Category Archives: Kurt Vonnegut

Charter Schools, the Invisible Hand, and Gutless Political Leadership

Billy Pilgrim becomes unstuck in time in Kurt Vonnegut‘s Slaughterhouse-Five. Billy’s experience introduces readers to Tralfamadorians:

The creatures were friendly, and they could see in four dimensions. They pitied Earthlings for being able to see only three. They had many wonderful things to teach Earthlings, especially about time….

The Tralfamadorians can look at all the different moments just the we way we can look at a stretch of the Rocky Mountains, for instance. They can see how permanent all the moments are, and they can look at any moment that interests them. It is just an illusion we have here on Earth that one moment follows another, like beads on a strong, and that once a moment is gone it is gone forever. (pp. 33, 34)

One of the most memorable moments of Billy becoming unstuck in time is his watching a war movie backward. Viewed in reverse, the film becomes a narrative of renewal, of peace, as fighter planes “sucked bullets and shell fragments from some of the planes and crewmen,” and “[t]he bombers opened their bomb bay doors, exerted a miraculous magnetism which shrunk fires, gathered them into cylindrical steel containers, and lifted the containers into the bellies of the planes” (pp. 93, 94).

In the spirit of folding time back onto itself to give us clarity of sight, let’s become unstuck in time while viewing American Indian Charter Schools.

Spitting in the Eye of Mainstream Education?

Like Billy watching a war film, we start now and move backward.

Jill Tucker reports (June 26, 2013) that American Indian Charter Schools have had their charter revoked by Oakland Unified school district:

The American Indian charter schools, which enroll 1,200 students in grades K-12, are among the highest-scoring in the state on standardized tests.

Yet Oakland district officials said they had a duty to the public to close the schools given the inability of the schools’ management to rein in the misuse of taxpayer money.

A 2012 state audit of the charter organization found several instances of financial impropriety, including $3.8 million in payments to the school’s former director, Ben Chavis, and his wife through real estate deals, consulting agreements and other services, raising ethical questions and conflict-of-interest concerns.

The decision was supported by the state’s leading charter school advocates.

“In this situation, it is clear that academic performance is not enough to either overlook or excuse the mismanagement of public funds and the unwillingness from the board of directors to respond in ways that would satisfactorily address the legitimate concerns raised by OUSD,” said Jed Wallace, president and CEO of the California Charter Schools Association, in a letter to the board in support of the revocation.

Mitchell Landsberg explains—in a provocatively titled “Spitting in the Eye of Mainstream Education” (May 31, 2009)—about American Indian Charter Schools:

Conservatives, including columnist George Will, adore the American Indian schools, which they see as models of a “new paternalism” that could close the gap between the haves and have-nots in American education. Not surprisingly, many Bay Area liberals have a hard time embracing an educational philosophy that proudly proclaims that it “does not preach or subscribe to the demagoguery of tolerance.”

It would be easy to dismiss American Indian as one of the nuttier offshoots of the fast-growing charter school movement, which allows schools to receive public funding but operate outside of day-to-day district oversight. But the schools command attention for one very simple reason: By standard measures, they are among the very best in California….

“What we’re doing is so easy,” said Ben Chavis, the man who created the school’s success and personifies its ethos, especially in its more outrageous manifestations. (One example: He tends to call all nonwhite students, including African Americans, “darkies.”) Although he retired in 2007, Chavis remains a presence at the school.

Focusing on American Indian Charter Schools among five other “no excuses” schools adopting a new paternalism,  David Whitman (2008, Fall) praises the accomplishments and possibilities of these schools:

Yet above all, these schools share a trait that has been largely ignored by education researchers: They arepaternalistic institutions. By paternalistic I mean that each of the six schools is a highly prescriptive institution that teaches students not just how to think, but also how to act according to what are commonly termed traditional, middle-class values. These paternalistic schools go beyond just teaching values as abstractions: the schools tell students exactly how they are expected to behave, and their behavior is closely monitored, with real rewards for compliance and penalties for noncompliance. Unlike the often-forbidding paternalistic institutions of the past, these schools are prescriptive yet warm; teachers and principals, who sometimes serve in loco parentis, are both authoritative and caring figures. Teachers laugh with and cajole students, in addition to frequently directing them to stay on task.

The new breed of paternalistic schools appears to be the single most effective way of closing the achievement gap. No other school model or policy reform in urban secondary schools seems to come close to having such a dramatic impact on the performance of inner-city students. Done right, paternalistic schooling provides a novel way to remake inner-city education in the years ahead….

Still, these entrepreneurial school founders battle on, slowly replicating their institutions across the country. It is too soon to say that all of the copycat schools will succeed. But the early results are extremely encouraging. It is possible that these schools, so radically different from traditional public schools, could one day educate not just several thousand inner-city youngsters but tens or even hundreds of thousands of students in cities across the nation. Done well, paternalistic schooling would constitute a major stride toward reducing the achievement gap and the lingering disgrace of racial inequality in urban America.

The Invisible Hand and Gutless Political Leadership

Backward or forward, this story is ugly. “No excuses” and the new paternalism themselves are classist and racist—ways in which the middle class and affluent allow “other people’s children” to be treated, but not their own—yet the larger faith in the Invisible Hand is the ugliest part of the narrative.

Idealizing parental choice narrowly and choice broadly is the foundation upon which both political parties stand. Why is the Invisible Hand of the Free Market so appealing to political leaders?

The answer is simple: Abdicating political leadership to the market absolves our leaders from making any real (or ethical) decisions, absolves them from doing anything except sitting back and watching the cards fall where they may.

And thus the charter school movement, with its school-choice light that allows progressives to tap into their closeted libertarian. Experimenting with impoverished children, African American children, Latino/a children, English Language Learners, and special needs children—this is the acceptable playground for the Invisible Hand.

Political leaders bask in the glory of Capitalism because the free market requires no moral conviction, no ethical stands, no genuine decision making based on careful consideration of foundational commitments to democracy and human dignity and agency. Capitalism allows Nero to sit and fiddle while Rome burns. If the fire needs putting out, and someone can monetize that, the market will take care of it, right?

Political leadership has ignored and marginalized children in poverty for decades, notably in the schools we provide high-poverty, majority-minority communities. The school-choice light commitment to charter schools is a coward’s way out of facing that reality and doing anything about it.

So it goes.

“Eager to Recreate the Same Old Nightmare”: Revisiting Vonnegut’s Player Piano

Few people could have imagined the acceleration of corporate influence that has occurred in the last two years despite the economic downturn associated with those corporations and the election of Barak Obama, who was repeatedly demonized as a socialist. *

More shocking, possibly, has been the corporate influence on the public discourse about universal public education, driven by Secretary of Education Arne Duncan and promoted through celebrity tours by billionaire Bill Gates, ex-chancellor Michelle Rhee, and “Superman” Geoffrey Canada.

Adam Bessie has speculated about the logical progression of the current accountability era built on tests and destined to hold teachers accountable for their students’ test scores (despite the evidence that teachers account for only about 10-20% of achievement)—hologram teachers. And Krashen believes that the corporate takeover of schools is at the center of the new reformers’ misinformation tour. For Anthony Cody, the future is a disturbing dystopia.

While Bessie’s, Krashen’s, and Cody’s commentaries may sound like alarmist stances–possibly even the stuff of fiction—I believe we all should have been seeing this coming for decades.

The science fiction (SF) genre has always been one of my favorites, and within that genre, I am particularly found of dystopian fiction, such as Margaret Atwood’s brilliant The Handmaid’s TaleOryx and Crake, and The Year of the Flood. Like Atwood, Kurt Vonnegut spoke and wrote often about rejecting the SF label for his work (See Chapter 1 of Wampeters, Foma & Granfalloons), but Vonnegut’s genius includes his gift for delivering social commentary and satire wrapped in narratives that seemed to be set in the future, seemed to be a distorted world that we could never possibly experience.

In 1952, Kurt Vonnegut published Player Piano, offering what most believed was a biting satire of corporate American from his own experience working at GE. A review of the novel describes Vonnegut’s vision of our brave new world:

The important difference lies in the fact that Mr. Vonnegut’s oligarchs are not capitalists but engineers. In the future as he envisages it, the machines have completed their triumph, dispossessing not only the manual laborers but the white collar workers as well. Consequently the carefully selected, highly trained individuals who design and control the machines are the only people who have anything to do. Other people, the great majority, can either go into the Reconstruction and Reclamation Corps, which is devoted to boondoggling, or join the army, which has no real function in a machine-dominated world-society.

Yes, in Vonnegut’s dystopia, computers are at the center of a society run itself like a machine, with everyone labeled with his or her IQ and designated for what career he or she can pursue (although we should note that women’s roles were even more constrained than men’s, reflecting the mid-twentieth century sexism in the U.S.). Where corporations end and the government begins is difficult in this society that is simply a slightly exaggerated of the life Vonnegut had witnessed while working at GE before abandoning corporate America to be a full-time writer.

For me, however, Vonnegut’s Player Piano is as much a warning about the role of testing and labeling people in our education system as it is a red flag about the dangers of the oligarchy that we have become.

Today, with billionaire Bill Gates speaking for not only corporate America but also for reforming public education, how far off was Vonnegut’s vision?

In the first decade of the twenty-first century, how different is Vonnegut’s world to what we have today, as income inequity and the pooling of wealth accelerates?

We have witnessed where political loyalty lies during the bailouts as corporate America collapsed at the end of George W. Bush’s presidency. With corporate America saved, and most Americans ignored, the next logical step is to transform public education by increasing the corporate model that has been crippling the system since the misinformation out of Ronald Reagan’s presidency grabbed headlines with the release of A Nation at Risk.

If Vonnegut had written this storyline, at least we could have been guaranteed some laughter. But this brave new world of public education is more grim—like George Orwell’s 1984.

Our artists can see and understand when many of the rest of us are simply overwhelmed by our lives. In Player Piano, we see how successfully corporate life disorients and overwhelms workers in order to keep those workers under control. And in the relationship between the main character Paul and his wife Anita, we watch the power of corporate life—and the weight of testing and reducing humans to numbers—being magnified by the rise of computers when Paul makes a plea to his wife:

“No, no. You’ve got something the tests and machines will never be able to measure: you’re artistic. That’s one of the tragedies of our times, that no machine has ever been built that can recognize that quality, appreciate it, foster it, sympathize with it.” (p. 178)

In the novel, Paul’s quest and the momentary rise of a few rebels appear to be no match for corporate control. Today, I have to say I am no more optimistic than Vonnegut.

When Secretary Duncan offers misleading claims about international test scores and bemoans the state of public schools for failing to provide us with a world-class workforce, and almost no one raises a voice in protest (except those of us within the field of education, only to be demonized for protesting), I am tempted to think that we are simply getting what we deserve—like Paul at the end of Player Piano: “And that left Paul. ‘To a better world,’ he started to say, but he cut the toast short, thinking of the people of Ilium, already eager to recreate the same old nightmare” (p. 340).

* Slightly revised reposting from OpEdNews (1/3/2011)

See Also

Engineers Own The Future, And Maybe Even Us, Jamie Condliffe