanding, a call to the politics of intimacy.

Theirs is the art of the politics of the beautiful, of raising voices and instruments against all the unnecessary shit.

I fall in love hard with musical performers/groups and writers. And then I consume everything they create.

There is a direct line from my love affair with R.E.M. to The National, and especially with R.E.M. disbanding, my time and energy have been disproportionately committed to The National and CAKE.

So I have recently revisited Out of Time, and it has been lovely and tearful.

R.E.M. as the politics of the beautiful.

But the beautiful of Out of Time for me is “Low,” “Belong,” “Half a World Away,” and “Country Feedback.”

“I’ve had too much to drink/ I didn’t think, I didn’t think of you,” echoes into my bones—and then:

Oh, this lonely world is wasted
Pathetic eyes, high-alive
Blind eye that turns to see
The storm it came up strong
It shook the trees and blew away our fear

The politics of the beautiful, the politics of understanding, the politics of intimacy.

“That’s me in the corner,” I suppose, “Like a hurt lost and blinded fool, fool.”

And I miss R.E.M.


The Zombie Politics of School Choice: A Reader

The original zombie narrative has been re-created and distorted in contemporary U.S. pop culture, as Victoria Anderson explains:

So what were zombies, originally? The answer lies in the Caribbean. They weren’t endlessly-reproducing, flesh-eating ghouls. Instead, the zombie was the somewhat tragic figure of a human being maintained in a catatonic state – a soulless body – and forced to labour for whoever cast the spell over him or her. In other words, the zombie is – or was – a slave. I always find it troubling that, somewhere along the line, we forgot or refused to acknowledge this and have replaced the suffering slave with the figure of a mindless carnivore – one that reproduces, virus-like, with a bite.

While there is some nuance and variety among the many ways in which U.S. pop culture have manipulated the zombie narrative, central to almost all of those is the zombie as relentless consumer who has risen from the dead and resists being killed permanently.

In that context, school choice is zombie politics because the ideology will not die and its many versions (vouchers, tuition tax credits, charter schools) are destructive.

A few decades ago, school choice advocacy depended on the appeal of the ideology itself since choice is idealized and fetishized in the U.S.

Once school choice policy began to be implemented, and then over the past 2-3 decades as evidence from how choice has not achieved the promises made, school choice advocacy has depended on constantly shifting the type of choice and the promises.

At the center of the school choice debate is a failure in the U.S. to appreciate the importance of the Commons, how publicly funded institutions are necessary for the free market to work (both economically and ethically).

For example, publicly funded roads and highways are powerful and essential for commerce in the U.S. Many resist toll roads in the U.S., and certainly, the entire economy and way of life in the U.S. would be destroyed if we left roads and highways to the whims of the Invisible Hand.

Two facts remain important now as the election of Donald Trump and the apparent choice for Secretary of Education suggest that the zombie politics of school choice has been rejuvenated:

  • The overwhelming evidence for all aspects of school choice show little differences when compared to traditional public schools; some aspects can certainly be categorized as harmful, and any so-called positives are erased when those gains are explained—attrition, comparing apples and oranges, selectivity, inability to scale, etc.
  • Idealizing parental choice fails to step back to the bedrock promise of publicly funded institutions: insuring that choice isn’t necessary.

Just as a blow to the head and brain can kill permanently the zombie, evidence and truth should eradicate the zombie politics of school choice. However, Trumplandia is a post-truth country.

None the less, the truth is our only real option so below is a reader to combat the zombie politics of school choice:

Betsy DeVos’ big education idea doesn’t work, Sarah Carr

Idealizing, Misreading Impoverished and Minority Parental Choice 

Parental Choice, Magical Thinking, and the Paralysis of Indirect Solutions

School choice lessons for Charleston – Post and Courier

Public School, Charter Choice: More Segregation by Design

Don’t Buy School Choice Week

Parental Choice?: A Critical Reconsideration of Choice and the Debate about Choice

Work by Christopher Lubienski

The Public School Advantage: Why Public Schools Outperform Private SchoolsChristopher A. Lubienski and Sarah Theule Lubienski 

Research-Based Options for Education Policymaking – 2016 Collection, William J. Mathis (NEPC)

Julian Vasquez Heilig on vouchers

Julian Vasquez Heilig on charter schools

School Finance 101, Bruce Baker

School Vouchers Are Not a Cure For Segregation: Part I , Jersey Jazzman

Here are links to all five parts of the series:

On negative effects of vouchers, Mark Dynarski

Recent research on statewide voucher programs in Louisiana and Indiana has found that public school students that received vouchers to attend private schools subsequently scored lower on reading and math tests compared to similar students that remained in public schools. The magnitudes of the negative impacts were large. These studies used rigorous research designs that allow for strong causal conclusions. And they showed that the results were not explained by the particular tests that were used or the possibility that students receiving vouchers transferred out of above-average public schools.

Another explanation is that our historical understanding of the superior performance of private schools is no longer accurate. Since the nineties, public schools have been under heavy pressure to improve test scores. Private schools were exempt from these accountability requirements. A recent study showed that public schools closed the score gap with private schools. That study did not look specifically at Louisiana and Indiana, but trends in scores on the National Assessment of Educational Progress for public school students in those states are similar to national trends.

In education as in medicine, ‘first, do no harm’ is a powerful guiding principle. A case to use taxpayer funds to send children of low-income parents to private schools is based on an expectation that the outcome will be positive. These recent findings point in the other direction. More needs to be known about long-term outcomes from these recently implemented voucher programs to make the case that they are a good investment of public funds. As well, we need to know if private schools would up their game in a scenario in which their performance with voucher students is reported publicly and subject to both regulatory and market accountability.

Failing The Test Series

Regardless of motives, the charter initiatives in Oakland and Los Angeles together signal a significant watershed in the growth of a statewide movement that was birthed by California’s Charter Schools Act of 1992 to create classroom laboratories that might develop the dynamic new curricula and teaching methods needed to reinvigorate schools that were failing the state’s most underserved and disadvantaged children.

How that modest experiment in fixing neighborhood public schools could morph in less than 25 years into the replacement of public schools with an unproven parallel system of privately run, taxpayer-funded academies is only half the story of California’s education wars that will be examined in this series, much of which is based on conversations with both sides of the charter school debate. Over the next few days Capital & Main will also look at:

  • The influence wielded by libertarian philanthropists who bankroll the 50-50 takeovers.
  • How charter schools spend less time and money on students with learning disabilities.
  • The lack of charter school transparency and accountability.
  • How charter expansion is pushing Oakland’s public school district toward a fateful tipping point.
  • The success of less radical yet more effective reforms that get scant media coverage.
  • Nine solution takeaways for struggling schools.

(from Failing the Test: A New Series Examines Charter Schools, Bill Raden)

Charters and Access: Here is Evidence, Julian Vasquez Helig

No, Eva, You Can’t Do Whatever You Want, Jersey Jazzman

Don’t Trust Invested Advocates in Edureform Wars

from Engel, M. (2000). The struggle for control of public education: Market ideology vs. democratic values. Philadelphia, PA: Temple University Press.

[I]t is nothing short of disastrous that more than ever before, one antidemocratic system of ideas—market ideology—almost exclusively defines the terms of educational politics and charts the path of education reform.

…[I]deology is important in understanding educational change….Ideology is nonetheless often overlooked or at best misapplied by mainstream social scientists as a factor in politics. This is due in part to the dominance of quantitative methodologies in political science, which leads to the trivialization of the concept into conveniently measurable but irrelevant labels….Market ideology has triumphed over democratic values not because of its superiority as a theory of society but in part because in a capitalist system it has an inherent advantage. (pp. 3, 8-9)

from Callahan, R. E. (1962). Education and the cult of efficiency: A study of the social forces that have shaped the administration of the public schools. Chicago: The University of Chicago Press.

For while schools everywhere reflect to some extent the culture of which they are a part and respond to forces within that culture, the American public schools, because of the nature of their pattern of organization, support, and control, were especially vulnerable and responded quickly to the strongest social forces. . . .The business influence was exerted upon education in several ways: through newspapers, journals, and books; through speeches at educational meetings; and, more directly, through actions of school boards. It was exerted by laymen, by professional journalists, by businessmen or industrialists either individually or in groups. . ., and finally by educators themselves. Whatever its source, the influence was exerted in the form of suggestions or demands that the schools be organized and operated in a more businesslike way and that more emphasis by placed upon a practical and immediately useful education….

The tragedy itself was fourfold: that educational questions were subordinated to business considerations; that administrators were produced who were not, in any true sense, educators; that a scientific label was put on some very unscientific and dubious methods and practices; and that an anti-intellectual climate, already prevalent, was strengthened. (pp. 1, 5-6, 246)

Posts about school choice

Posts about charter schools

 

Daring to Confront Race and Class through Poetry in Trumplandia

My mind is racing, as it always will
My hands tired, my heart aches

“Half a World Away,” R.E.M.

Writing specifically about Mark Twain’s Adventures of Huckleberry Finn and drawing on powerful words from Toni Morrison, Jocelyn Chadwick, president-elect of the National Council of Teachers of English (NCTE), argues in We Dare Not Teach What We Know We Must: The Importance of Difficult Conversations:

Our ELA classrooms take our children around the world and beyond—into past, present, and future worlds. We provide safe and trusted spaces for them where difficult conversations can and do take place. If at times teachers, at whatever level they teach, hit a roadblock, perhaps this impediment is due to or own predilections of codifying our students, stereotyping them before we even listen to them, much less get to know them….[T]he last time I checked, we teach students—not colors, not types. Perhaps it is we who need to stop and reread all of the texts we teach from the 21st-century perspective of students’ empowerment— empowerment that our literature provides….It has been some of us who have been demurring, listening to the voices of others, telling us we dare not teach what we know we must. (p. 91)

Published in English Journal in the month the U.S. elected Donald Trump, Chadwick’s confrontation of “some of us who have been demurring” and “difficult conversations” resonates in ways, I suspect, that even Chadwick may not have anticipated.

Toni Morrison’s words after the election also serve teachers of English Language Arts in the same way that Chadwick anchors her argument about our classrooms, the literature we explore, and the discussions we encourage and allow:

On Election Day, how eagerly so many white voters—both the poorly educated and the well educated—embraced the shame and fear sowed by Donald Trump. The candidate whose company has been sued by the Justice Department for not renting apartments to black people. The candidate who questioned whether Barack Obama was born in the United States, and who seemed to condone the beating of a Black Lives Matter protester at a campaign rally. The candidate who kept black workers off the floors of his casinos. The candidate who is beloved by David Duke and endorsed by the Ku Klux Klan.

In Morrison’s lament, we must recognize the weight of both race and social class on the American character. Morrison confronts white privilege and the consequences of that privilege being eroded: “These people are not so much angry as terrified, with the kind of terror that makes knees tremble.”

As teachers of ELA, it is ours to dare, to dare to teach openly against the world within which our students live and within which our classrooms exist. In the spirit of Chadwick’s call to re-read, and I would add re-teach, literature in that light, please consider how Barbara Kingsolver’s “What the Janitor Heard in the Elevator” from her collection Another America/Otra America provides “safe and trusted spaces” for investigating the increased problems with race and social class in 2016 America.

Barbara Kingsolver’s “What the Janitor Heard in the Elevator”

Kingsolver is best recognized as a novelist—notably for her The Poisonwood Bible—but she is also a brilliant essayist, a skillful poet, and an activist who lives her activism.

Her sole collection of poetry, Another America/Otra America, reflects the essential political nature characterizing all of Kingsolver’s work and is published as a bi-lingual collection of Spanish and English versions of all poems (Rebeca Cartes translates Kingsolver’s original English into Spanish).

“What the Janitor Heard in the Elevator” provides traditional opportunities to highlight the craft of writing and of poetry, including (through which I will discuss the poem more directly later):

  • The importance and power of titles.
  • Word choice, connotation, and framing/motifs.
  • Pronouns and ambiguity.
  • Character and plot in genres/modes beyond fictional narratives.

To frame the poem in the context of the world within which our students live, however, means that students should be allowed and even invited to connect Kingsolver’s craft with the tensions in public discourse about race and class after the election of Donald Trump—concerns about “deplorables” and debates about if and how to understand white anger/fear as well as the increased focus on the white working class.

The poem reads in full:

The woman in the gold bracelets tells her friend:
I had to fire another one.
Can you believe it?
She broke the vase
Jack gave me for Christmas.
It was one of those,
you know? That worked
with everything. All my colors.
I asked him if he’d mind
if I bought one again just like it.
It was the only one that just always worked.

Her friend says:
Find another one that speaks English.
That’s a plus.

The woman in the gold agrees
that is a plus.

A first reading of the poem should include asking students about the janitor in the title—Who do they see? Is that janitor they envision black or brown? What do they notice about the presence of the janitor in the poem itself?

Here, the students can see how racialized their perceptions are, and then discuss the tension between the janitor being in the elevator and the title, but invisible in the lines of the poem.

How does the poem create a space to discuss the marginalization of people by race, by profession, and by social class?

This central question is further complicated in the poem’s use of color imagery, diction, and pronouns.

In the first line “gold bracelets” triggers social class that shades the conversation between friends (again, who do students see when they imagine these women?) that is being overheard by the janitor in the elevator. Voiceless and seemingly invisible to these women with at least relative affluence, the janitor may represent those same conditions in the U.S. for people of color and people from the working class.

The comments by the “woman in the gold bracelets” are layered and coded:

  • She refers to her fired domestic help as “one” and then also refers to the broken vase as “one”—the ambiguity of the pronoun usage reducing the worker to an object.
  • Word choices such as “worked” and “colors” connote “worker” and “colored” if we extend the poem to race and social class.
  • The suggestion in her comments (“another one”) triggers the implication that the worker is expendable, replaceable, just as the vase may be, although the women appears more concerned about replacing the vase.

And then, the friend’s response forces the reader to reconsider or re-examine a first read with “one that speaks English”—more directly invoking the race and nationality of the worker and opening a door to the political and public debates about undocumented workers.

Presented with a bi-lingual collection, how many students initially see a black man as janitor, but then after the friend’s comment, rethink that assumption since the poem appears to be interrogating the tensions of race, class, and language between whites and Latinx?

The final two lines bring the reader back to “gold,” which frames the poem in color imagery that speaks to materialism and affluence as well as opulence.

#

Chadwick quotes Morrison on teaching: “Open doors, let them in, give permission, and see what happens. Students make you think. I learn faster and more when I am teaching.”

And while I am skeptical of universality, I am enamored by the enduring that is art, that is literature. Kingsolver’s poem opens doors for her readers—to the enduring tensions of race, social class, and language; to the specter of invisibility and what Arundhati Roy has explained as: “We know of course there’s really no such thing as the ‘voiceless’. There are only the deliberately silenced, or the preferably unheard”; and to debates about naming racism and racists.

All texts, all poetry, and then this poem—as Chadwick acknowledges, “we teach students” who live in a flawed and complex world not of their making.

Teachers of ELA have unique responsibilities to engage with our students and the world through the texts we choose and the texts students choose as open doors into the world that our students could build instead.

Thanksgiving: “be brave/ And be kind”

A couple nights ago, my son-in-law and I were downstairs along with my granddaughter, his daughter.

He had set the oven to heat and then sat on the couch. As my granddaughter is prone to do, she took her father by the finger and urged him onto the floor with her.

Soon, he was cross-legged with her in his lap.

I heard the oven beep that the temperature was ready so I told him, prompting him to say that his daughter didn’t sit with him as she was that often so he wasn’t in a hurry to move.

I smiled and said he shouldn’t move because before long she would hate him—thinking about the inevitable teen years of rebellion and parent/child tensions.

He said he wasn’t looking forward to that, shaking his head. I added that she’ll grow out of that also.

As I watched my son-in-law and granddaughter there in the floor, I heard the universe whisper as it always does if we are willing to listen:

This is why we are here. This is why we are here. This is why we are here …

To “be brave/ And to be kind.”

Today is my second day alone caring for both of my grandchildren; the first day a week ago included my granddaughter’s first major vomiting experience, and my grandson, only a couple months old, obliged with also spitting up on me later in the day—a two-fer.

Yesterday was the last class session for my three courses (two first-year writing and one foundations in education) before Thanksgiving break.

My classes are intellectually challenging—the writing course focusing on James Baldwin and #BlackLivesMatter and my education course never straying far from the impact of poverty and race on teaching and learning.

In the wakes of the presidential election in 2016 and then attending the National Council of Teachers of English’s annual conference in Atlanta, GA (#NCTE2016), I think my class sessions and my own view of everything have been even more intensified than usual.

As I looked into the eyes and faces of my students, I also heard the universe whisper:

This is why we are here. This is why we are here. This is why we are here …

To “be brave/ And to be kind.”

Just before my trip to #NCTE2016, a student who had driven from Greenville, SC, to Atlanta, GA, the weekend after the election to protest asked my experience with protesting myself.

Another student had asked for my perspective on the protests more broadly the classes before as well.

My answer to both included my support for the protests, but that my own approach to advocacy and activism was grounded in my professional self; I view teaching and being a writer as activism, as advocacy.

In fact, I cannot fathom how to separate my private and professional selves just as I cannot fathom how to teach or to write without being political.

“I am a writer,” I explained. “It’s the only way I know how to respond to this world.”

Speaking to the student who needed someone to understand her urge to protest, I also heard the universe whisper:

This is why we are here. This is why we are here. This is why we are here …

To “be brave/ And to be kind.”

And then at #NCTE2016, where Ta-Nehisi Coates was a featured speaker, Coates answered in a similar way about his writing and his concept of protests and advocacy.

Also at the conference, I told a friend as we walked through the exhibition hall that being a writer and sitting with a line of people eager to meet you, to have you sign your book—that must be the ultimate way to feel like a writer.

The immediate feedback of teaching—a necessarily social act—is a beautiful thing against the isolation and distance of being a writer.

But writers need that feedback as well, need to know there is an audience.

As I sat listening to Coates being interviewed, as I walked through the convention center at #NCTE2016, I also heard the universe whisper:

This is why we are here. This is why we are here. This is why we are here …

To “be brave/ And to be kind.”

I’ve never been one for holidays, the stress and break in the rhythms of life are hard on those of us who suffer from anxiety. Fall and winter holidays are even more stressful for me with the dwindling daylight and the creeping cold temperatures.

But there is certainly something about Thanksgiving—taking the space and time to give thanks—that can rise above the problems with the literal source of the holiday and the inherent problems with holiday celebrations.

Do we as teachers and writers especially need that space and time to acknowledge and appreciate all for which we should be thankful?

I think so—now more than ever.

As a teacher, I am thankful for and I love my students.

As a writer, I am thankful for and I am humbled by my readers.

With my granddaughter playing nearby and watching Doc McStuffins, with my grandson sleeping on my bed, I squeeze in time to write, and I pause to listen to the universe whisper:

This is why we are here. This is why we are here. This is why we are here …

To “be brave/ And to be kind.”

Trumplandia 2016 (Prelude): What Mainstream Media Hath Wrought

The election of Barack Obama prompted a rash claim that the U.S. was officially post-racial. As a cruel commentary on that misinterpretation of the first black president, the era of Donald Trump has coincided with the Oxford Dictionary naming “post-truth” the word of the year.

Part of being “post-truth” includes that which shall not be named.

For example, “[a]n Alabama police officer has been fired for sharing racist memes, including one about Michelle Obama,” reports Lindsey Bever of the Washington Post. But the police department’s explanation for the firing is important to analyze:

Bryant, the city manager, said statements that are “deemed to be biased or racially insensitive or derogatory” can affect the community’s trust in the police department and, when that happens, “we have to take action to correct it.”

Not racist, not racism, but “racially insensitive.”

While Bever does use “racist” in the lede, later she explains:

Since Donald Trump was elected president, a wave of racially and religiously motivated acts of intimidation, violence and harassment have swept across the country — from a middle school in Michigan and a high school in Pennsylvanian to universities in Texas and elsewhere.

Not a wave of racism, but “racially motivated acts.”

And while this article and the incidences Bever details are mostly about how racists and racism have been confronted and with consequences (multiple firings of public officials), the piece still reflects the tendency in the U.S. for mainstream media to avoid or tiptoe around directly naming racists and racism.

Tressie McMillan Cottom, Ph.D., an assistant professor of sociology at Virginia Commonwealth University and faculty associate with Harvard University’s Berkman Klein Center for Internet & Society, explains in a detailed blog post:

I said over two years ago that media style guides precluded major newspapers from calling something racist.

Then I asked around and professional media people told me that there isn’t a style convention on this matter so much as an informal culture. The general rule, I was told, is to never call anything racist and certainly to never call anyone racist. At best, they might quote someone calling something or someone racist.

The implication is that there is no such thing as objectively racist. Racism, according to many mainstream media producers and gatekeepers, can only be subjective.

While, again, Bever’s journalism is relatively bold in this context identified by Cottom, the authority figure in the article represents well a fundamental problem in the U.S. with naming racists and racism.

For example, in 2014, when high school students dressed in black face for intramural football, the principal reacted as follows:

A group of seniors in Sullivan, Missouri was criticized after donning blackface for an intramural football game, which their principal said fueled a misunderstanding, the Riverfront Times reported.

“I thought, ‘Oh, they don’t mean anything by it. Just let it go. No one thinks anything of it,’” Sullivan High School principal Jennifer Schmidt. “I didn’t think anyone did. Evidently, someone did.”

Schmidt said the 12 seniors painted their faces black on Nov. 5 as part of a charity “powder-puff” football game organized by the junior class. According to her, the face paint was intended to be a parody of the football team’s habit of wearing eye-black on their own faces.

Broadly, then, although in the U.S. there is lip service given to the importance of a free press in a democracy, the real problem is that there is no critical free press—one that honors a careless “both sides” and “press release” journalism over offering the public informed stances.

In the prelude to the era of Trumplandia, we are now faced with how the lack of a critical free press either allowed or created Trump and how the rise of a critical free press could suppress the danger inherent in Trump’s tenure as president and turn the tide against bigotry.

A vivid example of the dangers ofthe traditionally passive mainstream media is the coverage of Trump considering former DC chancellor Michelle Rhee for Secretary of Education; for example, Andrew Ujifusa in Education Week:

Trump’s search for education secretary appears to be crossing party lines. Rhee, who has identified as a Democrat throughout her career, is a strong supporter of school choice (including vouchers), which appears to be the top K-12 priority for Trump. She also rose to prominence for how she handled teachers and teacher evaluations during her tenure in the District of Columbia, which lasted from 2007 to 2010. In 2010, she left the nation’s capital and founded StudentsFirst, an advocacy group that pushes for choice, reforms to labor policies often unfriendly to teachers’ unions, and data-based school accountability. She stepped down as the leader of StudentsFirst in 2014.

Framed as crossing party lines, and then detailing in Wikipedia fashion Rhee’s professional resume, this coverage ignores Rhee’s lack of experience in education (a Teach For America corp member) as well as her tenure in DC that was either significantly mismanaged or outright criminal [1].

Even more telling is Ujifusa’s use of the standard mainstream journalism “both sides” reduction of all issues—some will applaud Rhee and some will not. Of course, no effort is made to make an informed recognition that Rhee is, like Trump, so tarnished in her career that she is unsuited for public service.

Those in positions of authority and the mainstream media who report on them are both trapped in maintaining and creating a safe space throughout the U.S. to protect racism, white privilege, and sexism/misogyny from being named. As Cottom includes about this phenomenon:

The most cited and widely recognized [research] is Eduardo Bonilla-Silva’s theory of colorblind racism in which there is racism but no racists….

Media had, at some point, produced a culture that normalized using euphemisms for racism and racists.

And so, in Trumplandia, not only is truth sacrificed, but also is any semblance of expertise, credibility, or ethics.

The consequence of that approach is Trump himself and now the government he has the power to build.

The only antidote to perpetuating bigotry is to name it—including especially by a critical free press that could be a powerful force for a free people.


[1] Omitting as well that Rhee’s husband, Kevin Johnson, is also a seriously tarnished public official.

 

The “R” Word as Taboo in Twenty-First Century U.S.A.

Margaret Atwood’s The Handmaid’s Tale offers a not-too-distant dystopia in which Atwood explores the rise of a theocracy as a sanctuary for the declining white race; the work is a tour-de-force confrontation of sexism and misogyny as well as dramatization of the relationship between power and language, including the power inherent in what humans name* and what humans taboo.

The central handmaid of the tale, June/Offred, narrates her own journey through hell that includes being assigned to a Commander who monthly is charged with attempting to impregnate his handmaid in what this new nation of Gilead calls the Ceremony, infusing the act with religious and official overtones.

However, June/Offred characterizes the Ceremony with a disturbing and clinical precision:

My red skirt is hitched up to my waist, though no higher. Below it the Commander is fucking. What he is fucking is the lower part of my body. I do not say making love, because this is not what he’s doing. Copulating too would be inaccurate, because it would imply two people and only one is involved. Nor does rape cover it: nothing is going on here that I haven’t signed up for. There wasn’t a lot of choice but there was some, and this is what I chose. (p. 94)

Many aspects of this passage are worth emphasizing, but let’s focus on the importance and value in June/Offred naming accurately this awful thing happening—and not ignore the weight of taboo language (such as the word “fucking”).

“I have guarded my name as people/ in other times kept their own clipped hair,” opens Barbara Kingsolver’s poem, “Naming Myself,” “believing the soul could be scattered/ if they were careless.”

Here too are the intersections of naming, gender, and power: why must women abandon their names in the legal/religious act of marriage while men retain theirs?

Kingsolver’s speaker, like Atwood’s narrator, both uses and values language as power—guarding a name and naming.

#

The election of Donald Trump as the president of the U.S. comes in the wake of Trump making inflammatory comments about Mexicans, Muslims, and women. Nonpartisan and measured assessments of Trump’s words rightly label them as racist, xenophobic, and sexist/misogynistic.

The rise of Trump as a political leader has exposed the lingering taboo in the U.S. for naming racism, even when there is direct evidence of racist language and behavior and especially when that racism is coded (getting tough on crime, building a wall, evoking the specter of terrorism).

Serious public debate has parsed making the distinction between Trump being a racist and Trump courting and/or attracting racists, such as being endorsed by the KKK, neo-Nazi organizations, and the white nationalist movement.

A perverse shift has occurred, in fact, from the mislabeling of Barack Obama’s being elected president as proof that the U.S. is a post-racial society to Trump’s rise asking the U.S. to reconsider what counts as racism.

Trump personifies the triple-Teflon of being white, male, and affluent, most notably in the power of those attributes to deflect the label “racist.” As Trump himself asserted defiantly:

I can never apologize for the truth. I don’t mind apologizing for things. But I can’t apologize for the truth. I said tremendous crime is coming across. Everybody knows that’s true. And it’s happening all the time. So, why, when I mention, all of a sudden I’m a racist. I’m not a racist. I don’t have a racist bone in my body.

Trump’s own strategy frames his words and behavior as “truth,” therefore not “racist.”

The election of Trump grounded significantly on white voter support, including a majority of white women, adds another layer of tension in that if Trump has voiced racism and/or practiced racism, how complicit are voters as racists themselves?

In short, are the approximately 25% of eligible voters who supported Trump racists? And if so, who can name that racism?

#

A valued colleague who is a rhetorician posted on social media his argument that white liberal elites, especially, should stop naming people as racists—pointing to the overwhelming evidence that the approach is ineffective.

Faced with evidence of racism, whites tend to emphasize their own personal struggles, and many whites now believe racism toward whites trumps racism toward blacks.

Systemic racism (distinct from individual racists) tends to be much harder for many in the U.S. to name or confront. For example, the political and media perpetuation of black-on-black crime is enduring despite the fact that all crime is mostly intra-racial—the white-on-white crime rate is nearly identical to the black-on-black crime rate.

To approach this in Trump-logic: black-on-black crime rates are true; therefore, referring to them cannot be racist.

But even the racism that can be named in the U.S. is reduced to the most extreme and even cartoonish version that Ta-Nehisi Coates calls the “oafish racist”:

Cliven Bundy is old, white, and male. He likes to wave an American flag while spurning the American government and pals around with the militia movement. He does not so much use the word “Negro”—which would be bad enough—but “nigra,” in the manner of villain from Mississippi Burning or A Time to Kill. In short, Cliven Bundy looks, and sounds, much like what white people take racism to be.

The problem with Cliven Bundy isn’t that he is a racist but that he is an oafish racist. He invokes the crudest stereotypes, like cotton picking. This makes white people feel bad.

What Trump represents, however, is more insidious:

The elegant racist knows how to injure non-white people while never summoning the specter of white guilt. Elegant racism requires plausible deniability, as when Reagan just happened to stumble into the Neshoba County fair and mention state’s rights. Oafish racism leaves no escape hatch, as when Trent Lott praised Strom Thurmond’s singularly segregationist candidacy.

Elegant racism is invisible, supple, and enduring. It disguises itself in the national vocabulary, avoids epithets and didacticism. Grace is the singular marker of elegant racism. One should never underestimate the touch needed to, say, injure the voting rights of black people without ever saying their names. Elegant racism lives at the border of white shame. Elegant racism was the poll tax. Elegant racism is voter-ID laws.

The racism of Trump and emboldened by Trump sullies the “elegant,” but it certainly meets Coates’s recognition of “plausible deniability.”

#

Finally, let’s return to June/Offred, being fucked, but not raped because “[t]here wasn’t a lot of choice but there was some.”

In a free society, black and brown people find themselves in a parallel circumstance to June/Offred, the victims of racism even though “[t]here wasn’t a lot of choice but there was some.”

And as my colleague noted, victims of racism certainly find value in naming racism and racists.

The problem my colleague raises, however, is among white allies to those victims of racism; if it is ineffective for white allies to name racism, to name racists, what is our obligation as allies against racism and inequity?

To suggest that racism and racists do not exist until acknowledged by whites is a nasty dose of paternalistic racism. To tip-toe around racists for fear of offending them and entrenching racism further also seems like a slap in the face of black and brown people living the very real consequences of racism and the “rigid refusal to look at ourselves.”

As a very privileged ally to everyone marginalized by racism (as well as sexism/misogyny, xenophobia, and all sorts of bigotry), I believe I must listen to black and brown voices, but I also must use my privilege to amplify (not confirm) those voices—to stand beside and behind, but never to speak for.

There was a time in the not-so-distant past when even the oafish racist was not called to account; therefore, I am convinced that a key step to erasing elegant racism, systemic racism, is to have the courage to call racists “racists” regardless of the evidence that those rightly labeled “racists” will not change.

I am taking this stand because I am not sure our goal is to change individual racists, but to change the greater capacity of the larger population who have yet to confront their culpability in elegant/systemic racism, and thus to create a critical mass in the name of equity that will eradicate racism over time.

In the most profound and bitter sort of appropriateness, the U.S. has elected the very worst and most perfect leader of, as Trump would say, the truth about the U.S.—which is that we are a racist, sexist/misogynist, and xenophobic people, drunk on consumerism and negligent in our humanity for each other.

With that before us and named, let us hope we can confess our sins, do our penance, and create a more perfect union.


* Dare we call fascism “fascism”? No, this isn’t the 1930s – but yes, this is fascism, James McDougall

The Rights and Responsibilities of the Teacher of English Redux (2016)

“All we gotta do is be brave
And be kind”

“Baby, We’ll Be Fine,” The National

…the world is gone daft with this nonsense.

John Proctor, The Crucible, Arthur Miller

In a keynote address at the 1960 National Council of Teachers of English (NCTE) annual convention, former NCTE president Lou LaBrant asserted:

Every teacher of English exercises some rights, no matter how dictatorial the system under which [she/]he works; and every teacher carries out some responsibilities. But today we have a considerable movement in this country to curtail certain freedom—rights—of the classroom teacher, and those rights are the matter of this discussion. (p. 379)

Published as The Rights and Responsibilities of the Teacher of English in the September 1961 English Journal, this characteristic call to action from LaBrant resonates in 2016 as English teachers prepare to gather in Atlanta, Georgia for #NCTE16 with the increasingly important theme of Faces of Advocacy.

Fifty-five years ago, LaBrant advocated for teaching:

Teaching, unlike the making of a car, is primarily a thought process. A [hu]man may work on an assembly line, turning a special kind of bolt day after day, and succeed as a bolt-turner….But the teacher is something quite different from the [hu]man who turns a bolt, because the student is not like a car. Teaching is a matter of changing the mind of the student, of using that magic by which the thinking of one so bears on the thinking of another that new understanding and new mental activity begin. Obviously, the degree to which this is reduced to a mechanical procedure affects the results. (p. 380)

Most practicing teachers today work within and against political and bureaucratic forces that “[reduce teaching] to a mechanical procedure.”

And even more disturbing is LaBrant’s warning:

What I am trying to say here is that the teacher who is not thinking, testing, experimenting, and exploring the world of thought with which [she/]he deals and the very materials with which [she/]he works, that teacher is a robot [her/]himself. But we cannot expect a teacher to continue the attempt to find better means or to invent new approaches unless [she/]he knows [she/]he will have freedom to use [her/]his results. Without this freedom we must expect either a static teacher or a frustrated one. I have seen both: the dull, hopeless, discouraged teacher, and the angry, blocked, unhappy individual. (p. 380)

At mid-twentieth century, LaBrant spoke against the all-too-familiar “bad” teacher myth used in contemporary calls for accountability:

Repeatedly when capable teachers ask for freedom, someone points out that we have many lazy teachers, stupid teachers unable to think and choose, ignorant teachers; in short, bad teachers who need control. We do have some, but we encourage others to be bad. Even the weak teacher does better when [she/]he has to face [her/]his own decisions, and when [she/]he supports that decision. (p. 383)

The de-professionalizing of all teachers, then, is not something new, but a historical fact of being a teacher. However, LaBrant confronted the culpability among educators themselves:

One reason so many of us do not have our rights is that we have not earned them. The teacher who is free to decide when and how to teach language structure has an obligation to master [her/]his grammar, to analyze the problems of writing, and to study their relations to structure….But [her/]his right to choose comes only when [she/]he has read and considered methods other than [her/]his own. [She/]He has no right to choose methods or materials which research has proved ineffective….There is little point in asking for a right without preparation for its use. (p. 390)

“Throughout our country today we have great pressure to improve our schools,” lamented LaBrant. “By far too much of that pressure tends toward a uniformity, a conformity, a lock-step which precludes the very excellence we claim to desire”:

There is little consideration of the teacher as a catalyst, a changing, growing personality. Only a teacher who thinks about [her/]his work can think in class; only a thinking teacher can stimulate as they should be stimulated the minds with which [she/]he works. Freedom of any sort is a precious thing; but freedom to be our best, in the sense of our highest, is not only our right but our moral responsibility. “They”—the public, the administrators, the critics—have no right to take freedom from us, the teachers; but freedom is not something one wins and then possesses; freedom is something we rewin every day, as much a quality of ourselves as it is a concession from others. (pp. 390-391)

The Rights and Responsibilities of the Teacher of English Redux

“Evil settles into everyday life when people are unable or unwilling to recognize it,” writes Teju Cole in the wake of Donald Trump being elected president of the U.S. “It makes its home among us when we are keen to minimize it or describe it as something else.”

LaBrant wrote about the field of teaching English throughout the 1940s and 1950s with the power—both for evil and for good—of language forefront of her concerns:

Misuse of language, as Hitler demonstrated, is a terrible thing; we teachers of English can at the very least teach our students that language is a tool of thought, a tool which can be sharp and keen, but is easily blunted. (“The Individual and His Writing,” 1950, p. 265)

So we teachers of English/ELA—and all educators—sit in 2016 confronted with a “[m]isuse of language” that has given rise to a presidency built on racism, sexism, and xenophobia; therefore, as during LaBrant’s career, we teachers of English/ELA must embrace the most pressing responsibilities.

But driving Trump’s and his supporters’ bigotry has been a powerful corruption of language: blatant lies, denials of those lies, and the ugliest of coded language. In short, bullying has rewarded a political leader with the highest office in a free society.

Parody of Trump’s misuse of language cannot be taken lightly, but that misuse has real consequences on the lives of vulnerable and marginalized people, including children in the classrooms of teachers across the U.S.

Immediately, then, teachers must admit “that every dimension of schooling and every form of educational practice are politically contested spaces” (Kincheloe, 2005).

In other words, although teachers are historically and currently de-professionalized by being told not to be political, as LaBrant argued, educators cannot reinforce that mantra by calling for politics-free zones in our classrooms and in our professional spaces.

Calling for no politics is a political act of silencing that brazenly takes a masked political stand in favor of the status quo.

Teaching and learning are unavoidably “politically contested spaces,” but they are unavoidably ethically contested spaces as well.

Language is a human behavior that allows us to wrestle with and find our moral grounding; and thus, those teaching literacy have a profoundly ethical mission to work toward the Right, Good, and Decent—in the act of teaching but also as a personal model.

As philosopher Aaron Simmons argues:

It matters that we demonstrate critical thinking even while others assume that shouting louder is tantamount to evidential refutation. It matters that we think well when it seems hard to think anything at all. It matters that we care about truth because only then can lies and bullshit still be categories to avoid.

The naive stance of neutrality can no longer be who teachers are because, as I noted above, to be neutral is to support the status quo, and in the U.S., the status quo is a cancer that left untreated promises to kill us all.

As Lucas Jacob argues directly:

Calling a politician out for Islamophobia, xenophobia, racism, and misogyny is not a matter of exerting undue influence by favoring one political party over another; nor is it a matter of disrespecting the presidency. Naming Mr. Trump’s hate speech as such is, rather, a moral imperative for supporting the missions of K-12 schools, in which Islamophobic, xenophobic, racist, and misogynist words and actions are punishable offenses that can (and must) be treated as being beyond the pale.

“It goes without saying, then, that language is also a political instrument, means, and proof of power,” James Baldwin wrote in 1979 on Black English. “It is the most vivid and crucial key to identify: It reveals the private identity, and connects one with, or divorces one from, the larger, public, or communal identity.”

Just as LaBrant linked language and power, Baldwin extended that dynamic to include race—and called for using that power in the name of community instead of divisiveness.

The word “critical,” now, has taken on exponential layers of meaning.

We are in critical times, and thus, as Kincheloe explains about the political and ethical responsibilities of being critical educator who seeks for students critical literacy:

Recognition of these educational politics suggests that teachers take a position and make it understandable to their students. They do not, however, have the right to impose these positions on their students [emphasis in original]….

To refuse to name the forces that produce human suffering and exploitation is to take a position that supports oppression and powers that perpetuate it. The argument that any position opposing the actions of dominant power wielders is problematic. It is tantamount to saying that one who admits her oppositional political sentiments and makes them known to students is guilty of indoctrination, while one who hides her consent to dominant power and the status quo it has produced from her students is operating in an objective and neutral manner. Critical pedagogy wants to know who’s indoctrinating whom. (p. 11)

In its simple form, to call a lie, a lie; to name racism, racism; to reject hate as hate—these are the undeniable responsibilities of teachers, especially teachers of English/ELA.

To say “I’m neutral” in the face of a lie is to lie.

To say “I’m neutral” in the face of racism is racism, in the face of sexism is sexism, in the face of xenophobia is xenophobia.

To divorce the act of teaching from the world within which it resides is to abdicate the greatest potential of teaching and learning: to change the human experience from dark to light.

If we shun our responsibilities as teachers in 2016, we are turning our backs to the ugliest realities faced by Baldwin nearly forty years ago:

The brutal truth is that the bulk of white people in American never had any interest in educating black people, except as this could serve white purposes. It is not the black child’s language that is in question, it is not his language that is despised: It is his experience. A child cannot be taught by anyone who despises him, and a child cannot afford to be fooled. A child cannot be taught by anyone whose demand, essentially, is that the child repudiate his experience, and all that gives him sustenance, and enter a limbo in which he will no longer be black, and in which he knows that he can never become white. Black people have lost too many black children that way.

And, after all, finally, in a country with standards so untrustworthy, a country that makes heroes of so many criminal mediocrities, a country unable to face why so many of the nonwhite are in prison, or on the needle, or standing, futureless, in the streets–it may very well be that both the child, and his elder, have concluded that they have nothing whatever to learn from the people of a country that has managed to learn so little.

Writing two decades before her NCTE keynote examined above, LaBrant made a foundational request: “For these reasons my first request of every American teacher of English is that [she/]he teach in [her/]his classroom this honest use of language and an understanding of its relation to life” (p. 206).

And about “this honest use of language,” there are only two options—although remaining neutral is not one of them.