Category Archives: memoir

The Friends We Never Had

While I am more than deeply skeptical about the supernatural world, I had a few weeks ago what I can call only a premonition.

My partner and I were sitting at a local brewery, and I had this sudden and random thought: A former more-than-friend contacting me more than a decade after ghosting me to tell me a mutual friend had died.

Both people in that thought are people I have had no contact with for many years, although I once considered one of them (the one I imagined finding out had died) my best friend.

In no more than thirty minutes from that thought, I had a chilling real experience: I put down a book I was reading, glanced through Facebook on my phone, and saw a post that the person I had once considered my best friend had just died.

I was quite disoriented, and shared the whole event—premonition—with my partner, who asked how I was feeling.

To be honest, it took several days for me to work through and confront how I felt, both about the premonition event itself and of course the death of a person I had once considered my best friend.

There is more, of course, to why this entire situation bothered me, disoriented me.

The person who ghosted me made a statement to me that would prove to be about the last thing they ever told me; they said about the person who I once considered my best friend: “He is not your friend.”

Among the many parts of our parting that were messy and painful, even though that was over ten years ago, I remain haunted by the sincerity of that message despite the layers of doubt about that relationship I had to navigate.

Being ghosted means being left without full closure, but this ghosting also left me with a puzzle I never was able to piece together.

Without any real evidence, I believe that warning—that he wasn’t my friend. However, I can’t shake the need to understand that even as I have made complete peace with both the ghosting and the reality that someone I considered my best friend was in fact a friend I never had.


I am not religious and I have a very strong aversion to tradition and formality (anxiety reflexes, I think); therefore, death always puts me in awkward public corners.

My parents died within 6 months of each other only a few years ago. Being the dutiful son in the way people expected, the normal way, added to the weight of their deaths for me. Their deaths overlapped my mother’s sudden stroke and debilitation so by the time they died, I was drained in ways that were far beyond simply having to live through the sudden health decline and deaths of your parents.

I was completely at peace with what I wanted and could do during those months with and for my parents in terms of I know that my parents were and would have been the very first people to understand and not judge my abnormal responses and behavior.

I don’t play expected roles well. I am deeply attracted to people who do not expect or want me to play roles as a result.


That brings me back to friendship.

My partner has noticed that I am prone to referring to several people as “someone I used to consider my best friend.” In fact, my life’s highway seems to be littered with those folk.

That phrase is not one of bitterness but one of an awareness that comes with having lived into my sixth decade.

Today, I still stumble a bit when I refer to someone and tag that with “my best friend”—even though I have come to a place where I have created a space for embracing that designation in a way that resists idealizing and seeks to honor how someone has demonstrated to me their degree of friendship.

The path to resenting someone you once called your best friend is paved with your own projections, your own hope or want for that person to be your “best friend.”

The best kind of best friend is one that you realize after “best friend” has already just happened naturally over time.

I think I am in a place where I can enjoy someone else for who they are, without expectations of them being anything other than who they are. Some of that, again, comes with age and can only occur when we are as comfortable with ourselves as is humanly possible.

I suspect no one can ever be entirely comfortable with themselves, but we can come close if we are willing to look hard at who we are in our bones and still like/love ourselves.

Idealism is a delusion. Blunt recognition of Self and others is a gift, a liberation, an opportunity to recognize someone as your “best friend” without the traps of either word—”best” need not be exclusionary and “friend” must not be an obligation.

I have again and again over the years found a sort of solace in the work of Kurt Vonnegut, someone who too seemed out of kilter with this world but gleefully willing to look hard at himself and that world. Vonnegut always felt like he was able to provide some soothing but dark words of wisdom, almost as if he were an old soul all his life.

“And I urge you to please notice when you are happy, and exclaim or murmur or think at some point, ‘If this isn’t nice, I don’t know what is,’” he wrote in A Man Without a Country, quoting his Uncle Alex.

The more I think about friendship, the more I believe this is the key to happy friendships—enjoying all the nice in the moment regardless of anything else.


I sit here left with a quandary about whether I did, in fact, have a premonition. Could the person who I once considered my best friend cast himself into the universe in such a way that something like my soul sensed it?

Is there something beyond our traditional awareness that keeps some of us forever intertwined?

Once ghosted, are we forever haunted?

And just what in the hell do we do with those friends we never had?

12-22-21: Nerdvana

What does it mean to be a nerd?

Not as vividly as today, slipping toward my last month at the age of 60, but in high school I was aware that I existed in different worlds, worlds that really did not overlap.

Those worlds, in fact, were documented in two films of my youth, Animal House and Revenge of the Nerds. And the worlds, of course, are the tensions between nerds and jocks in formal schooling.

From about 1975 into the early 1980s, I was a compulsive comic book collector, and throughout junior and senior high school, I was on the schools’ basketball teams; I also was a serious golfer and ran track my senior year.

Wearing my father’s number 3, I spent much of my adolescence trying to be the athlete I believed he wanted me to be.

With 7000+ comic books safely ensconced in my comic book room at my home, where I could control who knew about my mostly closeted life, I graduated 8th in my class and more distraught that I had failed to secure a letterman’s jacket than proud of my academic achievements.

My school had arcane rules for lettering, the jacket only awarded to those who lettered in their junior year, the only year I failed to letter in basketball after lettering my sophomore year and in two sports my senior year. I wore my father’s letterman’s jacket occasionally—him a four-sport letterman and co-captain of the school’s first state championship football team.

I clung to the jock life desperately in high school, but the nerd life was who I was, who I am.

Although I became a serious cyclist a few years after high school, and continue today as a fairly accomplished recreational cyclist, I learned quite quickly that the embarrassment of being an outcast that came with being a nerd in school, suddenly flipped throughout college and into adulthood.

Oddly, to be honest, much of my nerd impulses are satisfied by my adult sports obsession, cycling. The two worlds seamlessly merged, and with little conflict—unlike the satirical clashes in the films of my youth.

From the science fiction obsession I adopted from my mother to the comic book collecting and compulsive efforts to be a comic book artist, I slowly throughout college morphed into being a writer and a teacher, followed by graduate school and the life of a scholar, which pulls everything into one neat and stable nerd pile.

In my 40s, I moved to higher education and found the space to merge all of my nerd life into my career, including doing comic book scholarship and blogging. Over the next two decades, with age, I returned to my nerd center, beginning again to collect comics just as the world has embraced all that nerdom in the form of comic books being adapted to film and series on streaming services.

I grew up with campy Batman (a wonderful work around to shift comic books to live-action), The Green Hornet, The Incredible Hulk, and The Amazing Spider-Man, the latter two a hint of the possibility of comic books as TV series that were far ahead of their time in terms of the technology needed to make that work.

Most of that pop culture/comic book/super hero world was simply only stuff that nerds could appreciate, love. While there was some momentum to these as well as popular success, this was still mostly the nerd world.

Young adulthood, career, graduate school, marriage, and fatherhood pushed my nerd life aside while pop culture continued to tip-toe toward today’s nonstop nerdvana seen in Marvel and Disney+.

I sit here writing on 12-22-21, recognizing that the Pop Culture Gods have blessed us with the last episode of season 1 of Hawkeye, the release of The Matrix Resurrections, and new comic book day (including the release of Moon Knight (v9) 6 amidst the buzz around Moon Knight coming to Disney+)—maybe the peak ever nerdvana.

My 15-year-old rendition of Marvel Spotlight on The Moon Knight 28 (1976)

In 2012, despite being a lifelong SF nerd, I came to the original The Matrix trilogy 13 years late; I found all three films on my cable package, and immediately consumed them with nerd-glee, baffled why and how I had allowed life to distract me from them when they were commanding pop culture.

I soon wrote a poem about this experience, alluding the Revenge of the Nerds and beginning then to think seriously about what it means to be a nerd.

The value and consequences for being a nerd shift throughout childhood and adolescence into adulthood because at its core being a nerd is about being fully human, passionately and nakedly fully human. While we are children, and especially teens, to being transparent is terrifying, and the result is many simply hide their passions, who they are, and resort to shaming and bullying those few among us willing to live the nerd life even as we know it costs during those delicate years of growing up.

Of course, we have always found each other, sought refuge in small gatherings, but I grew up before comic book stores and Dungeons and Dragons, well before gaming really took hold.

Nerdom was isolating for me—until it simply was my life, my passions finding their way into my careers.

I will find ways to bask in 12-22-21, this nerdvana. After I complete this blog post, I can head to my local comic book store, opening at 11 am. I will go cycling this afternoon, and we have committed to watching The Matrix Resurrections tonight. I am fretting over how to fit in Hawkeye, as I also fret over how and when Daredevil comes to the MCU (hints and leaks swirling around me).

Being a nerd is an attempt at being fully human, allowing our souls and our minds to care deeply, to love and embrace these other worlds imagined and brought into our real lives.

12-22-21 is also the first day after the Winter Solstice, daylight once again promising to expand and bring us another spring, hope and sunshine and warmth.

Nerdom is the human heart joining with the human mind and pretending we have souls, souls that can and will occasionally join hands, all creatures good and one.

A Collector’s Dilemma: Navigating Comic Book Universes over the Decades

Recently, my partner began doing artwork on an iPad, and one afternoon, I returned to one of my passions as a teenager, drawing super heroes:

After Gil Kane’s cover of Daredevil and Black Widow v1 issue 97

Over the past year, facing as I am creeping into my 60s, I have also returned to collecting comic books, focusing on Daredevil and now Black Widow. Collecting, reading, and drawing from comic books were central to my teenage life from about 1975 through the early 1980s.

Diagnosed with scoliosis in the summer of 1975, just before entering ninth grade, I took solace in those comic books as I struggled against not only the usual terrors of adolescence but also the specter of living life in a clunky body brace throughout high school.

The brace was incredibly uncomfortable, and standing at the long bar separating our kitchen and living room was an ideal place for me to draw from the growing number of Marvel comics I was buying each week.

Collecting comics in the 1970s was a real nerd-life, but it looked much different than now. I visited two pharmacies and one convenience store on comic book release day, carefully sorting through spinner racks. Eventually I had paper catalogues of the books I owned in a 3-ring binder.

Back issues were also a real challenge, but I scoured the for-sale section of the print newspaper and found comic book sellers in the ads of the Marvel comics I collected. Once, my father even took me to a comic book convention in Atlanta.

But in many ways, the 1970s were a very naive time, much simpler and incredibly problematic.

Even then, as I note in my full-length examination of comic books, Marvel seemed overly focused on new readers; comic book publishers know where their money is made—the foundational and enduring characters—and cannot resist returning over and over to their origin stories.

Adulthood interfered with my collecting, and in one of the worst decisions of my life, I sold my 7000-book Marvel collection to help make a downpayment on a townhouse. I squirreled away my full run of Howard the Duck (volume 1), but all the other magical runs—Conan, Spider-Man, Daredevil, X-Men, etc.—were handed over to a comic book store in Charlotte, NC, so that I could properly adult.

After the Frank Miller reboot of Batman and the first Batman films with Michael Keaton, I dipped my toes back into collecting briefly because several of my high school students were collectors. However, since the early 1980s, I really had mostly abandoned the comic book world.

One of the great pleasures of my career shift in 2002—from high school English teacher for 18 years to college professor, 20 years and counting—was starting to write and publish comic book scholarship, and later, often blogging about comic books.

A couple summers ago, I made a huge change in my life, and with turning 60, I decided to allow myself my pleasures, even if they seemed childlike, childish. With the encouragement of my partner, then, I returned to actively collecting comics, and moved my collection into our apartment (from my office).

Even though I have much more disposable income at 60 than I (or my working-class parents) did as a teen, I recommitted to collecting with parameters of spending less than a few dollars per book (maybe $10 or $12 from time to time) even though I was targeting the 620+ issue run of Daredevil—to which I have added the much smaller run for Black Widow (after noticing a recent issue had a legacy numbering of 50).

From the naive and simpler 1970s until the 2020s, huge changes have occurred in comic books—the multiple reboots, the rise of the film adaptations, and the nearly fatal collapse of over-saturation in the 1990s.

But for me, a comic book lover and collector reconnecting with the super hero world, I find the constant renumbering and rebooting maddening.

The quest for complete runs is a nightmare of Dante’s Inferno proportion.

It took some tedious work, but Wikipedia and the Marvel database at Fandom allowed me to map out on my Notes app the 6 volumes of Daredevil and the (ridiculous) 8 volumes of Black Widow.

As I flip through back issues at the 2 or 3 local comic book stores, I have the Notes app open and typically have to click a Fandom link to make sure I am buying a book I need since Marvel provides precious little information for collectors on the covers (currently, however, most do have legacy numbering).

I find the reboots and renumbering some of the worst decisions made by comic book publishers, notably DC and Marvel. Again, these behaviors prioritize new readers, and leave life-long fans and collectors behind. Yes, I am well aware that comic books are a business and the market drives a great deal of what happens in the pages of my favorite titles.

It is maddening none the less.

A perfect example is Black Widow. I jumped into volume 8 of Black Widow, a wonderful run written by Kelly Thompson and drawn beautifully by Elena Casagrande and Rafael De Latorre (and others).

When I noticed that issue 10 of volume 8 was legacy number 50, I was motivated to collect the entire run of Black Widow, a seemingly doable project.

I turned again to Wikipedia and Fandom, constructing another outline on my Notes App. However, I soon noticed that if I collected every issues of the identified 8 volumes, I would own far more than 50 issues.

What gives?

I reached out on Twitter and searched frantically on Google—but finding a clarification for how Marvel determined legacy numbering, and why Black Widow has 8 volumes with conflicting total issue numbering, was nearly impossible.

It seems, according to Fandom, that Marvel counts only volumes 3, 4, 5, 6, and 8 in the legacy numbering—another maddening layer to collecting in 2021.

And this is just Black Widow, a relatively fringe character in print comics (although her status appeared to be much greater in the MCU); when I grabbed some recent Spider-Man issues (prompted by noticing Thompson writing there also), I am even more frustrated by the layers and layers of reboots and alternate universes.

Where, o where, is Spider-Man of my teen years?

I don’t want to be the old man shouting for kids to get off my lawn; I do want to stay reconnected with Daredevil and Black Widow, along with other loved characters such as Wolverine and X-Men.

But I must admit, Marvel isn’t making it easy, and I am not even sure they care.

The Inevitable, Exponential Decline

Do not go gentle into that good night,/ Old age should burn and rave at close of day;/ Rage, rage against the dying of the light.

Do not go gentle into that good night, Dylan Thomas

In the consumer society called “America,” we humans are often nothing more or less than the objects we accumulate.

Or as comedian George Carlin explained, we are ultimately our “stuff”:

Nine months into being 60, I recognize that my life—in the throes of the inevitable, exponential decline—is reflected in some of my most prized stuff, my collection of bicycles that numbers 4 (two Ridley road bicycles, a Santa Cruz MTB, and a Santa Cruz gravel bicycle).

Part of that reflection involves my more than 30 years as a so-called serious cyclist living by The Rules, including Rule #12: The correct number of bikes to own is n+1. Because of major life changes, I now live in a 900-square-foot apartment instead of a house more than twice that size.

Bicycles occupy far too much space, and I have them hanging on the wall, forcing me to climb a ladder just to be able to ride.

As I have been fearing, while alone, I fell off the ladder recently while storing bicycle parts in the only storage space available in the HVAC area above the bathroom. I imagined myself lying broken on the concrete floor while I was falling—feelings I included in a recent poem, blue&black.

The reason I was on that ladder circles back to my bicycles since I was replacing the saddle on my Ridley Excalibur (Flandrien edition).

A few Saturdays ago, I joined the early morning ride from the local Trek store. I took several extended pulls during the ride, and gradually realized my saddle was incredibly uncomfortable, causing numbness and pain.

For cyclists, especially those of us who ride long and intense distances, the saddle is one of the most important components. I rode with Fizik Arione saddles for many years, a flat, long saddle with a faux-suede strip that keeps you from sliding around.

However, I briefly retired from road cycling throughout 2017—after being struck by a car on Christmas Eve 2016—but when I returned to road cycling in early 2018, I had to acknowledge that my body no longer found my road bicycle as comfortable as before.

Much to my chagrin, and embarrassment, I had to raise my stem and change my saddle, then to the Fizik Aliante, a curved saddle designed for people who are less flexible.

I also had to abandon my preferred thin, faux-leather handlebar tape, and returned to wearing padded gloves since I was struggling with hand stiffness and pain.

Those changes made riding more comfortable, even as I strayed from The Rules and the enormous cultural pressure among so-called serious cyclists.

After I stood up from the fall off the ladder, momentarily stunned and shaken, I cursed what had led to having to change my saddle again (this time to the same MTB-style saddle I have on my MTB and gravel bicycle). It took a few minutes to realize I was essentially fine, until I noticed blood marks on the carpet from a small cut on my foot.

Each time I climb the ladder to ride my Flandrien road bicycle, which I have switched to from my Helium SL because the Flandrien is far more comfortable, I see the inevitable, exponential decline of me reflected in the gradual replacement of parts on that bicycle—the raised stem, the padded handlebar tape, the bulkier saddle.

Much of this is depressing because it reflects a life-long war for me between me and my body—a body that never seemed to be able to attain the demands I have made of it, a body often disappointing and flawed.

But there is also more, a recognition that my being drawn to a sport grounded in Rule #5 (harden the fuck up, or HTFU) has a great deal of disfunction that I should walk away from, instead of gradually and reluctantly relinquishing piece by piece.

Some of that disfunction can be traced to my father, a hard-ass product of mid-twentieth century bullshit about working hard and suffering. Any of the success I have achieved as a cyclist resulted from my ability to suffer, just as my father taught me directly and indirectly.

My father suffered himself into an early grave.

And there are days now, especially after mountain biking and some gravel riding, when my shoulders ache just like my father’s failed him for the last couple decades of his life.

The machine is wearing down.

I have been sharing stories about the inevitable, exponential decline with my students, including telling stories about my life as a cyclist for about 35 years.

I now confess that the HTFU lifestyle was a really bad way to live and ride, and that I am paying for it. I usually share the story of the day I quit the Assault on Mt. Mitchell—a 102-mile ride that concludes with about 30 miles of climbing—just as I was starting the climb.

I didn’t just quit that day; I quit ever doing the ride again (after about 20 starts and 16 or so finishes of the grueling event since 1988).

My story of coming to reject a life of suffering, a hobby of suffering, seems to resonate with many of my students, notably my athletes (especially the football players) and students in ROTC.

Those students deeply inside cultures of suffering appreciate a different perspective than what they are being told within those cultures; those students are often up very early in the mornings doing grueling physical activity before starting their day as students.

They are bone tired, often fighting the urge to fall asleep in class.

I tell them that it doesn’t have to be that way, that life can be filled with joy and pleasure.

As I write this, I have recently ridden my bicycles 6 days in a row, and found myself in a hole. Tired. Sore.

As I write this, it is day 2 of rain with several more days of rain forecast.

I am anxious about not being able to ride. I am also slipping into the depression that comes with the contracting daylight of October.

I am a good existentialist who recognizes our passions are our sufferings, but I am far too inadequate at being a human who can resist the allure of HTFU.

Yes, I know—and believe—that we are supposed to imagine Sisyphus happy as he turns again and again to descend the hill in order to roll his rock, his Thing, back up the hill.

But at 60, I am newly aware Sisyphus would be happier if he were simply to quit, no longer to be defined by his stuff.


See Also

Cleaning the Kitchen the Last Time

Death Takes a Lifetime, and then a Year

60 (Last Time)

This coming Thanksgiving of 2021 will be the ten-year anniversary of me being ghosted.

The person was an important part of my life, but our connection made both our lives complicated. And we were never able (willing?) to address the problems in ways that would protect the relationship.

The ghosting was a dark cloud over my life for many years—although I never discussed it in any real way with anyone else. And if I am entirely honest with myself, the ghosting may have been about the only option for the other person.

Over the last few years, that dark cloud has vanished, and in its place, the ghosting simply remains as an example of one of my deepest existential fears—realizing I have experienced the last time after the fact.

I think many of us believe that if we have forewarning, we could better prepare for and work through a last-time situation—such as the loss of a loved one or the end of a serious relationship, whether lover or friend.

Not knowing, I admit, triggers my anxiety, but I lost both of my parents about 4 years ago, my father in late June 2017 and my mother that December.

My father had been in poor and declining health for years, to the point that I think many of us had become far too complacent with that reality. He literally died right after telling me he needed to “poop,” likely as three nurses moved him into the bathroom or certainly by the time they had him on the toilet.

Nothing about being aware of his poor health and imminent death or being right there as he passed really made that last time any less overwhelming or less shocking. Once the last time has passed, there are many what-ifs to worry your mind.

My mother’s death was much different. By comparison she seemed healthier than my father (she wasn’t), and then, her death was precipitated by a stroke.

Nearly every day after her stroke in early June until her death in early December, I visited her, unable to speak and often suffering an assortment of ailments that left her miserable. The end for my mother was a many-months nightmare.

Just weeks before she died, the doctors discovered she had stage 4 lung cancer; he last days were spent in hospice where I sat beside her a few hours a day.

She died late at night when I wasn’t there, and I slept through the call from hospice since my cell phone was on silent. The what-ifs about the last time with my mother have weighed on me and my nephews.


On July 9, the day after my granddaughter turned 7, I was just starting a 16-hour drive to Kansas before then driving to Colorado for two weeks before a week in Arkansas to visit friends at the University of Arkansas. While driving, I noticed an email from my dean about a position I had applied for, director of my university’s writing program.

I have been at my university almost twenty years and have invested a great deal of time into our first-year writing program, effectively lobbying for and helping develop the job that I applied for.

Since I was driving, my partner read the email, which explained that I would not be interviewed at all for the position. My dean acknowledged that he knew I would be disappointed.

I am 60, and this was my dream position for my career.

Yes, I was deeply disappointed, driving much of that day very depressed and slightly numb from the realization.

But the larger issue was coming to recognize that this was very likely the last time I would apply for any position other than the one I now have. I certainly will never be the director of writing at my university.

I am white, a man, well paid, and very privileged. I am also 60. People now routinely ask me when I plan to retire.

This is the end of my career, although I genuinely do not think about retiring since writing and teaching are careers I can continue to do for many more years.

And yet, my experience is quite insignificant and pales against the racial and gender awareness among Black people and women (for example) who navigate the workplace with the moment-by-moment awareness that they are being ignored, passed over, paid less, and marginalized simply for being who they are, regardless of their qualifications or potential.

This is not intended as a pity party, but a way to acknowledge and navigate something almost all humans must endure, the fear of and experiencing the last time.


I taught Thornton Wilder’s Our Town many years as a high school English teacher. I have always been drawn to the character Emily who dies young but is allowed to relive a day of her life.

By the final act, Emily views her life in replay from beyond and exclaims: “I can’t look at everything hard enough.”

She then turns to the Stage Manager and asks, distraught: “Do any human beings ever realize life while they live it—every, every minute?” And the Stage Manager replies, “No—Saints and poets maybe—they do some.”

Living is a series of last times, and we are damned as humans to rush through our lives simply not looking hard enough because we are so pre-occupied with our lives.

I am 60.

When I get down on the floor to play with my grandchildren, I inevitably have to stand up. It is a challenge these days, standing up, and I think maybe, just maybe, part of the struggle is carry around all the last times I have accumulated.

Last times I will continue to accumulate.

Until the last time.

Clothespin Bucket

I had a dream last night, the kind of dream that jumbles your past and present in ways that make sense only in the dream.

The jumble in this dream was riding my recently purchased gravel bike from my former home (where I lived when I was about 10 until my early 20s) to the nearby club house of the rural golf course where that house sat, Three Pines Country Club.

In this dream, my mother, now deceased, met me at the club house after I pedaled up the long hill from that house to the club house, weaving between cars much more carelessly than I would in real life. I also rode the bicycle over steps and furniture into the club house, weaving there through people as if my behavior was perfectly normal.

The kicker of that dream was not the mixing of past and present as well as the living and the deceased but that I eventually realized although I had ridden to the club house to hit range balls, I didn’t have my golf clubs or shoes—as I had ridden a bicycle of course.

In real life, both my mother and I worked at that golf course for many years, and I spent a great deal of my life at the club house and hitting range balls, spanning essentially my entire adolescence.

None the less, the dream was so vivid that I was unnerved when I woke, and continued to think about it all morning.

Eventually, I texted my oldest nephew, over twenty years my junior, who lived much of his life growing up in the same house, raised primarily my my parents, his grandparents.

Our shared home and parenting have resulted in our feeling in many ways more like brothers than uncle/nephew, I think.

Since my nephew had been very close to my parents in their declining years, he was the executor of their will; and since their deaths a couple years ago, we have continued to reach out to each other as we work through the complicated loss of my parents.

When I thought more about this dream, I wanted to share it with him, and his immediate response was to wonder why the dream had included the associations that it did.

Almost immediately, I realized that the odd combination of my current cycling hobby and my childhood and adolescent life on a golf course made perfect sense, especially including my mother.

And what holds all that together is clothespins, or more accurately my mother’s clothespin bucket.

brown wooden cloth pin lot display
Photo by Waldemar Brandt on Unsplash

Our first family home was a rental house in Enoree, SC, several miles south of my home town, Woodruff, where my parents next rented a house before building their own home—the one of my dream—at Three Pines. The house on the golf course was a few miles north of Woodruff. I lived in these homes in the 1960s and 1970s.

My mother always washed clothes and then dried them on a clothes line outside, the clothes held in place by dozens of wooden clothespins she kept in a plastic bucket.

At some point, by the time we lived at Three Pines, my parents did own a dryer, but she still would hang clothes outside and that bucket never budged from the laundry room. I want to say the bucket was blue, in fact.

I started college at a junior college in nearby Spartanburg, and then finished my undergraduate degree at the satellite campus of the University of South Carolina—then USC-Spartanburg but now named USC Upstate.

For my final 2.5 years there, my advisor was an avid triathlete, a sport I had never encountered before, being relatively new in the early 1980s. It is because of this advisor that I became fascinated with serious cycling.

As a college student from working class parents, I was not hurting for money—I always had jobs, often at nearby golf courses—but buying a serious bicycle in the early 1980s seemed too expensive once I started shopping around.

One day I was telling my mother about the advisor, triathlons, and my budding interest in cycling, adding that I thought buying a bicycle was more than I could afford.

Without hesitating, she told me to go to the laundry room and bring her the clothespin basket; that turn in the conversation struck me as odd, but I dutifully fetched the bucket and started to walk to my room.

Digging through the clothes pins, my mother said, “Here,” and I turned to see her holding a wad of bills she had pulled from under the clothespins. “Don’t tell your father,” she added.

It turned out to be a couple hundred dollars, but we never talked about why she was squirreling away money or why she was so willing just to hand over about $200 to me on the spot.

The money was still well below a bicycle shop quality bicycle, but I went to Sears and bought what now counts as my first serious bicycle because I did start riding in a way then that led over the next three years to buying that first bicycle shop bicycle from the now defunct Great Escape, then in downtown Spartanburg.

I know enough pop culture psychology and the works of Freud, Jung, and Frazier to be able to navigate my own dreams for some glints of meaning. So I feel comfortable with what I see in the dream merging my now and my past, blurring my current 30-plus year hobby of cycling with my childhood and adolescent hobby of golfing.

It is of course my mother this dream is about.

My mother’s willingness to create her own secret place, a stash of cash, in a clothes pin bucket—this domestic woman, this life-long mother, this person who was immediately self-sacrificing.

Especially for her son.

Especially for me.

My parents not only would have done almost anything for me. My parents essentially did do anything for me.

They did that for my nephew as well.

It is something we share, something we can understand with a heavy melancholy and love, something we have to take out every once in a while and try to work through, untangle, confront.

I had a dream last night, the kind that leaves you disoriented and nearly unable to draw a clean line between that dream and your own lived life—because the fabric of the dream is weaved out of strands from many different years as if the finished garment is a perfectly ordinary shirt.

A shirt when washed would flutter a bit on a clothes line, fastened securely by decade’s old clothespins used occasionally to hide a few dollars you may need someday.

At War with Myself

There is a refrain I say to myself, something I likely have never admitted to anyone: “I hate my body.”

I say this to myself quite often and without the gravity the word “hate” should imply because this simply is a fact of my existence.

A good friend texted recently, sharing very dark morning thoughts and ending with #upliftingthoughts. I wasn’t being flippant but empathetic when I replied: “Well … uh … yep … done that, do that … it is called existentialism.”

Discovering and working through existential philosophy and literature throughout my undergraduate years and into the first decade or so of my career as a teacher was incredibly important for me.

Liberating.

As I followed up with my friend, I explained that existentialism, in my opinion, gets a bad rap as a negative philosophy—confused with nihilism (in the same way “communism” is conflated with “totalitarianism” in the U.S.). My reading of existentialism, I explained, was that humans had to acknowledge that our passions are our sufferings in order to move past that fact of human existence so that we were free to live, even enjoy the fatalism of human existence (we live, we die, and everything else continues—or as Kurt Vonnegut put it, “So it goes”).

Human pain and suffering, and nearly daily angst experienced by being human (aware), are not things to be dreaded or to be overcome, avoided; those are fruitless folly.

I was drawn, in fact, to Albert Camus’s existentialism (mostly the literary strand). Not to be too simplistic, but Camus suggested humans must contemplate their ability to take their own lives, suicide, in order to reject that power, and live.

Camus also matter-of-factly said that Sisyphus’s rock was his Thing and we must imagine Sisyphus happy.

One Must Imagine Sisyphus Happy - Illustration - Albert Camus Quote Framed Art Print

I must confess that my daily refrain of “I hate my body” is grounded in a very simple fact: I cannot recall a single day of my life absent some sort of physical pain and discomfort.

In brief moments of painlessness, in fact, maybe brought on by medication for example, I am nearly unable to recognize painlessness as anything other than the absence of pain (the norm) and then am gripped by the realization that the pain will return—almost to the point of my feeling relief when the pain does return.

In my high school soccer-coach days, I had a ninth grader sit out of practice because he was in pain from practice “starting back all of a sudden” (he seemed to have no concept of off-season training); his older brother turned to him and said, “If I didn’t practice or play when I was in pain, I would never practice or play.”

I didn’t have to say anything, but nodded at the older brother.

It is no accident or surprise that I adopted as my lifelong athletic hobby recreational and competitive cycling, a sport that is grounded in pain and suffering.

To be a cyclist is to hurt; to be an elite cyclist is to hurt more than other cyclists.

I have more than once noted that a very hard cycling event was just pain.

And that is part of what my refrain to myself is all about; “I hate my body” is no complaint to myself or the Universe, but a statement of fact like “It’s just pain.”

I do imagine there are people without chronic pain, people who enjoy their physical selves, basking in pleasure as the default experience with their corporeal manifestation.

How I envy those people, maybe even loathe them.

I was quite old, nearly forty, before I discovered that I am a clinically anxious person, probably also on the autism spectrum; regardless, I am hyperaware of everything.

Every. Thing.

My senses are on high alert 24 hours a days, 7 days a week, 52 weeks a year.

I may have normal experiences with pain (I doubt that) but I certainly am deeply and continually aware of those aches. Anxiety and pain are also symbiotic; regardless of which came first, they are cyclic and perpetuate each other relentlessly.

While some people dream of becoming wealthy or famous, I fantasize about relaxing and being painless in a way that doesn’t include anticipating the return of pain.

Pleasure as a default instead of the occasional “absence of pain.”

At 59, I am in a real dilemma because growing older is somewhat naturally a descent into chronic pain. Ironically, my cycling avocation has guaranteed as much since I spent many years cycling 8,000-10,000 miles a year, many of those miles exceeding efforts that I should not have been forcing my (hated) body to accomplish.

That is my war with myself. My body’s chronic pain in combat with my brain that will not pause, that wallows in endless “what if” thinking (resulting in my lifelong hypochondria as well).

When my friend and I were commiserating about dark thoughts, and I was being too academic and explaining existentialism, I also noted that existentialism allowed me to recognize that I am not drawn to some promise of a peaceful afterlife (the carrot of most organized religions) that can come if I deny the flesh during the one life before me.

Pain is exhausting and demoralizing, but it is the only thing I really know.

When I am prompted to say to myself “I hate my body,” I actually smile a little to myself, take a deep breath, do the best with whatever is before me, and just carry on.

It is my Thing, you must imagine me happy.

Neil Young v. Lynyrd Skynyrd 2020: “Southern Man” Redux

What happens to a dream deferred?

“Harlem,” Langston Hughes

My empty-headed adolescence spanned the 1970s—I turned 18 and graduated high school in 1979—in rural upstate South Carolina, only about 25 minutes away from where I live now.

Lynyrd Skynyrd’s “Sweet Home Alabama” and “Free Bird” were persistent background music on the radio and in dance clubs well into my college life. I never owned a Lynyrd Skynyrd album, but I knew every word to both songs and gleefully (and mindlessly) sang along to them in my car or holding a long-neck Budweiser on 25-cent beer night at O’Sullivan’s.

I was a very conflicted, insecure, and anxious-to-near-paralysis teenager, and my musical tastes reflected the jumble of the mindlessness (Tom Petty, Eagles) with my late-to-develop serious interest in music that I didn’t just know the lyrics, but began to think about their implications (Parliament, Pink Floyd).

My deep and careful affection for Neil Young did not develop until the 1980s. But like most people, I was always aware of the so-called feud between Young and Lynyrd Skynyrd.

The songs that are permanently intertwined are Young’s “Southern Man” and “Alabama” (which Young has distanced himself from in moments of self-criticism) that spurred Lynyrd Skynyrd’s “Sweet Home Alabama” with the infamous lines:

Well I heard Mr. Young sing about her (Southern man)
Well, I heard ol’ Neil put her down
Well, I hope Neil Young will remember
A Southern man don’t need him around, anyhow

And that band’s iconic single cover art also sent a pretty strong symbolic message:

While the band’s relationship with the Confederate Flag is complicated, Lynyrd Skynyrd as a band and MCA Records were certainly intentional about fostering a strong relationship with some of the worst realities about Southern pride.

Young’s “Southern Man” and “Alabama,” of course, took square aim at those Southern sins, prompting (as some have tried to clarify) Lynyrd Skynyrd to write “Sweet Home Alabama” as a rebuttal anthem along the lines of “Not all Southerners.”

Young has noted that his songs may have painted with too broad a brush, but Lynyrd Skynyrd’s revisionist explanations stretch credulity.

Both the tension and controversy surrounding Young and Lynyrd Skynyrd were grounded in a sort of regionalized ideological divide that remains today—Young as the liberal Canadian and Lynyrd Skynyrd as the conservative Southerners.

I was born and raised in the racist, redneck Southern culture that embraced and celebrated Lynyrd Skynyrd and the Confederate Flag. Both are steeped in a sort of jumbled logic about tradition and pride that refuses to acknowledge the harsh realities of racism that created the South but also lingers in the South and its traditions (such as the Confederate Flag and idealized mythologies about Dixie and the Lost Cause whitewashing of the Civil War).

It took a great deal of critical introspection for me to slay that past, deconstruct and then reject it, and it took too much time for that process, a transition occurring while I was an undergraduate (a racial awakening overlapping with many nights at O’Sullivan’s singing along to “Free Bird” and holding a long-neck Budweiser).

In Young, the Self I constructed out of the shell that chose to walk away from my racist upbringing found the music and lyrics that resonated with the person I wanted to become.

Recently, I saw a post on social media asking people to choose between Neil Young or Lynyrd Skynyrd. At first, it seemed out of place in 2020.

Like others who replied, my first thought was there is no choice here; it is Young because of the many problems surrounding Lynyrd Skynyrd, including “Sweet Home Alabama” and their embracing the Confederate Flag.

Over five decades, however, there really is nothing simple about that choice because it is 2020.

The Southern-apologist strategy is alive and well in 2020 even as states have taken more aggressive approaches to renaming buildings and removing statues honoring Civil War figures who unequivocally were racists and slavery enablers.

The jumbled history of Lynyrd Skynyrd and the band’s relationship with both the Old South and the New South are an aging quilt, but the threads of that quilt are being disturbingly re-spun in support for Trump by reinvigorated white nationalists in the U.S.

And while conservatives have long clung to “Sweet Home Alabama” and “Free Bird” as right-wing anthems, Republicans have also co-opted Young’s “Rockin’ in the Free World,” and Bruce Springsteen’s “Born in the U.S.A.”—seemingly (mis)understood with the same sort of empty-headedness I practiced as a redneck singing along to “Sweet Home Alabama” in the 1970s.

History has been far more kind to Young’s efforts at social consciousness through his music than to Lynyrd Skynyrd regardless of to what degree you backward (re)construct their messages about the South and its iconography (people claim, for example, the “Boo! Boo! Boo!” following “In Birmingham they love the governor” as both rejecting and endorsing infamous racist George Wallace).

There is an irony to asking people to choose between Young and Lynyrd Skynyrd—the former a flawed but earnest choice and the latter a tarnished if not irreparably stained choice.

There was never room for the Confederate Flag, and “Not all Southerners” is a coward’s plea against the historical and lingering systemic racism that plagues not just the South but the entire U.S.A.

But 2020 has proven James Baldwin’s edict: “the time is always now.”

Lynyrd Skynyrd, the original band, and the reconstructed Lynyrd Skynyrd as well as their fans are real-life examples of the great failure of the South, clinging to the old ways simply because they are the old ways.

So much of literature has warned about the folly of pride that it feels cliche, but “Proud to be a Southerner” and “Proud to be an American” both fall flat against the “rigid refusal” to acknowledge our sins past and current.

Now, Young recognizes his warning “Southern change gonna come at last” ( applies to the entire country, not just the region he targeted:

Young posted a 2019 performance of the song on his Archives Wednesday, writing: “Here’s me as an old guy singin’ his 50-year-old song that was written after countless years of racism in the USA. And look at us today! This has been going on for way too long. It’s not just ‘Southern Man’ now. It’s everywhere across the USA. It’s time for real change, new laws, new rules for policing.”

It’s 2020 and there is no credible way to justify Lynyrd Skynyrd, just as there is no credible way to justify Trump.

It’s 2020 and there really is no choice, but it certainly is time to make the choice in ways other than mere words or simply clinging to something that should have never been held dear to begin with.


Social Media and the Marketplace of Ideas

When I was first married, we lived in the room of my parents’ house that had been converted from a garage. My sister and her husband also lived with my parents, them in her old bedroom inside the main house.

One night, we were awakened by my sister pulling the screened door to the room free of the flimsy latch, yelling that my father needed help.

That was a terrible and important night for me as a young man. My mother had found my father collapsed in the bathroom, blood everywhere. He had been hiding a bleeding ulcer from everyone, waking that night in pain and passing out while vomiting blood.

My mother was running around frantically as my sister tried to calm her. While they called the ambulance, I cleaned up my father as best I could and helped rouse him.

They sent me with my father in the ambulance; the first hour or so at the hospital was terrifying as I watched the doctors try to stabilize my father.

He survived this, but in my early 20s I had to face a fact that I had been avoiding for many years—the inevitable and very real physical frailty of my father.

It is no easy thing for any of us to confront our parents’ weaknesses, to admit that our parents are wrong, even when the evidence is right there in front of us.

We humans want to believe what we want to believe. And we aren’t very well equipped for changing our minds, especially if we have to admit those beliefs were wrong all along.

No parent is superhuman, no parent is immortal.

Even in my early 20s, I was quite different than just a few years before, but I was still quite a ways from who I would become, who I am becoming. My journey was always moving away from my parents, my hometown, and what many people would consider mainstream.

Over nearly 60 years in this planet, I have watched as people struggle with unfounded beliefs, stubbornly clinging to and even promoting those unfounded beliefs.

In our era of social media, in fact, people spend a tremendous amount of time sharing provably false information because they are fatally committed to the beliefs at the expense of truth.

While this has been a common attribute in the U.S. for many years, maybe all of the country’s existence, the combination of the Trump administration and social media has certainly amplified the problem.

Technology has created a sort of bastardized marketplace of ideas on social media sites such as Facebook and Twitter, but it has also allowed almost anyone to communicate, create memes and manipulated images, and perpetuate any and everything as if all information has the same value or credibility.

Posting it makes it so.

Trump’s incessant (pathological) lying has invigorated the fact-checking business exponentially, but the free market has also allowed a partisan fact-checking backlash that uses the label of “fact check” to legitimize fake news and outright lies.

The result is that many people simply silo themselves with “their” evidence and languish in a perversely post-modern Frankenstein world of no facts matter—unless they are mine.

Two of the worst ways people communicate on social media are memes and images. I regularly warn people not to share any memes, but at least fact-check before posting.

As is becoming more common, however, doctored images are spreading faster than people can refute them.

Regardless of the ideology or partisan politics, that false information is being shared can never be justified. I spend far too much time posting links refuting memes, images, and social media posts.

What is frustrating here is that all I ever have to do is switch tabs to Google; in minutes, or even seconds, I have several examples of the meme or image being false.

And this poses a real problem for blaming technology. In fact, the problem is us, and our beliefs that resist evidence.

Social media also poses a real problem for our idealizing the marketplace and democracy. The market often rewards dishonesty and even abuse, and all voices are not, in fact, equal when some level of expertise is involved.

The entire world right now is witnessing that not everyone should be holding forth about Covid-19; epidemiologists and others in the medical profession are rightly the voices that should be elevated while some, as hard as this is to admit, should be silenced.

One of those beliefs is that things today are worse than ever, that the U.S. is more divided than ever (let’s not forget slavery and the Jim Crow era, just for some context about a divided country).

But we do have many calling for ways we can get along, come together.

My modest proposal is that we do not return to some naive belief in objectivity, but that we can agree to navigate social media and our IRL experiences with the same verifiable facts.

When we have video and audio that Trump said X, we must begin with that he did in fact say X.

Being the loudest or the most persistent doesn’t make you right. Posting provably false memes, images, and comments online does make you the problem, and proves that we shouldn’t value anything you believe.

My father was always merely a human before that night I saw him lying in the bathroom floor, bloody and unconscious. I was naive until than night, but to deny his mortality after seeing him right there in front of me would have been worse than delusional, a discredit to us both.


See Also

11 Warning Signs of Gaslighting | Psychology Today

Do as I Say, Not as I Do: Lessons My Father Didn’t Know He Taught Me

My childhood home, the place of my single-digit life, sat just outside Enoree, South Carolina, a very small crossroads of a town near where I typically call my hometown, Woodruff.

This house my parents rented throughout the early to mid-1960s had a large barn beside it, apparently intended as a garage, and a redneck beer joint across the street, Lefty’s.

Paul and Eydie DEC 63 Enoree
My sister, Eydie, and me in the yard of the Enoree house.

This is the house where our family dog was killed, hit by a car in that street and buried by my father before he walked over to Lefty’s for a beer or two.

While our memories are not as credible as we would like, I have some of the most vivid recollections of my life from those years and that house. Part of that vividness is likely from my father’s habit of telling and retelling stories of his life and ours, but a significant contribution to my being able to see those years quite vividly in my mind is that my parents took 8 mm movies throughout that time as a young family.

There was the snowstorm video with the giant, frozen snowball that we watched over and over.

But I also recall playing outside in the leaves with my parents, and our own family version of ollie ollie oxen free that positioned one child and one parent together on each side of the house as we threw balls over for the other pair to catch. The greatest chaos, however, were the tea and water fights that often began at the table during lunch or dinner and then carried over into the yard before circling back into the house.

My father was apt, even after they built their own house and moved to the other side of Woodruff in 1971, to sneak around the house and spray my mother with the garden house through the window screen as she sat on the toilet.

I think my parents were well aware of these lessons about play and joy as a family. I often think my parents had children to insure they could continue playing their entire lives; we were card and board game players throughout my life at home as well.

And my parents raised three grandsons with the same sort of playful gusto well into their old age.

gramps outside 3 pines house
My father, Keith, was known as Gramps and sits here near the play area at the only house they owned.

I have another vivid memory, a standard refrain of my father’s as well as what very well may be a reconstructed memory of him lecturing from the living room of the Enoree house while smoking and drinking bourbon: “Do as I say, not as I do.”

This parent philosophy and authoritarian pose by my father planted early seeds of our discord as father and son. As a child, I couldn’t explain why but I hated this mandate, often while sitting in my room alone as punishment for talking back.

I would maintain a strict policy of my own, my philosophy of being a son, well into adolescence—talk back because that is the one thing he will not tolerate and ultimately something he could not stop.

As a teen, I also recall (again maybe more reconstruction) my father holding me hard against the floor, all his weight on me and his massive arms and hands rendering me immobile, and saying, “Don’t say another word.”

To which I would say, “Word.”

My mother was crying nearby because these events had to look pretty violent, although they were more clashes of will since my father never went much further than restraining me.

While my father and his mantra were intended to teach me about the proper place of authority and doing what you are told, my father taught me quite different and unintended lessons.

I learned to appreciate the sacrifices my father and mother made for me, the very limited but deep ways that they were able to love. And I have to hold onto that as I came to understand my father’s flaws, including the hypocrisy of his mantra.

As an adult, a high school teacher, I experienced the same anger I felt toward my father when I watched the principal treat teachers as my father treated me. The principal had his own private restroom in his office, but relentless policed the faculty for not doing hall and door duty during every class exchange—disregarding the basic human needs he took for granted in his position of authority.

And this morning, my father’s “Do as I say, not as I do” rushed back over me as I watched a video of several white families being told to leave a park closed because of the Covid-19 pandemic.

Police officers were gently informing these families the park was closed—tape clearly marking off that fact—and that they were simply doing their jobs. But one white woman was relentless, asking for officers’ names and badge numbers and explaining to the that the park is public, paid for by tax payers.

You see, the big lesson my father taught me was what white privilege looks like, his version a healthy dose of male privilege also.

And my father taught me almost everything I need to know to understand this.

White male privilege is not a message of law and order, or of the rightful place of authority.

White male privilege is about demanding other people comply with “my” authority, uncritically.

White male privilege is a concession that the law and rules are for those “other” people.

While not my father’s intent, his lesson here has made me a better person, or at least given me the opportunity to be a better person in my roles of authority. My anger at his hypocrisy returns to me often and pushes me to have higher standards for myself than for others.

Don’t trust what I say until you see what I do.