“What would I write if I could write literally anything in the DC Universe?” writes Kelly Sue DeConnick in her preface to The Pitch for Wonder Woman Historia (the hardback collecting the three volume series), adding, “What was the comic I had always wanted to read?”
A very fortunate 62-year-old reader and collector of comic books, I am reading a copy signed by the wonderful creative team including DeConnick, Phil Jimenez, Gene Ha, and Nicola Scott:


In the second point DeConnick makes about The Pitch, she focuses on what I think must be acknowledged about this thoughtful interrogation of the Wonder Woman myth as well as much of what makes us human (especially issues related to gender):
I honestly don’t think any of my favorite moments appear in the pitch—they were all discovered later, in the writing, the rewriting, or the alchemy of collaboration.
Wonder Woman Historia
As an avid reader, a writer, and a teacher of writing, I wish I could bottle that thought and pour it into my students—and anyone who seeks to be a writer, to be creative.
That’s it, that’s the path to the beautiful that is Wonder Woman Historia, a work that she be read and reread, a work that should be careful savored by looking carefully at the stunning artwork at both the close-up and at the widest possible angels that reveal some of the best work ever done in comic books.
I cannot recommend this work enough, both for readers but also for anyone who has the opportunity to bring this text into a classroom.
There isn’t much new I can offer so I collect below the four posts I have written already hoping you find a moment to read—but after you read, and reread Wonder Woman Historia.
Enjoy.
Wonder Woman Historia: A Reader
- Just in Time: Wonder Woman Historia: The Amazons
- Wonder Woman Historia: The Amazons (Book Two): Women and Children, Goddesses/Gods and Mortals
- Wonder Woman Historia: The Amazons (Book Three): “Born to Die”
- Paired Texts: Barbie and Wonder Woman Historia: The Amazons
