In Defense of Poetry: “Oh My Heart”

“No, no. You’ve got something the test and machines will never be able to measure: you’re artistic. That’s one of the tragedies of our times, that no machine has ever been built that can recognize that quality, appreciate it, foster it, sympathize with it.”

Paul Proteus to his wife Anita in Kurt Vonnegut’s Player Piano

“So much depends upon a red wheel barrow glazed with rain water beside the white chickens” is, essentially, a grammatical sentence in the English language. While the syntax is somewhat out of the norm, the diction is accessible to small children—the hardest word likely being “depends.” But “The Red Wheelbarrow” by William Carlos Williams is much more than a sentence; it is a poem:

so much depends
upon

a red wheel
barrow

glazed with rain
water

beside the white
chickens.

A relatively simple English language sentence shaped into purposeful lines and stanzas becomes poetry. And like Langston Hughes’s “Harlem” and Gwendolyn Brooks’s “We Real Cool,” it sparks in me a profoundly important response each time I read these poems: [Expletive], I wish I had written that.

It is the same awe and wonder that I felt as a shy and deeply self-conscious teenager when I bought, collected, and read comic books, marveling at the artwork I wish I had drawn.

•

Will we soon wake one morning to find the carcasses of poems washed up on the beach by the tsunami of the Common Core?

That question, especially during National Poetry Month, now haunts me more every day, notably because of the double-impending doom augured by the Common Core: the rise of nonfiction (and the concurrent erasing of poetry and fiction) from the ELA curriculum and the mantra-of-the-moment, “close reading” (the sheep’s clothing for that familiar old wolf New Criticism):

It seems we have come to a moment in the history of the US when we no longer even pretend to care about that which is the result of the human heart: Art.

And poetry, I contend, is the most human of the arts because—although it is quite challenging often to distinguish humans from other mammals—we have two attributes that do set us apart: our too-big brains and our faculty for language.

Poetry is the very human effort to utter order out of chaos, meaning out of the meaningless: “Daddy, daddy, you bastard, I’m through” (Sylvia Plath, “Daddy”).

•

The course was Speech, taught by Mr. Brannon. I was a freshman at a junior college just 15-20 miles from my home, the college my parents had attended when they first fell in love and married secretly.

Despite the college’s close proximity to my home, my father insisted that I live on campus. But that class and those first two years of college were more than living on campus; they were the essential beginning of my life.

In one of the earliest classes, Mr. Brannon read aloud and gave us a copy of “[in Just-]” by e. e. cummings. I imagine that moment was, for me, what many people describe as a religious experience.

That was more than thirty years ago, but I have two precious books still that followed from that day in class: cummings’s Complete Poems and Selected Poems:

cummings1

Several years later, Emily Dickinson‘s Complete Poems would join my commitment to reading every poem by those poets who made me respond over and over: [Expletive], I wish I had written that.

But that introduction to cummings was more than a young and insecure man finding the poets he wanted to read; it was when I realized I am a poet.

Now, when the words “j was young&happy” come to me, I know there is work to do—I recognize the gift of poetry.

•

As a high school English teacher, I divided my academic year into quarters by genre/form: nonfiction, poetry, short fiction, and novels/ plays. The poetry quarter, when announced to students, initially received moans and even direct complaints: “I hate poetry.”

To be honest, that always broke my heart, crushed my soul. Life and school had already taken something very precious from these young people:

children guessed(but only a few
and down they forgot as up they grew (“[anyone lived in a pretty how town],” e.e. cummings)

Gradually and then always, I taught poetry in conjunction with popular songs. Although my students in rural South Carolina were overwhelmingly country music fans, I focused my nine weeks of poetry on the songs of alternative group R.E.M.

For the record, that too elicited moans from students in those early days of exploring poetry (see that unit now on the blog “There’s time to teach”).

Concurrently, throughout my high school teaching career, students always gathered in my room during our long mid-morning break and lunch (much to the chagrin of administration). And almost always, we played music.

The epitome of that unspoken norm of my classroom was two students who, after I introduced them to The Violent Femmes, would close my door in order to dance and sing along with their songs.

Many of those students are in their 30s and 40s, but it is common for them to contact me—often on Facebook—and recall fondly R.E.M. and our poetry unit. Those days and years meant something to them that lingers, that matters in ways that cannot be measured.

I can still see and hear those two students dancing, singing, and laughing. It was an oasis of happiness in their days at school, an oasis of happiness in their lives.

•

e.e. cummings begins “since feeling is first,” and then adds:

my blood approves,
and kisses are better fate
than wisdom
lady i swear by all flowers. Don’t cry
—the best gesture of my brain is less than
your eyelids’ flutter….

And each year when my students and I examined this poem, we would discuss that cummings—in Andrew Marvell fashion—offers an argument that is profoundly unlike what parents, teachers, preachers, and politicians claim.

So I often paired this poem with Coldplay’s “The Scientist,” focusing on:

I was just guessing at numbers and figures
Pulling your puzzles apart
Questions of science, science and progress
Do not speak as loud as my heart

Especially for teenagers, this question, this tension between heart and mind, mattered. Just as it recurs in the words of poets and musicians over decades, centuries.

Poetry, as with all art, is the expressed heart—that human quest to rise above our corporeal humanness:

               Bold Lover, never, never canst thou kiss,
Though winning near the goal yet, do not grieve;
       She cannot fade, though thou hast not thy bliss,
               For ever wilt thou love, and she be fair! (“Ode on a Grecian Urn,” John Keats)

•

I have loved a few people intensely. So deeply that my love, I believe, resides permanently in my bones. If you read my poetry, you will recognize that motif, I am sure.

One such love is my daughter, and she now carries the next human who will add to that ache of being fully human—loving another beyond words.

And that, I contend, is poetry.

Poetry is not identifying iambic pentameter on a poetry test or discussing the nuances of enjambment in an analysis of a Dickinson poem.

Poems are not fodder for close reading.

Poetry is the ineluctable “Oh my heart” that comes from living fully in the moment of being human, the moment that draws us to words as well as inspires us toward words.

We read a poem, we listen to a song, and our hearts rise out of our eyes as tears.

That is poetry.

And like the picture books of our childhood, poetry must be a part of our learning, essential to our school days—each poem an oasis of happiness that “machines will never be able to measure.”

•

Will we soon wake one morning to find the carcasses of poems washed up on the beach by the tsunami of the Common Core?

Maybe the doomsayers are wrong, and maybe, just maybe, poetry will not be erased from our classrooms.

School with less poetry is school with less heart. School with no poetry is school with no heart.

Both are tragic mistakes because if school needs anything, it is more heart. And poetry? Oh my heart.

—

See Also

The Dying of the Light: How Common Core Damages Poetry Instruction

No Place for Poetry on My Son’s Common Core ELA Test

NOTE: This post was drafted in the wake of driving to work while listening to Coldplay’s A Rush of Blood to the Head. Or to be perfectly honest, while singing loudly along with each song and occasionally crying. There. So keep that in mind.

Social Context Reform: A Pedagogy of Equity and Opportunity

Published from Routledge

Social Context Reform: A Pedagogy of Equity and Opportunity

Social Context Reform: A Pedagogy of Equity and Opportunity

Foreword: Education and the Epochal Crisis Peter McLaren

Introduction: Social Context Reform: A Pedagogy of Equity and Opportunity Brad Porfilio, Julie Gorlewski, Paul R. Carr, and P.L. Thomas, Editors

Part 1: Social Reform for Equity and Opportunity

1. Defying Meritocracy: The Case of the Working-Class College Student Allison L. Hurst

2. Reforming the Schooling of Neoliberal, Perpetual Zombie Desire William Reynolds

3. The Pseudo Accountability of Education Reform: Injustice by (False) Proxy Randy Hoover

4. Teacher Education and Resistance within the Neoliberal Regime: Making the Necessary Possible Barbara Madeloni and Kysa Nygreen

Part 2: School-based Reform for Equity and Opportunity

5. Changing the Colonial Context to Address School Underperformance in Nunavut Paul Berger

6. An Injury to All? The Haphazard Nature of Academic Freedom in America’s Public Schools Robert L. Dahlgren, Nancy C. Patterson and Christopher J. Frey

7. Educating, Not Criminalizing, Youth of Color: Challenging Neoliberal Agendas and Penal Populism Mary Christiankis and Richard Mora

Part 3: Classroom-based Reform for Equity and Opportunity

8. Pedagogies of Equity and Opportunity: Critical Literacy, Not Standards P. L. Thomas

9. YouTube University: How an Educational Foundations Professor Uses Critical Media in His Classroom Nicholas D. Hartlep

10. Developing a User-Friendly, Community-Based Higher Education Rebecca Collins-Nelsen and Randy Nelsen

11. Transcending the Standard: One Teacher’s Effort to Explore the World Beyond the Curriculum Chris Leahey

Conclusion: Learning and Teaching in Scarcity P. L. Thomas

Skepticism or Cynicism for Obama Education Agenda?

One response to my Relaxing zero tolerance in schools could be Obama’s boldest civil rights reform is worth highlighting: Readers adamant that the Obama education agenda is beyond such hope.

Let me note here that I have long since slipped past healthy skepticism and resigned myself to unhealthy cynicism with respect to either major political party and their leaders, including Obama.

I have tried before to confront the possibilities and the failures associated with Obama and Secretary Duncan, a set of policies and a series of rhetorical flurries that leave me even more depressed than those dark years under George W. Bush and his Secretaries, Rod Paige and Margaret Spellings:

Paul R. Carr and Brad Porfilio are now preparing a revised edition of The Phenomenon of Obama and the Agenda for Education: Can Hope Audaciously Trump Neoliberalism?—in which I have had and will have chapters.

I must note that my revised chapter is none too rosy; in fact, it is a solid statement of cynicism that has left skepticism in the dust. The revised chapter ends:

This call for change is not being heard, blocked by the din of the crisis discourse and utopian expectations that deform our children, our schools, and our society. The great failure being masked is that bureaucratic calls for school reform are perpetuating the labeling and marginalizing of teachers and students whose conditions in mechanistic schools parallel the inequities that the political elite are willingly ignoring both in their discourse and in their policies.

So when I confront the late but important recognition by the Obama administration that current education policies and practices are indeed racist, classist, and sexist, I believe it is on us to redouble our efforts, remind everyone we have been saying that for many years.

We actually don’t need Obama’s administration to tell us these things. But unless we make an effort to shift the gaze and the discourse in the right direction, on those extremely rare moments when they do, we are losing a moment.

I am not calling for our collective patting of the backs among the Obama administration. I would say the best tactic is to say, “Shame on you all for just noticing, but let’s get to work and stop all that other nonsense that is also doing harm!”

The Obama administration has hidden behind “education reform is the civil rights issue of our time” while promoting the worst possible education policies and maintaining an inexcusable allegiance to Secretary Duncan.

Let’s not forget that, and let’s not forget the “hope and change” rhetoric that lured many of us to have hope for change.

The recent shift driven by the Office of Civil Rights reports, however, is our opportunity to turn the “no excuses” and “zero tolerance” mantras on their heads, raising our voices and our eyes toward those in charge who are failing us and the children in our schools.

If there is hope for that change, it is in our grasp to make it happen.

National Poetry Month: “What is the message when some children are not represented in those books?”

National Poetry Month 2014 comes not on “little cat feet,” like Carl Sandberg’s “Fog,” but in the wake of Walter Dean Myers and his son, Christopher, responding to reports of the whitewashing of books for children. Walter Dean Myers explains:

But there was something missing. I needed more than the characters in the Bible to identify with, or even the characters in Arthur Miller’s plays or my beloved Balzac. As I discovered who I was, a black teenager in a white-dominated world, I saw that these characters, these lives, were not mine. I didn’t want to become the “black” representative, or some shining example of diversity. What I wanted, needed really, was to become an integral and valued part of the mosaic that I saw around me.

Myers identifies James Baldwin as the moment he discovered what was missing, and then Myers asks:

Books transmit values. They explore our common humanity. What is the message when some children are not represented in those books? Where are the future white personnel managers going to get their ideas of people of color? Where are the future white loan officers and future white politicians going to get their knowledge of people of color? Where are black children going to get a sense of who they are and what they can be?

National Poetry Month 2014 also comes just as we have Baldwin’s Jimmy’s Blues and Other Poems, which includes a beautiful and inspired Introduction by Nikky Finney:

Jimmy’s Blues and Other Poems, James Baldwin

As we search for ways in which to insure that students, as Myers did, find what is missing in the texts students are often required to read, I recommend the poetry of Baldwin and Finney. Along with Finney’s full Introduction above, students can access Finney’s Playing by Ear, Praying for Rain: The Poetry of James Baldwin, and then their poetry (see Nikky Fnney at Poetry Foundation).

These entry points to poetry can then lead to multi-genre/mode/form considerations, such as The Most Powerful Piece of Film Criticism Ever Written—about Baldwin’s The Devil Finds Work. Noah Berlatsky’s essay includes two important links as well to another African American writer, Ta-Nehisi Coates, inspired by Baldwin (see Jose Vilson on Baldwin as well):

Along with seeking texts that have people who look like all our students, we must also consider language. A wonderful bi-lingual poetry unit can be developed from two beautiful and powerful books: Barbara Kingsolver’s Another America and Jorge Luis Borges’s Borges: Selected Poems (see Borges at Poetry Foundation), Kingsolver’s translated from English to Spanish and Borges’s translated from Spanish to English:

Another American
Borges: Selected Poems

Myers ends his essay by confronting how texts represent African Americans and how African American males, specifically, are impacted:

And what are the books that are being published about blacks? Joe Morton, the actor who starred in “The Brother From Another Planet,” has said that all but a few motion pictures being made about blacks are about blacks as victims. In them, we are always struggling to overcome either slavery or racism. Book publishing is little better. Black history is usually depicted as folklore about slavery, and then a fast-forward to the civil rights movement. Then I’m told that black children, and boys in particular, don’t read. Small wonder.

“There is work to be done,” Myers concludes, and National Poetry Month is an ideal time to start, or continue that work.

Additional Reading

Reading Out of Context: “But there was something missing,” Walter Dean Myers

From Baldwin to Coates: Denying Racism, Ignoring Evidence

remnant 20: “your absence will sadden other afternoons”

Assorted thoughts on poetry

James Baldwin: Challenging Authors

Reading, Learning, Teaching Barbara Kingsolver

On Children and Childhood

children guessed(but only a few
and down they forgot as up they grew

“[anyone lived in a pretty how town],” e.e. cummings

In one of those early years of becoming and being a teacher, when I was still teaching in the exact room where I had been a student (a school building that would eventually be almost entirely destroyed by a fire set by children), it was the first day of school, and I was calling that first roll—a sort of silly but important ritual of schooling for teachers and students.

Toward the back of the room and slightly to my left sat a big young man, a white male student typical of this rural upstate South Carolina high school in my home town; like me, he would accurately be considered in that context as a Redneck.

Just about everyone knows everyone in my hometown, and we are very familiar with the common names of that town. So when I came to this young man’s name—Billy Laughter (it rhymes with “slaughter”)—I said “Billy Laughter” (rhyming the last name with “after”).

Smiling, I scanned the room and then turned my eyes back to Billy; he was red-faced and on the edge of having a very bad first day, one that was likely going to result in his being punished for my having done a very stupid thing. I raised my hand, palm facing him, and said, “Billy, my mistake. I’m sorry. I was trying to be funny but it wasn’t.” And then I said his name correctly.

Billy had suffered a life of people mangling his name, and he wasn’t in any mood for my being clever on the first day of school.

Several years later, when I was teaching a U.S. history class as part of  my usual load as a member and chair of the English department, while I was having students form small groups, two young white males bumped into each other, back to back, while moving their desks. I caught the moment out of the corner of my eye and had to rush over to deter the fight that was about to occur.

I wasn’t surprised—this was typical of my small community, along with fights starting because “he/she looked at me wrong”—but some time after this, I saw a research study that explained how people in the South and North handled personal space differently. In the South, bumping into someone or looking at someone wrong is often interpreted as challenging someone’s honor, requiring a response. People in the North, conditioned by mass transit and crowded cities (I suspect the study was as much about rural and urban, as South and North), are not as apt to find acts of close proximity anything other than that.

So setting aside the urge to examine the Redneck honor code, I want to add just one more event from my coaching life in those middle years of my teaching.

While running a drill at soccer practice, I heard a comment from a player in a group behind me. My mind heard a player with whom I had been having trouble. He was difficult in class and on the team, and worst of all, he was very disruptive at practice.

I turned and, without hesitating, I announced, “You are out of here,” pointing with my finger up the hill. Throwing him out of practice? No, I kicked him off the team.

As the young man was walking up that hill, a timid player on the team said, “Coach, that was me.”

I had just kicked a young man off the team who had, in fact, not said a thing.

•

A day or so ago, I received an email from Alfie Kohn about his new book, The Myth of the Spoiled Child. Alfie was apologetic about self-promotion so I replied, thanked him for the book, and noted a book I am co-editing that appears to be of a similar mind about children and childhood, Pedagogies of Kindness and Respect: On the Lives and Education of Children.

I also noted that our perspectives on children—on how parents, teachers, and society treat children—appears to be a minority view.

I have been mulling, then, or more likely stewing about this for some time: What makes adults—even the ones who choose to spend their lives with children—so damned negative and hateful about those children?

That, I must admit, is the source of my palpable anger at the “grit,” “no excuses,” and “zero tolerance” narratives and policies.

I grew up and live in the South where the default attitude toward children remains that they are to be seen and not heard, that a child’s role is to do as she/he is told. If a child crosses those lines, then, we must teach her/him a lesson, show her/him who is boss—rightfully, we are told, by hitting that child: spare the rod spoil the child.

That Christ’s love comes in the form of corporal punishment has never made any sort of sense to me, but I find that same deficit view of children is not some backwoods remnant of the ignorant South; it is the dominant perspective of children throughout the U.S.

Barbara Kingsolver explains in “Everybody’s Somebody’s Baby”:

This is not the United States.

For several months I’ve been living in Spain, and while I have struggled with the customs office, jet lag, dinner at midnight and the subjunctive tense, my only genuine culture shock has reverberated from this earthquake of a fact: People here like kids. They don’t just say so, they do. Widows in black, buttoned-down c.e.o.’s, purple-sneakered teen-agers, the butcher, the baker, all have stopped on various sidewalks to have little chats with my daughter. Yesterday, a taxi driver leaned out his window to shout ” Hola, guapa !” My daughter, who must have felt my conditioned flinch, looked up at me wide-eyed and explained patiently, “I like it that people think I’m pretty.”

With a mother’s keen myopia, I would tell you, absolutely, my daughter is beautiful enough to stop traffic. But in Santa Cruz de Tenerife, I have to confess, so is every other person under the height of one meter. Not just those who agree to be seen and not heard. When my daughter gets cranky in a restaurant (and really, what do you expect at midnight?), the waiters flirt and bring her little presents and nearby diners look on with that sweet, wistful gleam of eye that before now I have only seen aimed at the dessert tray. Children are the meringues and eclairs of this culture. Americans, it seems to me now, sometimes regard children as a sort of toxic-waste product: a necessary evil, maybe, but if it’s not their own they don’t want to see it or hear it or, God help us, smell it.

I just don’t get it.

A child is not a small adult, not a blank slate to be filled with our “adult weariness,” or a broken human that must be repaired (I won’t belabor, but the whole Original Sin idea doesn’t help and justifies the drive to use the rod).

But it is also certainly true that children are not angels, not pure creatures suited to be simply set free to find the world on their own.

Seeing children through deficit or ideal lenses does not serve them—or anyone—well.

And within the U.S. culture there is a schizophrenia—we worship young adulthood in popular media, but seem to hate children—that is multiplied exponentially by a lingering racism and classism that compounds the deficit view of childhood. Consider the research showing how people view children of color:

Asked to identify the age of a young boy that committed a felony, participants in a study routinely overestimated the age of black children far more than they did white kids. Worse: Cops did it, too….

The correlation between dehumanization and use of force becomes more significant when you consider that black boys are routinely estimated to be older than they are….

The less the black kids were seen as human, the less they were granted “the assumption that children are essentially innocent.” And those officers who were more likely to dehumanize black suspects overlapped with those who used more force against them.

In the enduring finger-pointing dominant in the U.S.—blaming the poor for their poverty, blaming racial minorities for the burdens of racism, blaming women for the weight of sexism—we maintain a gaze that blinds us to ourselves, allows us to ignore that in that gaze are reflections of the worst among us.

Why do the police sweep poor African American neighborhoods and not college campuses in search of illegal drugs? Why do we place police in the hallways of urban high schools serving mostly poor African American and Latino/a students, demanding “zero tolerance”? Why are “grit” narratives and “no excuses” policies almost exclusively targeting high-poverty, majority-minority schools (often charter schools with less public oversight)?

When I raise these questions, I can rest assured I will inspire the same sort of nasty response I often encounter when cycling. A few motorists make their anger known when we are riding our bicycles, and I am convinced that while some are genuinely frustrated with our blocking temporarily the road, the real reason they are angry is that we are enjoying ourselves as children do.

And nothing angers a bitter adult as much as the pleasures of a child.

Children are not empty vessels to be filled, blank hard drives upon which we save the data we decide they should have. Children are not flawed or wild, needing us neither to repair nor break them.

And children are not to be coddled or worshipped.

They are children, and they are all our children.

Yes, there are lessons to be taught, lessons to be learned. But those driven by deficit or idealized views are corrupted and corrupting lessons.

Each and every child—as all adults—deserves to have her/his basic dignity respected, first, and as adults charged with the care of any child, our initial question before we do anything with or to a child must be about ourselves.

In 31 years of teaching, I can still see and name the handful of students I mis-served, like Billy above. Those faces and names serve as my starting point: With any child, first do no harm.

The ends can never justify the means.

Photoshop® (the shortest novel imaginable)

Photoshop® (the shortest novel imaginable)
I die fast in this city, outside I die slow
Everywhere I am is just another thing without you in it
“Fashion Coat,” The National
Prologue
i tried to Photoshop® myself
back into the picture
from which you cut me
the process was tedious and slow
because i work from dream and memory
haunting me like welcomed ghosts
Chapter 1
i have been hit twice by cars while cycling
and i cannot remember anything about them
Chapter 2
i remember every moment
from the first time we made love
every detail of your apartment
the position of your bed in the room
the Salvador Dali rose poster i gave you
hanging on your wall near the door
the flush along your neck and face
and every word shared between us
Chapter 3
i remember The National concert in Asheville
and that you were not there beside me swaying
Chapter 4
i remember reading At Night We Walk in Circles
wanting to highlight in blue this sentence:
“Nothing is more deserving of one’s respect,
he told Monica that night, as they lay in bed,
than two young people who’ve found each other.”
i remember i could find only an orange highlighter
and that i could not share about any of that with you
Epilogue
i have discovered that Photoshop®
cannot fabricate the things that matter
especially when the things that matter
are no longer possible and no longer there

educator, public scholar, poet&writer – academic freedom isn't free