All posts by plthomasedd

P. L. Thomas, Professor of Education (Furman University, Greenville SC), taught high school English in rural South Carolina before moving to teacher education. He is a former column editor for English Journal (National Council of Teachers of English), current series editor for Critical Literacy Teaching Series: Challenging Authors and Genres (Brill), and author of Teaching Writing as Journey, Not Destination: Essays Exploring What ‘Teaching Writing’ Means (IAP, 2019) and How to End the Reading War and Serve the Literacy Needs of All Students: A Primer for Parents, Policy Makers, and People Who Care (IAP, in press). NCTE named Thomas the 2013 George Orwell Award winner. He co-edited the award-winning (Divergent Book Award for Excellence in 21st Century Literacies Research) volume Critical Media Literacy and Fake News in Post-Truth America (Brill, 2018). Follow his work @plthomasEdD and the becoming radical (https://radicalscholarship.wordpress.com/).

O, Chicago …

This is a difference between the passive be and the active being….
For the master’s tools will never dismantle the master’s house.

Audre Lorde, The Master’s Tools Will Never Dismantle the Master’s House

The best lack all conviction, while the worst
Are full of passionate intensity.

William Butler Yeats, “The Second Coming”

When he composed his gritty paean to the “City of the Big Shoulders,” Carl Sandburg may have been idealizing the complicated working-class American Dream he witnessed in the city of Chicago, but then, that dream may have seemed possible—a decade before F. Scott Fitzgerald’s unmasking in the wake of WWI.

But Sandburg was also prescient:

Chicago

After the 2015 mayoral election in Chicago, “wicked,” “crooked,” and “brutal” ring harshly in the ears of advocates for equity and public education, leave a bad taste in our mouths—those of us who were on the ground and virtually watching on social media only to rise today to this: Rahm Emanuel wins second term as Chicago mayor.

I have dear friends (real and virtual) who are from and currently work and teach in Chicago so this mayoral race has been painful to witness.

And there is a coincidence here I must highlight.

Months before Hurricane Katrina crushed New Orleans, I was attending an education convention there with a friend. One afternoon as we we preparing to head out, I was watching George Carlin on a TV interview with Charlie Rose (I think).

I recall vividly Carlin explaining that he was tired of people assuming him to be a Democrat, adding that Carlin was a dedicated non-voter.

And that is me. I am a Carlin-inspired non-voter. It pains me to watch wonderful and good people participate in U.S. partisan politics, but the Chicago mayoral race is yet another bitter lesson that Carlin was right.

Partisan politics in the U.S. is the “master’s tools.”

Many people—especially those living in privilege—do not see what we see, do not seek what we seek. Advocates for public education and social equity must confront that we are a serious minority:

chicago voting

Pretending that Candidate X is better than Candidate Y for reasons related to education or equity is an idealism that we cannot afford.

Shouting “neoliberalism!” and “corporate education reform!” does not resonate in the U.S. the way it does among our own—just as we should recognize when a major mainstream media outlet presents both sides of a situation that has only one side—the callous mistreating of black and poor children—the public likely cannot see the abuse.

Groups in the U.S. marginalized because of race, class, gender, or sexuality have been told they do not matter, told with deadly force that their voices cannot count. The current political system is, like the rest of the country, a plaything of the wealthy.

Political action that is “bad” impacts mostly the poor and disenfranchised; political action that is “good” serves the wealthy and privileged. Elections—as in the Chicago mayoral race—are a reflection of privilege and disenfranchisement, not of the quality of any candidates.

Activism in the name of equity cannot afford idealism, cannot change anything if we remain trapped inside the “master’s tools” and a refusal to admit we see a different world than those in power and those who serve the ruling elite.

Sandburg’s Chicago as the promise of hard work has certainly been replaced today as another lesson in what the U.S. has become despite political rhetoric to the contrary: We are not a country built by workers or a country that treasures it workers, but a country that allows a few to feed off the blood, sweat, and tears of its replaceable workers—including teachers—and a country that casts aside many of its children (especially those that are black, brown, and poor).

Chicago joins New Orleans, then, as a very ugly lesson that a few see but most do not.

Chicago today reinforces my refrain, beware the roadbuilders because they will always win the game they invented.

Race to Disgrace

A society is defined by what is tolerated and for whom—and by whom.

In a country with a moral center, or at least a moral free press, this story would be a scathing exposé, spurring public denunciation.

But in the U.S., it is a story about “polarizing methods and superior results”—a gutless mess of misinformation and “fair and balanced” journalism that includes this dispassionate reporting:

At one point, her leadership resident — what the network calls assistant principals — criticized her for not responding strongly enough when a student made a mistake. The leadership resident told her that she should have taken the student’s paper and ripped it up in front of her. Students were not supposed to go to the restroom during practice tests, she said, and she heard a leader from another school praise the dedication of a child who had wet his pants rather than take a break.

What is the common characteristic of students in punitive, test-prep “no excuses” charter schools, like the one above, all across the U.S.?

What is the common characteristic of the teachers found guilty in the Atlanta cheating scandal?

What is the common characteristic of the professional educators fired (and replaced by TFA recruits) after Hurricane Katrina in New Orleans?

The answer is the same as, What is the characteristic of who is disproportionately in U.S. prisons? Disproportionately arrested, charged, and convicted of crimes? Disproportionately disciplined in U.S. public and charter schools, expelled as early as pre-K?

The answer: The race to disgrace is black in the U.S.—a country without a moral center, without a moral free press.

School Library Month 2015

While April is receiving attention as National Poetry Month, many of us may have missed April is also School Library Month.

I must admit that I am a book person more than a library person, and by that I mean I am compelled to own books instead of borrow them.

But I vividly recall my junior high library, where I found a book with Mark Twain’s signature reproduced and decided at that young age a person’s signature matters—creating then what has endured as my own swirling signature that is a very important icon of my Self (especially as a writer).

As a literacy educator, I also know that access to books at school and home is a foundational part of any child’s literacy—one we have ignored for reading programs and punitive legislation masked as reading policy (see Stephen Krashen).

As a public school teacher, I also witnessed—and resisted—book banning attempts from parents as well as the school’s librarian.

My doctoral work, writing a biography of educator and former NCTE president Lou LaBrant, helped solidify my appreciation for the key role of librarians as scholars and teachers; LaBrant co-authored several scholarly works with a librarian, Frieda M. Heller.

So here for School Library Month 2015, let me repost my presentation from NCTE 2014.

Teaching Reading and Children: Reading Programs as “Costume Parties”*

“It is 1956, and I am thirteen years old,” begins Louise DeSalvo’s memoir Vertigo.  The opening scene reveals DeSalvo’s teenage angst and her desire to flee:

I have begun my adolescence with a vengeance. I am not shaping up to be the young woman I am supposed to be. I am not docile. I am not sweet. I am certainly not quiet. And, as my father tells me dozens of times, I am not agreeable. If he says something is true, I am sure to respond that it is most certainly not true, and that I have the evidence to prove it. I look up at the ceiling and tap my foot when my father and I argue, and this makes him furious.

In the middle of one of our fights, the tears hot on my cheeks, I run out of the house, feeling that I am choking, feeling that if I don’t escape, I will pass out. It is nighttime. It is winter. I have no place to go. But I keep running.

There are welcoming lights a few blocks away. It is the local library. I run up the stairs. I run up to the reading room, sink into one of its comforting, engulfing brown leather chairs, pull an encyclopedia down from the shelf, hold it in front of my face so that no one can see me, so that no one will bother me, and pretend to read so that I won’t be kicked out. It is warm and it is quiet. My shuddering cries stop. My rage subsides. (Prologue, p. xiii)

Libraries, librarians, and teachers return often throughout DeSalvo’s life story that reads as a slightly revised version of Tennessee Williams’s fictional “kindness of strangers”—this a retelling of the kindness of teachers, and of the library as sanctuary.

“There is more than one way to burn a book” (p. 209), Ray Bradbury warns in the “Coda” included in the 60th anniversary edition of Fahrenheit 451—a comment that motivated a poem of mine, “The 451 App (22 August 2022),” a speculative poem about how the move to electronic books could lead to the dystopian end to books and reading.

Bradbury’s novel, of course, emphasizes the importance of books, and of reading, but Bradbury’s writing of the novel and life also present powerful messages about libraries.

Jonathan R. Eller explains, “Bradbury virtually lived in the public libraries of his time” (p. 168). Further, Bradbury drafted early versions and then Fahrenheit 451 itself in the UCLA Library, working at a dime-per-half-hour typewriter.

Bradbury explains as well in the audio introduction to Fahrenheit 451:

I’m a library-educated person; I’ve never made it to college. When I left high school, I began to go to the library every day of my life for five, ten, fifteen years. So the library was my nesting place, it was my birthing place, it was my growing place. And my books are full of libraries and librarians, and book people, and booksellers. (p. 196)

It makes a great deal of sense and offers some literary symmetry, then, that Neil Gaiman wrote the Introduction to Bradbury’s 60th anniversary edition—Gaiman who is the source of a mostly satiric piece I wrote calling for Gaiman to replace Arne Duncan as the U.S. Secretary of Education.

Gaiman, like, Bradbury is an advocate of books, of reading, of libraries, and then of children choosing what they read:

It is obviously in my interest for people to read, for them to read fiction, for libraries and librarians to exist and help foster a love of reading and places in which reading can occur….

The simplest way to make sure that we raise literate children is to teach them to read, and to show them that reading is a pleasurable activity. And that means, at its simplest, finding books that they enjoy, giving them access to those books, and letting them read them….

Well-meaning adults can easily destroy a child’s love of reading: stop them reading what they enjoy, or give them worthy-but-dull books that you like, the 21st-century equivalents of Victorian “improving” literature. You’ll wind up with a generation convinced that reading is uncool and worse, unpleasant….

Another way to destroy a child’s love of reading, of course, is to make sure there are no books of any kind around. And to give them nowhere to read those books. I was lucky….

They were good librarians. They liked books and they liked the books being read. They taught me how to order books from other libraries on inter-library loans. They had no snobbery about anything I read. They just seemed to like that there was this wide-eyed little boy who loved to read, and would talk to me about the books I was reading, they would find me other books in a series, they would help. They treated me as another reader – nothing less or more – which meant they treated me with respect. I was not used to being treated with respect as an eight-year-old.

But libraries are about freedom. Freedom to read, freedom of ideas, freedom of communication. They are about education (which is not a process that finishes the day we leave school or university), about entertainment, about making safe spaces, and about access to information.

•

While writing this, it was late in the year 2014. No dystopia like Bradbury envisioned had happened, and at least potentially, books now are more abundant than ever—both in print and electronically.

But a much more insidious dystopia does exist, one that is little different than decades before us and one that comes in the form of policy and what former NCTE president Lou LaBrant called “adult weariness” (p. 276).

Reading and books—and children—have long been the victims of prescribed reading lists, reading programs, and reading legislation. By mid-twentieth century, LaBrant (1949) had identified the central failure of teaching reading: “Our language programs have been set up as costume parties and not anything more basic than that” (p. 16).

Nearly 65 years later, Common Core, the related high-stakes tests, and rebranded concepts such as “close reading” are poised to have the same chilling effect Bradbury dramatized in Fahrenheit 451, and directly warned about, again: “There is more than one way to burn a book.”

From LaBrant to Stephen Krashen, literacy teachers and scholars have called repeatedly for access to books in the home, well-funded public libraries, and children having choice in what they read.

Instead, we close libraries (and public schools), we defund and underfund what libraries (and schools) remain, and we invest in reading programs and reading tests. That is a very real and painful dystopia.

Like DeSalvo, Gaiman recalls the library as a safe haven:

Nobody is giving you a safe space. I used to love libraries at school. Because school libraries had an enforced quiet policy, which meant they tended to be bully-free zones. They were places where you could do your homework, you could do stuff, whether it was reading books, or getting on with things that you wanted to get on with, and know that you were safe there. And people responded to your enthusiasms. If you like a certain writer, or a certain genre, librarians love that. They love pointing you at things that you’ll also like. And that gets magical.

Here, Gaiman answers his question from his Introduction to Bradbury’s Fahrenheit 451: “Why do we need the things in books?” (p. xv).

Books as magic, libraries as sanctuaries—we must cast spells, then, to erase the dystopia before us in the form of yet more standards and test, yet more libraries closed, and then yet more children taught to hate the very things and the very places that have made life worth living for so many.

Books and libraries created Gaiman, spawned his belief: “The world doesn’t have to be like this. Things can be different.”

Let’s hope so.

References

LaBrant, L. (1949, May). Analysis of clichés and abstractions. English Journal, 38(5), 275-278.

LaBrant, L. (1949). A genetic approach to language. Unpublished manuscript, Institute of General Semantics, Lakeville, CT.

LaBrant, L. (1947). Um-brel-la has syllables three. The Packet, 2(1), 20-25.

*Portions adapted from the following blog posts:

Teaching Reading and Children: Reading Programs as “Costume Parties”

Common Core in the Real World: Destroying Literacy through Standardization (Again)

“Fahrenheit 451″ 60 Years Later: “Why do we need the things in books?”

Neil Gaiman Should Be U.S. Secretary of Education: “Things can be different”

See Also

Neil Gaiman: Libraries are cultural ‘seed corn’

It’s a Book, Lane Smith

Magical Murakami Nightmares

From “Bad” Teachers to Teachers as Cheaters: The Burden of the Impossible

The guilty verdict in the Atlanta cheating scandal seems to be a logical conclusion to the “bad” teacher myth confronted nearly five years ago by Adam Bessie.

As a 30-plus-years educator, I have daily witnessed a not-so-subtle disdain for teachers, directly as people and broadly as a profession.

One situation that captures that, I think, is the many times among my cycling group years ago when people would discover I was then an English teacher. Each time, the person would say, “I better watch what I say then”—not so jokingly.

The stereotype of the authoritarian and humorless English teacher—gray hair in a bun, red pen at the ready—is likely the image many people conjure when they think about teachers.

Not all, but many.

School for too many children is something to endure, a place that seems impossible to navigate without getting into trouble, and especially for children of color, the first confrontation with discipline and punishment that are inequitable and inevitable.

So I regret to admit that a significant reason the “bad” teacher myth works politically and there seems a great deal of glee about teachers/educators being busted for cheating is our fault—our fault each time we have created or perpetuated authoritarian schooling.

That said, I must then stress here it isn’t that simple.

I have, then, a few questions.

The first, Why are 11 educators being convicted in Atlanta, but Michelle Rhee continues to skip along scot-free?

Another, Why did professional educators commit these crimes?

And finally, What does the popular glee over these convictions reveal about justice in the U.S. as well as lingering racism and sexism?

I have some ideas about how all of these are connected.

Let me start with Rachel Aviv’s headline about the Atlanta scandal, by focusing on the subhead: Wrong Answer: In an era of high-stakes testing, a struggling school made a shocking choice.

My first idea is that there is nothing “shocking” about the cheating scandal, but that it is entirely predictable, if not reasonable.

I recommend Margaret Atwood’s The Handmaid’s Tale which dramatizes the consequences of “reduced circumstances.”

Adults, children, and animals backed into a corner will behave in ways that are unlike their normal behavior.

Offred/June fantasizes about murder with a knitting needle; she had been a “normal” wife and mother before the events creating the dystopia that reduces her.

Teachers/educators and students who find themselves in high-stakes situations and almost no power, then, have often and will often seek any means necessary to avoid the injustice of punishment over which that have no control.

As a high school teacher, I witnessed time and again that students who faced impossible expectations either quit or cheated, often. The problem was not the student, but the expectations and the burden of the impossible.

But here is the problem: In the U.S., we have a cultural belief that human goodness/badness is almost entirely a consequence of the individual—despite that cultural belief being mostly refuted by what research shows about the power of social forces to shape individual behavior.

I recommend in that context the research-based Scarcity: Why Having Too Little Means So Much by Sendhil Mullainathan and Eldar Shafir and the literary (as well as beautiful) The Very Persistent Gappers of Frip, written by George Saunders and wonderfully illustrated by Lane Smith (I have examined how these two works complement each other).

Let me end this by stressing that I am not calling for excusing any and all behavior because of social forces; nor am I necessarily saying that the educators convicted in the Atlanta scandal are somehow above punishment.

I do argue what the punishment should be for those educators needs careful deliberation.

I also think the greater issue is that we must confront the reasons these cheating scandals are occurring under the high-stakes accountability mandates, which is the lesson from the Atlanta cheating scandal:

ATL cheatingI think a great illustration of what must be done is how the tide is turning about the legalization of marijuana.

For those who think right/wrong is simple, consider that one day possessing marijuana was illegal in Colorado, for example, but the next day it wasn’t.

The solution to ending cheating among educators under the impossible weight of high-stakes accountability (just as the solution to stop student cheating in school) is to end the conditions creating it.

The Atlanta cheating scandal is not a major lesson about “bad” teachers, but it is yet another lesson about the bankrupt education reform movement, the one that made Michelle Rhee rich and famous and thus above the law (a situation that oddly seems to draw little fire from those dancing about teachers getting busted).

Particularly in high-poverty, majority-minority schools, students and teachers are living a dystopia not of fiction, but a daily experience.

“No excuses,” zero tolerance, high-stakes testing—these are the conditions that reduce good children and adults to behaviors that are unlike who they are.

High-stakes accountability must be put on trial, convicted, and sent away for life without parole.

See Also

Taking the Fall in Atlanta, Richard Rothstein

Revisiting “Theme for English B” by Langston Hughes

Bookending my higher education experience is a common situation: finding myself in an intense dialogue with the professor and then realizing I was essentially the only student participating in that discussion.

As a first-year (actually first semester) student, Mr. Pruitt and I were enthusiastically exploring Henry David Thoreau, and maybe Ralph Waldo Emerson. During a doctoral course on educational theory, Dr. Holton and I were wrestling with Joseph Schwab.

My life as a student was mostly a good one, and I needed little prompting to enjoy learning or to appreciate and marvel at my teachers and professors—this the result of being a mama’s boy, she my first and a wonderful teacher.

During my junior and senior years as an undergraduate, Dr. Nancy Moore—short hair, button-down collar shirts, and slacks—was a recurring professor in my program. Nancy was incredibly kind to me, supportive and complimentary in a way that lifted me out of my essential low self-esteem.

Nancy’s courses, as well, were my first introductions to diverse literature—Ralph Ellison, Alice Walker, Toni Cade Bambara, Langston Hughes, Countee Cullen, Toni Morrison.

Although a nearly terminal redneck, I was a white, male student who had been gifted (both genetically and culturally) the socially valued verbal and mathematical skills considered “smart.” And thus, my venture into formal education was mostly unlike that of Langston Hughes.

Revisiting “Theme for English B” by Langston Hughes

The Harlem Renaissance and Langston Hughes’s life-/career-span (1902-1967) likely seems to be the distant past for many high school or undergraduate students. But one of the most powerful aspects of poetry by Hughes for me is how present his work is, every time I return to it.

As a reader and a poet, I am drawn to work that appears simple (as if anyone could have written it) and simultaneously reveals that only this poet could have shaped this verse, that the accessible words and phrasing disguise something rich, complex, and enduring.

“The instructor said,” opens “Theme for English B”—establishing one of the poem’s major themes, the imbalance of power.

“Theme for English B” is a narrative in poetic form that weaves race, place, and power in order to challenge the inequity inherent in all “[t]hat’s American.”

The writing prompt at the opening of the poem strikes me as surreal—far too open and inviting for what traditionally is a writing prompt in English courses, but Hughes immediately shakes the reader: “I wonder if it’s that simple?” because “I am the only colored student in my class.”

And now the poem runs.

The poem’s speaker details his race and his place (actually places) in order to confront truth:

It’s not easy to know what is true for you or me
at twenty-two, my age. But I guess I’m what
I feel and see and hear, Harlem, I hear you.

The poem has now complicated the speaker’s situation with both black/white and South/North dichotomies—the latter, I think, is wonderfully enriched by also reading Countee Cullen’s “Incident.”

For the speaker, despite the careful outlining of his humanity as beyond racial or regional stereotypes, the issue remains, “So will my page be colored that I write?/Being me, it will not be white.”

There is a tinge of defiance along with both youthful exuberance and wiseness beyond his 22 years, and then a heavy awareness by the end:

As I learn from you,
I guess you learn from me—
although you’re older—and white—
and somewhat more free.

As a writer/poet and teacher, I am then profoundly—and every time I re-read this poem—moved by the last line signifying that this student under the weight of race, place, and an unfair imbalance or power has submitted an essay that is true in the same simple language used to open the poem: “This is my page for English B.”

A poem that is a student’s college essay—this becomes an enduring lesson about race, place, and the imbalance of power.

See Also

Culturally Responsive Teaching: The Harlem Renaissance in an Urban English Class, Andrea J. Stairs

National Poetry Month 2015: “A poem should not mean/But be”

Spring semester 1980, I was a first-year student at Spartanburg Methodist College and the class was Public Speaking 101, taught by Steve Brannon.

At that point in my redneck life, I was mostly focused on golf (I was on the college golf team), playing pick up basketball (I carried a basketball to class often), and recreational drinking (buying shopping carts filled with beer on sale to smuggle back onto our dry campus).

But one class session changed a great deal of that, or at least pointed me in a different direction—the day Mr. Brannon introduced me and the class to e.e. cummings with “[in Just-].”

I suppose that moment and the days to follow are what many people call a religious experience, but for me, it was an awakening to the glory that is language, that is poetry.

Soon after the cummings epiphany, I was sitting in my third-floor dorm room, looking out the window. It must have been an early spring day, warm and sunny. Then, I wrote what I consider my first “real” poem—since no one had assigned it, and the poem had—as would be the case since that day until this moment—demanded I write it:

essence

The years to follow, my life as a poet, would include many, many efforts to become other poets—always, always cummings, James Dickey, Emily Dickinson.

Poetry for me is the inextricable blurring of reading and writing poetry. Poetry is the verbal gymnastics of standing on the shoulders of giants.

#

It is no small thing, I think, to be a reader (a lover of books), a teacher, and a writer. I make no claim that this combination is better than other combinations, but I do argue the combination matters (in the same way being a teacher and a parent inform each other).

My teacher-who-is-a-writer/poet Self, then, existed in a constant state of anxiety over the formal schooling demand to dissect literature (at the bidding of the New Criticism gods) as that contradicted my love of literature and my poet-Self who wanted readers simply to enjoy having read a poem.

One of my soul cleansing moments was to share with students Archibald MacLeish’s “Ars Poetica” to linger at those last lines: “A poem should not mean/But be.”

#

It is National Poetry Month 2015, may I invite you to read?

Tarame Chronicles

Yen To Dollar (notes on a gifted child as an adult)

wonderland (Yen To Dollar pt. 2)

remnant 3: it started with a cup of coffee

remnant 8: what makes poetry, poetry?

remnant 9: Thoreau on poetry

remnant 11: poetry of social consciousness, personal experience

remnant 12: “my fingers touch your blood,” Frida Kahlo

remnant 20: “your absence will sadden other afternoons”

remnant 56: “thus I, for example, in the midst of my unhappiness”

remnant 73: “It’s not a place of measurement”

In Defense of Poetry: “Oh My Heart”

Writing versus Being a Writer

“There’s time to teach”: Entering the world of literature through the music of R.E.M.

There’s Time to Teach: Making Poetry Sing with R.E.M.

Poems published in English Journal

Adrienne Rich: Artist of the Possible and Life among the Ruins

REVIEW: Jimmy’s Blues and Other Poems, James Baldwin

Teaching Essay Writing through Poetry

National Poetry Month: “What is the message when some children are not represented in those books?”

Made in America: Segregation by Design

“He knows, or thinks he knows”: It’s Still a Man’s (Hostile) World

In God We Trust?

Writing about her The Handmaid’s Tale, Margaret Atwood explains in “Writing Utopia”:

Dystopias are often more like dire warnings than satires, dark shadows cast by the present into the future. They are what will happen if we don’t pull up our socks.

Atwood’s now contemporary classic reads as a brilliant hybrid of George Orwell’s 1984 and Arthur Miller’s The Crucible—”dire warnings” about the allure and dangers of totalitarian theocracies.

Literature, in fact, comes back again and again to warnings about fanatical and fundamentalist religion, especially as that intersects government and politics.

Powerful in its concision and word play, e.e. cummings’ satire of pompous political patriotism begins, “‘next to of course god america i/ love you'”—weaving a stump speech both garbled with cliches and distinctly lucid in its pandering.

The last line (“He spoke. And drank rapidly a glass of water”), the only words not being spoken by the unnamed politician, comes after the dramatic rhetorical question: “‘then shall the voice of liberty be mute?'”

Like Atwood, Orwell, and Miller, cummings is offering his warning about draping ourselves in the flag while simultaneously thumping the Bible.

In God We Trust?

Having been born, raised, and then living and working my entire life in South Carolina, I have mostly existed in a default culture of Southern Baptist religiosity, a fundamentalist view of scripture.

I have witnessed and continue to witness religion used both as a rod and as a water torture: at once a blunt and instant tool of judgment and a relentless, although only a drop at a time, force for keeping everyone in line.

And that line is decreed by God, so they say.

However, this is not something exclusive to the South—although many continue to rely on scripture to justify corporal punishment and even misogyny in my homeland.

The history of the South, too, offers countless and disturbing “dire warnings”: justifying slavery with scripture and the historical roots of Southern Baptists as a result.

But fundamentalism in the South and the dramatic consequences may mask the thread of those same beliefs running throughout the nation. Consider “In God We Trust” on U.S. currency, “under God” in the Pledge of Allegiance, and the place of prayer in public schools.

The public is mostly misinformed about all of these, but easily swayed by the political implications of invoking “God.”

“God” on currency and in the Pledge (as a Cold War political ploy) represents a political manipulation of religion (using religion to score political points), as the history of how each occurred reveals. But prayer in public school may be the best example of the problem.

Formed under Ronald Reagan, the committee eventually drafting what is called A Nation at Risk included Gerald Holton, who has revealed Reagan’s “marching orders” for the report:

We met with President Reagan at the White House, who at first was jovial, charming, and full of funny stories, but then turned serious when he gave us our marching orders. He told us that our report should focus on five fundamental points that would bring excellence to education: Bring God back into the classroom [emphasis added]. Encourage tuition tax credits for families using private schools. Support vouchers. Leave the primary responsibility for education to parents. And please abolish that abomination, the Department of Education.

When the president of the U.S. misrepresents a fundamental issue, when virtually no one (media, etc.) holds the president accountable for the misrepresentation, and then when that inaccurate claim remains powerful for decades (until today), we would be careless to suggest that the danger of religion and politics is simply a vestige of the backward South.

Neither prayer nor God has ever been removed or banned from public schools. In 1962, forced prayer was ruled unconstitutional—which ironically seems to be the sort of law the Libertarian-leaning streak in the U.S. would embrace. Yet Reagan Democrats and Tea Partiers are the exact national demographics calling for “religious freedom” legislation, much like the redundant and unnecessary legislation guaranteeing students the right to pray in public schools.

“Freedom To and Freedom From”

“Religious freedom”?

“There is more than one kind of freedom, said Aunt Lydia,” Atwood’s narrator, Offred/June, recounts. “Freedom to and freedom from. In the days of anarchy, it was freedom to. Now you are being given freedom from. Don’t underrate it.”

Women training women, Atwood dramatizes, is about control—control of their bodies and control of their minds, which includes controlling language.

“We were a society dying, said Aunt Lydia, of too much choice,” Offred/June adds.

Again, I live in SC, a “right to work” state, so I am attuned to the Orwellian language gymnastics so wonderfully emphasized in Atwood’s novel, echoing Orwell’s “dire warnings”:

Winston kept his back turned to the telescreen. It was safer; though, as he well knew, even a back can be revealing. A kilometer away the Ministry of Truth, his place of work, towered vast and white above the grimy landscape….

The Ministry of Truth—Minitrue, in Newspeak—was startlingly different from any other object in sight….From where Winston stood is was just possible to read, picked out on its white face in elegant lettering, the three slogans of the Party:

WAR IS PEACE

FREEDOM IS SLAVERY

IGNORANCE IS STRENGTH. (p. 7)

Therefore, I am skeptical—if not cynical—about the proposed “religious freedom” law in Indiana. I am also disturbed that this is occurring in Kurt Vonnegut‘s Indiana, and as Garrett Epps discusses, there are important connections to Indiana’s law and SC:

Until the day he died, however, [Maurice] Bessinger insisted that he and God were right.  His last fight was to preserve the Confederate flag as a symbol of South Carolina. “I want to be known as a hard-working, Christian man that loves God and wants to further (God’s) work throughout the world as I have been doing throughout the last 25 years,” he told his hometown newspaper in 2000….

That’s a good background against which to measure the uproar about the Indiana Religious Freedom Restoration Act, which was signed into law by Governor Mike Pence last week. I don’t question the religious sincerity of anyone involved in drafting and passing this law. But sincere and faithful people, when they feel the imprimatur of both the law and the Lord, can do very ugly things.

Being reared in the fundamentalist South, I was given mostly a negative education in morality—all that I was determined not to do and be.

My moral compass has come from literature instead—Margaret Atwood, James Baldwin, and Kurt Vonnegut.

These calls, then, for “religious freedom” ring Orwellian, not about “freedom” at all but about the sorts of cancerous marriages between religion and politics already played out time and again in the U.S. to deny marginalized groups what those in power enjoy as if such is ordained by God.

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“Do you know what a humanist is?” writes Vonnegut in A Man Without a Country:

My parents and grandparents were humanists, what used to be called Free Thinkers. So as a humanist I am honoring my ancestors, which the Bible says is a good thing to do. We humanists try to behave as decently, as fairly, and as honorably as we can without any expectation of rewards or punishments in an afterlife.

I am compelled to suggest that the question is not, In God we trust?

We must be very cautious about anyone who speaks in God’s stead; we must adopt Vonnegut’s stance toward our fellow humans.

Indiana should feel the consequences of humans’ inhumanity toward humans—a great irony is that this wrath appears to be the Invisible Hand of Capitalism—and like great literature, Indiana’s political hubris and indecency must fulfill Atwood’s recognition of the power of “dire warnings.”

Indiana, pull up your socks.

Recommended

Freethinkers: A History of American Secularism, Susan Jacoby

My Next Book Project: The Psychology of Fixing the Economy through Better Public Policy

As many have highlighted, the media turns to almost anyone except educators when dealing with education topics such as evaluating and paying teachers (ask an economist), teaching reading (ask a psychologist), expanding charter schools (ask a political scientist), or creating national standards (which apparently requires a degree in philosophy).

Therefore based on my experiences as a student (nobody asks a student about anything), as a public school classroom teacher (nobody asks a teacher anything), and as an “ivory tower” academic (really? ask a professor?) who graduated from state schools with an undergraduate and two graduate degrees in education, I have now begun work on my next book:

New Book2

I am eager to speak with publishers, and any media outlet interested in a guest Op-Ed or an interview!

[insert cricket noise]

Finally, (a Little) More Room for Teachers’ Voices in the Debate

Since I have taken the NYT and its Room for Debate to task for the near absence of teachers’ voices in mainstream media examinations of education, I think I must highlight this Room for Debate: Is Improving Schools All About Money?

Two classroom ELA teachers, Nicole Amato and Yvonne Mason, offer excellent perspectives, and Lisa Delpit provides a powerful argument as well:

I remain baffled at the obsession in the media with economist Eric Hanushek, who continues to push misleading and discredited claims about teacher quality and educational funding.

But the media also sees no problem with Daniel Willingham, psychologist, posing as a reading expert.

So I want to acknowledge that the NYT has given some space, but there is still much ground left to cover.

See Also

Classroom Teaching Experience and Whose Voice Matters