Tag Archives: Fahrenheit 451

NCTE

Panel presentation, 75 mins

Gaylord National Resort – Annapolis 1

11:00-12:15

Teaching Reading and Children: Reading Programs as “Costume Parties”*

P. L. Thomas, Furman University

Abstract

“[L]anguage behavior can not be reduced to formula,” Lou LaBrant (1947) argued (p. 20)—emphasizing that literacy growth was complicated but flourished when it was child-centered and practical (for example, in the ways many privileged children experience in their homes because one or more of the parents are afforded the conditions within which to foster their children’s literacy). Also, LaBrant (1949) identified the central failure of teaching reading: “Our language programs have been set up as costume parties and not anything more basic than that” (p. 16). This opening talk of the panel will focus on the importance of access to books and libraries as an antidote to “costume parties”—highlighting the work of LaBrant and Stephen Krashen as well as the speeches and writings of Neil Gaiman and Ray Bradbury as life-long proponents of libraries.

•

“It is 1956, and I am thirteen years old,” begins Louise DeSalvo’s memoir Vertigo. The opening scene reveals DeSalvo’s teenage angst and her desire to flee:

I have begun my adolescence with a vengeance. I am not shaping up to be the young woman I am supposed to be. I am not docile. I am not sweet. I am certainly not quiet. And, as my father tells me dozens of times, I am not agreeable. If he says something is true, I am sure to respond that it is most certainly not true, and that I have the evidence to prove it. I look up at the ceiling and tap my foot when my father and I argue, and this makes him furious.

In the middle of one of our fights, the tears hot on my cheeks, I run out of the house, feeling that I am choking, feeling that if I don’t escape, I will pass out. It is nighttime. It is winter. I have no place to go. But I keep running.

There are welcoming lights a few blocks away. It is the local library. I run up the stairs. I run up to the reading room, sink into one of its comforting, engulfing brown leather chairs, pull an encyclopedia down from the shelf, hold it in front of my face so that no one can see me, so that no one will bother me, and pretend to read so that I won’t be kicked out. It is warm and it is quiet. My shuddering cries stop. My rage subsides. (Prologue, p. xiii)

Libraries, librarians, and teachers return often throughout DeSalvo’s life story that reads as a slightly revised version of Tennessee Williams’s fictional “kindness of strangers”—this a retelling of the kindness of teachers, and of the library as sanctuary.

“There is more than one way to burn a book” (p. 209), Ray Bradbury warns in the “Coda” included in the 60th anniversary edition of Fahrenheit 451—a comment that motivated a poem of mine, “The 451 App (22 August 2022),” a speculative poem about how the move to electronic books could lead to the dystopian end to books and reading.

Bradbury’s novel, of course, emphasizes the importance of books, and of reading, but Bradbury’s writing of the novel and life also present powerful messages about libraries.

Jonathan R. Eller explains, “Bradbury virtually lived in the public libraries of his time” (p. 168). Further, Bradbury drafted early versions and then Fahrenheit 451 itself in the UCLA Library, working at a dime-per-half-hour typewriter.

Bradbury explains as well in the audio introduction to Fahrenheit 451:

I’m a library-educated person; I’ve never made it to college. When I left high school, I began to go to the library every day of my life for five, ten, fifteen years. So the library was my nesting place, it was my birthing place, it was my growing place. And my books are full of libraries and librarians, and book people, and booksellers. (p. 196)

It makes a great deal of sense and offers some literary symmetry, then, that Neil Gaiman wrote the Introduction to Bradbury’s 60th anniversary edition—Gaiman who is the source of a mostly satiric piece I wrote calling for Gaiman to replace Arne Duncan as the U.S. Secretary of Education.

Gaiman, like, Bradbury is an advocate of books, of reading, of libraries, and then of children choosing what they read:

It is obviously in my interest for people to read, for them to read fiction, for libraries and librarians to exist and help foster a love of reading and places in which reading can occur….

The simplest way to make sure that we raise literate children is to teach them to read, and to show them that reading is a pleasurable activity. And that means, at its simplest, finding books that they enjoy, giving them access to those books, and letting them read them….

Well-meaning adults can easily destroy a child’s love of reading: stop them reading what they enjoy, or give them worthy-but-dull books that you like, the 21st-century equivalents of Victorian “improving” literature. You’ll wind up with a generation convinced that reading is uncool and worse, unpleasant….

Another way to destroy a child’s love of reading, of course, is to make sure there are no books of any kind around. And to give them nowhere to read those books. I was lucky….

They were good librarians. They liked books and they liked the books being read. They taught me how to order books from other libraries on inter-library loans. They had no snobbery about anything I read. They just seemed to like that there was this wide-eyed little boy who loved to read, and would talk to me about the books I was reading, they would find me other books in a series, they would help. They treated me as another reader – nothing less or more – which meant they treated me with respect. I was not used to being treated with respect as an eight-year-old.

But libraries are about freedom. Freedom to read, freedom of ideas, freedom of communication. They are about education (which is not a process that finishes the day we leave school or university), about entertainment, about making safe spaces, and about access to information.

•

As I am writing this, it is late in the year 2014. No dystopia like Bradbury envisioned has happened, and at least potentially, books are more abundant than ever—both in print and electronically.

But a much more insidious dystopia does exist, one that is little different than decades before us and one that comes in the form of policy and what former NCTE president Lou LaBrant called “adult weariness” (p. 276).

Reading and books—and children—have long been the victims of prescribed reading lists, reading programs, and reading legislation. By mid-twentieth century, LaBrant (1949) had identified the central failure of teaching reading: “Our language programs have been set up as costume parties and not anything more basic than that” (p. 16).

Nearly 65 years later, Common Core, the related high-stakes tests, and rebranded concepts such as “close reading” are poised to have the same chilling effect Bradbury dramatized in Fahrenheit 451, and directly warned about, again: “There is more than one way to burn a book.”

From LaBrant to Stephen Krashen, literacy teachers and scholars have called repeatedly for access to books in the home, well-funded public libraries, and children having choice in what they read.

Instead, we close libraries (and public schools), we defund and underfund what libraries (and schools) remain, and we invest in reading programs and reading tests. That is a very real and painful dystopia.

Like DeSalvo, Gaiman recalls the library as a safe haven:

Nobody is giving you a safe space. I used to love libraries at school. Because school libraries had an enforced quiet policy, which meant they tended to be bully-free zones. They were places where you could do your homework, you could do stuff, whether it was reading books, or getting on with things that you wanted to get on with, and know that you were safe there. And people responded to your enthusiasms. If you like a certain writer, or a certain genre, librarians love that. They love pointing you at things that you’ll also like. And that gets magical.

Here, Gaiman answers his question from his Introduction to Bradbury’s Fahrenheit 451: “Why do we need the things in books?” (p. xv).

Books as magic, libraries as sanctuaries—we must cast spells, then, to erase the dystopia before us in the form of yet more standards and test, yet more libraries closed, and then yet more children taught to hate the very things and the very places that have made life worth living for so many.

Books and libraries created Gaiman, spawned his belief: “The world doesn’t have to be like this. Things can be different.”

Let’s hope so.

References

LaBrant, L. (1949, May). Analysis of clichés and abstractions. English Journal, 38(5), 275-278.

LaBrant, L. (1949). A genetic approach to language. Unpublished manuscript, Institute of General Semantics, Lakeville, CT.

LaBrant, L. (1947). Um-brel-la has syllables three. The Packet, 2(1), 20-25.

*Portions adapted from the following blog posts:

Teaching Reading and Children: Reading Programs as “Costume Parties”

Common Core in the Real World: Destroying Literacy through Standardization (Again)

“Fahrenheit 451″ 60 Years Later: “Why do we need the things in books?”

Neil Gaiman Should Be U.S. Secretary of Education: “Things can be different”

It’s a Book, Lane Smith

Education, education reform, Lou LaBrant, NCTE, Neil Gaiman, reading, science fiction

NCTE 2014: “Why do we need the things in books?”: The Enduring Power of Libraries and Literature

July 23, 2014 plthomasedd 2 Comments

[At the 2014 National Council of Teachers of English Annual convention—themed Story As the Landscape of Knowing and held November 20-23, 2014, in Washington DC—Renita Schmidt (University of Iowa), Sean Connors (University of Arkansas), and I will be presenting as detailed below; I offer our proposal as a preview and hope you can join us as we need to raise our voices for both libraries and literature.]

“Why do we need the things in books?”: The Enduring Power of Libraries and Literature

Panel presentation, 75 mins

Teaching Reading and Children: Reading Programs as “Costume Parties”*

P. L. Thomas, Furman University

The More Books the Better!: Library Books as Boundary Objects To Build Strong Girls

Nita Schmidt, University of Iowa

Libraries provide stories for helping us understand who we are and who we might become. Sometimes, those stories take us to places we cannot imagine and we need more stories to resolve the tension. Libraries provide the books that become boundary objects or, as Akkerman and Baker (2011) describe, artifacts that work as mediators during times of discontinuity. Drawing on sociocultural theories of learning (Gee, 1996; Wenger, 1998; Vygotsky, 1978), this paper will discuss the ways an after school book club works with 4^th – 6^th grade girls to consider new perspectives. Book club members visit the library every month, read books with strong female protagonists, discuss topics in the books that relate to the real lives of the girls, and help the girls start their own personal libraries to encourage girls to begin to see themselves as successful young women in a complex global world. A bibliography will be provided.

Speaking Back to Power: Teaching YA Literature in an Age of CCSS

Sean Connors, University of Arkansas

If, as the narrator of John Green’s (2009) Paper Towns suggests, imagination is the machine that kills fascists, then literature, as English teachers and librarians know, is the engine that drives it. Despite the current education reform movement’s insistence on reducing the study of literature to a set of narrowly defined, measurable skills, and arguments which associate “close reading” and “textual complexity” with canonical literature, educators who value Young Adult fiction know that, like literature for adults, it is capable of creating a space for readers to examine complex issues related to race, class, gender, etc. This presentation calls on educators to recast arguments for teaching YA fiction in an age of CCSS by foregrounding its ability to encourage critical thinking. The presenter will share examples of (and guidelines for producing) student created digital book trailers that, rather than promoting books, instead “speak back” to oppressive ideologies featured in them.

*Portions adapted from the following blog posts:

Teaching Reading and Children: Reading Programs as “Costume Parties”

Common Core in the Real World: Destroying Literacy through Standardization (Again)

“Fahrenheit 451” 60 Years Later: “Why do we need the things in books?”

Neil Gaiman Should Be U.S. Secretary of Education: “Things can be different”

References

Akkerman, S.F. & Baker, A. (2011). Boundary crossing and boundary objects. Review of Educational Research, 81(2), 132-169.

Bradbury, R. Fahrenheit 451, 60^th anniversary edition.

Neil Gaiman lecture in full: Reading and obligation — http://readingagency.org.uk/news/blog/neil-gaiman-lecture-in-full.html

Gee, J.P. (1996). Social linguistics and literacies: Ideology in discourse. New York: Routledge.

Green, J. (2009). Paper towns. New York: Speak.

Krashen, S. (2014, January 4). The Spectacular Role of Libraries in Protecting Students from the Effects of Poverty. http://skrashen.blogspot.com/2014/01/the-spectacular-role-of-libraries-in.html?m=1

LaBrant, L. (1949). A genetic approach to language. Unpublished manuscript, Institute of General Semantics, Lakeville, CT.

LaBrant, L. (1947). Um-brel-la has syllables three. The Packet, 2(1), 20-25.

LaBrant, L. (1944, November). The words they know. The English Journal, 33(9), 475-480.

LaBrant, L. (1940, February). Library teacher or classroom teacher? The Phi Delta Kappan, 22(6), pp. 289-291.

LaBrant, L. (1931, March). Masquerading. The English Journal, 20(3), pp. 244-246.

Wenger, E. (1998). Communities of practice, learning, meaning and identity. Cambridge: Cambridge University Press.

Vygotsky, L. (1978). Mind and Society: The development of higher psychological processes. Cambridge, MA: President and Fellows of Harvard College.

science fiction

“Fahrenheit 451” 60 Years Later: “Why do we need the things in books?”

November 12, 2013 plthomasedd 21 Comments

“Sometimes writers write about a world that does not yet exist,” Neil Gaiman begins his Introduction to the 60th Anniversary Edition of Ray Bradbury’s Fahrenheit 451:

This is a book of warning. It is a reminder that what we have is valuable, and that sometimes we take what we value for granted….

People think—wrongly—that speculative fiction is about predicting the future, but it isn’t; or if it is, it tends to do a rotten job of it….

What speculative fiction is really good at is not the future but the present—taking an aspect of it that troubles or is dangerous, and extending and extrapolating that aspect into something that allows the people of that time to see what they are doing from a different angle and from a different place. It’s cautionary.

Fahrenheit 451 is speculative fiction. It’s an “If this goes on…” story. Ray Bradbury was writing about his present, which is our past.

Like Margaret Atwood’s In Other Worlds, Gaiman’s clarification about the purposes of science fiction/speculative fiction builds a foundation for reading (or re-reading) Fahrenheit 451 as well as for considering why Bradbury’s novel on book burning endures.

Sixty years ago in October 1953, Fahrenheit 451 was published. In the fall of 2013, the novel reads as an eerie crystal ball—despite Gaiman’s caution: the pervasive Seashells like iPod earbuds, wall-sized monitors and reality TV.

Yet, upon re-reading this anniversary edition, I am less interested in Bradbury’s prescience about technology and its role in isolating humans from each other, and reminded—as Gaiman suggests—of what matters.

The enduring flame of Fahrenheit 451 is perfectly stoked by Gaiman, in fact:

A young reader finding this book today, or the day after tomorrow, is going to have to imagine first a past, and then a future that belongs to that past.

But still, the heart of the book remains untouched, and the questions Bradbury raises remain as valid and important.

Why do we need the things in books?…Why should we read them? Why should we care?…

Ideas—written ideas—are special….

This is a book about caring for things. It’s a love letter to books, but I think, just as much, it’s a love letter to people….

Yes, Gaiman is a writer’s writer so he is naturally suited to understand Bradbury as well as marvel at the magic of Fahrenheit 451. But there is more.

This anniversary edition includes not only Gaiman’s new Introduction but also a concluding section—History, Context, and Criticism. The opening piece by Jonathan R. Eller explains, “Bradbury virtually lived in the public libraries of his time.” And later in a transcript of an audio-introduction, Bradbury adds:

When I left high school, I began to go to the library every day of my life for five, ten, fifteen years. So the library was my nesting place, it was my birthing place, it was my growing place. And my books are full of libraries and librarians and book people, and booksellers. So my love of books is so intense that I finally have done—what? I have written a book about a man falling in love with books.

Here, I think, another important connection between Gaiman and Bradbury highlights why Fahrenheit 451 endures: Both men are readers, the type of readers who love the idea of books, love specific books, and recognize the human dignity represented by the free access to books.

Like Bradbury, then, Gaiman has a life-long love affair with libraries:

Another way to destroy a child’s love of reading, of course, is to make sure there are no books of any kind around. And to give them nowhere to read those books.

I was lucky. I had an excellent local library growing up. I had the kind of parents who could be persuaded to drop me off in the library on their way to work in summer holidays, and the kind of librarians who did not mind a small, unaccompanied boy heading back into the children’s library every morning and working his way through the card catalogue, looking for books with ghosts or magic or rockets in them, looking for vampires or detectives or witches or wonders. And when I had finished reading the children’s’ library I began on the adult books.

They were good librarians. They liked books and they liked the books being read. They taught me how to order books from other libraries on inter-library loans. They had no snobbery about anything I read. They just seemed to like that there was this wide-eyed little boy who loved to read, and would talk to me about the books I was reading, they would find me other books in a series, they would help. They treated me as another reader – nothing less and more – which meant they treated me with respect. I was not used to being treated with respect as an eight year old.

But libraries are about Freedom. Freedom to read, freedom of ideas, freedom of communication. They are about education (which is not a process that finishes the day we leave school or university), about entertainment, about making safe spaces, and about access to information.

I worry that here in the 21st Century people misunderstand what libraries are and the purpose of them.

For those of us who share this love of books and the “[f]reedom to read, freedom of ideas, freedom of communication,” then, that Fahrenheit 451 endures is both wonderful and chilling.

If the novel had been published October 2013, I suspect it could have just as easily been applauded as a stark mirror of our present disguised as a futuristic dystopia:

“Jesus God,” said Montag….Why doesn’t someone want to talk about it! We’ve started and won two atomic wars since 2022! Is it because we’re having so much fun at home we’ve forgotten the world? Is it because we’re so rich and the rest of the world’s so poor and we just don’t care if they are? I’ve heard rumors; the world is starving, but we’re well fed. Is it true, the world works hard and we play? Is that why we’re hated so much?

And then Montag recalls a brief encounter with an old man:

The old man admitted to being a retired English professor who had been thrown out upon the world forty years ago when the last liberal arts college shut for lack of students and patronage.

Fahrenheit 451 ends with Montag as a criminal on the run who finds himself on the outskirts of the town among refugees, mostly outcast professors.

If a reader picks up Bradbury’s novel today, and then turns to her iPad to read the online blog The Answer Sheet at The Washington Post, she may read this:

The discussion of why the humanities matter has picked up steam since The New York Times published a piece last week suggesting that even some top institutions are increasingly anxious about the proliferation of STEM (science, technology, engineering and math) majors.

Meanwhile, they report a declining interest in topics like French literature.

Only eight percent of students now major in the humanities, according to the American Academy of Arts & Sciences, down from a peak of more than 17 percent in 1967. The trend is worrisome, and plenty of college presidents have come to the defense of the humanities; views of all kinds have since been published….

Tolstoy endured. Will the liberal arts?

From Aldous Huxley to Ray Bradbury to Neil Gaiman—and countless authors and readers alike along the way—Fahrenheit 451 should leave us all with Shakespeare ringing in our ears:

Miranda: O wonder!
How many goodly creatures are there here!
How beauteous mankind is! O brave new world,
That has such people in’t. (William Shakespeare, The Tempest, Act V, Scene I, ll. 203–206)

Fahrenheit 451 remains a warning we need to heed, but likely won’t—once again: Be careful what brave new world we allow to happen when we aren’t paying attention.