All posts by plthomasedd

P. L. Thomas, Professor of Education (Furman University, Greenville SC), taught high school English in rural South Carolina before moving to teacher education. He is a former column editor for English Journal (National Council of Teachers of English), current series editor for Critical Literacy Teaching Series: Challenging Authors and Genres (Brill), and author of Teaching Writing as Journey, Not Destination: Essays Exploring What ‘Teaching Writing’ Means (IAP, 2019) and How to End the Reading War and Serve the Literacy Needs of All Students: A Primer for Parents, Policy Makers, and People Who Care (IAP, in press). NCTE named Thomas the 2013 George Orwell Award winner. He co-edited the award-winning (Divergent Book Award for Excellence in 21st Century Literacies Research) volume Critical Media Literacy and Fake News in Post-Truth America (Brill, 2018). Follow his work @plthomasEdD and the becoming radical (https://radicalscholarship.wordpress.com/).

Wonder Woman Historia: “The Alchemy of Collaboration”

“What would I write if I could write literally anything in the DC Universe?” writes Kelly Sue DeConnick in her preface to The Pitch for Wonder Woman Historia (the hardback collecting the three volume series), adding, “What was the comic I had always wanted to read?”

A very fortunate 62-year-old reader and collector of comic books, I am reading a copy signed by the wonderful creative team including DeConnick, Phil Jimenez, Gene Ha, and Nicola Scott:

In the second point DeConnick makes about The Pitch, she focuses on what I think must be acknowledged about this thoughtful interrogation of the Wonder Woman myth as well as much of what makes us human (especially issues related to gender):

I honestly don’t think any of my favorite moments appear in the pitch—they were all discovered later, in the writing, the rewriting, or the alchemy of collaboration.

Wonder Woman Historia

As an avid reader, a writer, and a teacher of writing, I wish I could bottle that thought and pour it into my students—and anyone who seeks to be a writer, to be creative.

That’s it, that’s the path to the beautiful that is Wonder Woman Historia, a work that she be read and reread, a work that should be careful savored by looking carefully at the stunning artwork at both the close-up and at the widest possible angels that reveal some of the best work ever done in comic books.

I cannot recommend this work enough, both for readers but also for anyone who has the opportunity to bring this text into a classroom.

There isn’t much new I can offer so I collect below the four posts I have written already hoping you find a moment to read—but after you read, and reread Wonder Woman Historia.

Enjoy.


Wonder Woman Historia: A Reader

Guest Post: Letter to NYT, Susan Ohanian

re: Ohio Lawsuit Punches Back in Battle Over How to Teach Reading 

In highlighting the big money spent by the Reading Recovery Council  to influence state reading policy, the New York Times offers a slight variation on the same old meme of reading science vs reading catastrophe. 

As a longtime reading teacher, I await an article on the billions spent by leading publishers to promote something called the science of reading so they can continue selling their textbooks and billions of pages of   peripherals that accompany these texts. I mourn the hours children spend trudging through Big Business workbook pages traveling as “science.”

In “Ohio Lawsuit Punches Back in Battle Over How to Teach Reading,”  readers are offered the 23-year-old National Reading Report as evidence of the validity of science of reading.  The claims embedded in this report have been disputed by respected researchers since the day of publication. It’s time to scrap that old rolodex and expand the contact base. For starters, here’s a new report published in The Reading Teacher: “Stories Grounded in Decades of Research: What We Truly Know about the Teaching of Reading.” 

Table 1 offers “Highly Respected Researchers Whose Research Challenges the Science of Reading,”  Here are the names of 7 reading researchers New York Times reporters can contact the next time they decide to write about reading instruction in public schools.

Finally, I offer the evidence of a deaf child who entered public school in 3rd grade. Her residual hearing was helped by special equipment. she and I both wore. After some weeks of sobbing she couldn’t do it, this child triumphed. I attended her high school graduation, where she was on the honor roll. She contacted me 30 years later, telling me that she had graduated from college and enjoyed sharing Amelia Bedelia and knock-knock jokes with her children.

This is called teacher wait time.

Susan Ohanian

Recent Publications on Reading [Open Access and Updated]

[Header Photo by Jess Bailey on Unsplash]

Thomas, P.L. (2025). Black Widow underestimated and hypersexualized: “I am what I am.” Brill.

Thomas, P.L. (TBD). Haruki Murakami’s 7 stories: “It’s quite easy to become Men Without Women.” In J. Milburn (ed.), Haruki Murakami and philosophical concepts (pp. TBD). Palgrave.

Thomas, P.L. (TBD). Crisis as distraction and erasure: How SOR fails diversity and urban students.  Journal of Literacy and Urban Schools.

Thomas, P.L. (2025). Navigating (another) reading crisis as an administrator: Rethinking the “science of reading” movement. Journal of School Administration, Research and Development, 10(1), 38-48. https://ojed.org/JSARD/article/view/6706

Thomas, P.L. (2024, November). We teach English in times of perpetual crisis: For all ELA teachers, “the time is always now.” English Journal, 114(2), 21-26. https://publicationsncte.org/content/journals/10.58680/ej2024114221

Thomas, P.L. (2024, September). We teach English in times of perpetual crisis: The media continue to misread teaching reading and literacy. English Journal, 114(1), 14-19. https://publicationsncte.org/content/journals/10.58680/ej2024114114

Thomas, P.L. (2024, May). Teaching English in the “science of reading” era: We teach English in times of perpetual crisis: Selling a story of reading. English Journal, 113(5), 16-22. https://publicationsncte.org/content/journals/10.58680/ej2024113516 [Open Access https://publicationsncte.org/content/journals/10.58680/ej202411342]

Thomas, P.L. (2024, March). We teach English in times of perpetual crisis: The long (and tedious) history of reading crisis. English Journal, 113(4), 21-26. https://publicationsncte.org/content/journals/10.58680/ej2024113421

Thomas, P.L. (2023, November). Everything you know is wrong: The “science of reading” era of reading legislation. Perspectives and Provocations, (11), 1-17. https://drive.google.com/file/d/12fAfLV1pCh7ZXV-UFsTftFd7y_MLSK-O/view

Compton-Lilly, C., Spence, L.K., Thomas, P.L. & Decker, S.L. (2023). Stories grounded in decades of research: What we truly know about the teaching of reading. Reading Teacher, 77(3), 392-400. https://doi.org/10.1002/trtr.2258

Thomas, P.L. (2023). The science of reading era: Seeking the “science” in yet another anti-teacher movement. Journal of Reading Recovery, 22(5), 5-17.

Thomas, P.L. (2023). The “science of reading,” education faddism, and the failure to honor the intellectual lives of all children: On deficit lenses and ignoring class and race stereotyping. Voices in the Middle, 30(3), 17-21.

How to End the Reading War and Serve the Literacy Needs of All Students: A Primer for Parents, Policy Makers, and People Who Care (2nd Edition) – IAP – [first edition]

The Science of Reading Movement: The Never-Ending Debate and the Need for a Different Approach to Reading Instruction (policy brief) – NEPC

A Critical Examination of Grade Retention as Reading Policy (white paper). Prepared for the Ohio Education Association in response to Ohio’s “Third Grade Reading Guarantee”, September 15, 2022

The Never-Ending Debate and the Need for a Different Approach to Reading Instruction – NCTE Blog

“Science of Reading” Media Advocacy Continues to MisleadRRC

A conversation with Paul Thomas. (2021). Talking Points, 32(2), 24-30.

Teaching Peace

It is November of 2023, and humans continue to choose war.

I do not mean justifying war; I mean choosing war.

A decade ago, I published a piece about centering peace in a literature unit: 21st Century “Children’s Crusade”: A Curriculum of Peace Driven by Critical Literacy.

That multi-genre unit was grounded in part on a war poetry unit I taught for many years, anchored by R.E.M.’s “Orange Crush.” Traditional poems found commonly in anthologies included the following:

The unit on peace (click on the title above and the article begins on page 15) includes work by Howard Zinn, music by CAKE, and fiction by Kurt Vonnegut, specifically Vonnegut’s explanation of how he crafted his most recognized work, Slaughterhouse Five:

Also in 2023, there is a pervasive national narrative that K-12 teacher and professors in higher education are indoctrinating students with leftist/Marxist ideology. While this argument is old and inaccurate, almost no one is confronting the real ways in which traditional schooling indoctrinates children.

Most traditional approaches to history, in fact, portray war as normal, characterize the US as an ethical victor of war (freedom fighters), and offers almost no concession that peace is ever an option for violence and acts of terrorism and aggression.

I suspect that conservatives will consider a peace-oriented liberal indoctrination but will never admit traditional approaches to history are indoctrination.

If we care about academic freedom and humanity, then offering peace as an option seems to be the least we can do for children and all students.


The Meritocracy Lie: “That Man’s a Balloon”

Why did you listen to that man, that man’s a balloon

Friend of Mine,” The National

Many years ago when I was teaching high school English in the Upstate of South Carolina, my hometown, I had a student turn in an essay about the legendary rock performer Pink Floyd.

Yes, this student wrote an entire essay praising Pink Floyd as an individual, not accurately as the group.

This sort of ignorant bravado was not uncommon for a teen, and was a bit funny—although I used that situation to send a clear message to the young man that ignorance wasn’t funny or impressive.

And then decades later, this:

And this ignorant bravado by the billionaire owner of the Social Media Site Formerly Known as Twitter prompted well deserved derision:

Decades after the nonsensical essay on Pink Floyd by a high school student , I suspect that my lesson was simply another adult lie, one grounded in the meritocracy myth.

You see, in the real world, ignorant bravado can lead to you being a billionaire.

And I guess, this reality is no different than a joke I often use in my classes—one that isn’t funny—when I cover citation and plagiarism.

I explain to students that academic citation is essential in college writing and that plagiarism will result in failure or even expulsion. But the good news is that plagiarism in the real world is a stepping-stone to being a senator (Rand Paul), First Lady (Melania Trump), or even president of the US (Joe Biden)!

The celebrity billionaires and millionaires (like Trump) are not smarter than most of us, are not more innovative, and are definitely not working harder.

Most of them have outsized privilege and then the sort of black heart that allows them to exploit their way to wealth.

Ethical people, we must admit, do not become billionaires; ethical people probably never get elected as well.

And you’ll notice that billionaires and people with enormous power are the ones leading the charge to deny that privilege exists, to promote above all else the meritocracy myth.

That’s because the denial and the myth serve their unearned power and wealth. Privilege, none the less, is a fact, but it isn’t a condemnation.

Simply considered, look at the NBA. Every player in the NBA is an elite athlete, and then there are the elite among the elite—Michael Jordan, LeBron James, and Larry Bird (an outlier heralded as a “hard worker” as a veneer for his whiteness).

If we set aside the racism in how white and Black NBA players are described (a big ask), let’s focus on Bird as a hard worker and elite-of-the-elite in the NBA.

Yes, Bird has white privilege, but his working-class roots complicate that status; however, the essential privilege Bird possessed was his height. Being 6’9″ allowed his other accomplishments, including the outcomes from being hard working.

At 5’5″, Bird would have never been known as an NBA elite.

Height, then, is an unearned advantage, and that is what privilege means.

Celebrity billionaires are almost all white, but also, they all had huge financial advantages that they did not create. Like Bird being 6’9″, they started with unearned advantages.

So we are left with the meritocracy myth that is at least an exaggeration, if not a lie.

Hard work matters, but so does work within an ethical and moral context.

Hard work matters, but that work may not see fruition in ways that people achieve through, mostly, the advantages of their privilege.

Let me end by returning to my early days of teaching high school.

A state college at the time was riding high with football success, and one of the players, a very large lineman who went on to NFL fame, was a bit of a celebrity.

On a segment of ESPN, that player did not represent himself or his education well with some garbled use of the English language.

When I made a joke about the university based on that player’s non-standard language usage (and I was actually just kidding), a student blurted out, “Yea, but he’s rich, richer than you.”

And there it was, a lesson by a student for his teacher.

Just get rich. Nothing else matters.

‘Merica.

Education Lies that Won’t Die: Teacher Value

The list is mind-numbingly long—education lies that won’t die.

I have detailed often the standard manufactured crisis/miracle rhetoric surrounding discussions of education in media, among the public, and by politicians.

And currently, the manufactured reading crisis is grounded in the Big Lie about NAEP and reading proficiency.

Many education lies that won’t die are ideological beliefs masquerading as evidence-based claims; two of the most persistent of those involve assertions about teacher value and merit pay schemes.

Of course, teacher value is incredibly important to student learning; however, this argument is misleading at best, at worst a lie: “Research has shown that the number one factor influencing individual student achievement is the quality of the teacher in the classroom.”

It is an incredibly compelling misrepresentation of the data available, primarily because it appears to support the value of teachers.

Yet, the evidence over many years shows that measurable student achievement is mostly driven by out-of-school factors (OOS) with in-school factors and teacher quality as a subset of that, both significantly overshadowed by those OOS factors:

Teachers Matter, But So Do Words
ASA Statement on Using Value-Added Models for Educational Assessment (2014)
Family Background Accounts for 40% of SAT/ACT Scores Among UC Applicants

The paradox is that teacher value is very difficult to measure through student achievement tests. Further, claims about teacher value that misrepresent that value force teachers and students into nearly impossible conditions to be successful.

Locally, a district is revisiting value-added efforts to attract and retain teachers in high-poverty, majority-minority school, paired with merit pay schemes (that have been tried multiple times in South Carolina unsuccessfully).

Value-added methods of teacher evaluation and merit pay are ideological commitments, and both are strongly refuted by a large body of evidence.

Simultaneously with these failed schemes, education is increasingly hostile to teachers—parent organizations framing teachers as groomers and indoctrinators along with states and districts trending toward curriculum bans and scripted curriculum that de-professionalize those teachers:

“Phonics Monkeys” and “Real Life Reading”: Heteroglossic Views of a State Reading Initiative

If we genuinely value teachers—and having been in this profession 40 years, I suspect that on balance we do not—we would address teaching and learning conditions (class size, teacher autonomy, etc.) within a larger effort to address social inequity in children’s communities and homes.

Ideology is not evidence, and education, teachers, and students deserve much better than political leaders and administrators using our schools as experiments of that ideology—especially when we have ample evidence that ideology is flawed.


Recommended

VAM: Why Is This Zombie Policy Still Around? Peter Greene


UPDATE

Maroun, Jamil, and Christopher H. Tienken. 2024. “The Pernicious Predictability of State-Mandated Tests of Academic Achievement in the United States” Education Sciences 14, no. 2: 129. https://doi.org/10.3390/educsci14020129

Abstract

The purpose of this study was to determine the predictiveness of community and family demographic variables related to the development of student academic background knowledge on the percentage of students who pass a state-mandated, commercially prepared, standardized Algebra 1 test in the state of New Jersey, USA. This explanatory, cross-sectional study utilized quantitative methods through hierarchical regression analysis. The results suggest that family demographic variables found in the United States Census data related to the development of student academic background knowledge predicted 75 percent of schools in which students achieved a passing score on a state standardized high school assessment of Algebra 1. We can conclude that construct-irrelevant variance, influenced in part by student background knowledge, can be used to predict standardized test results. The results call into question the use of standardized tests as tools for policy makers and educational leaders to accurately judge student learning or school quality.

The Heightened Negative Consequences of Reductive Behaviorism on Student Learning

One of the most significant failures of media, public, political, and educational responses to the Covid/post-Covid era of traditional schooling is claiming that the Covid disruption created the problems being addressed about student mental health and student achievement.

The Covid/post-Covid era has heightened those problems in many ways, but the core issues were always the worst features of traditional schooling, notably the reductive behaviorism that drives testing/grading and classroom/school discipline.

Although I taught in K-12 education 18 years, I have been in higher education now for 22 years, working often with first-year students in my writing seminar (and this semester, in our advising program).

My first-year writing seminar students this fall are both very predictably similar to those I have taught for a couple decades and significantly exaggerated versions of those students.

We are at midterm, and students have just submitted Essay 2, a public essay in on-line format designed to help students ease into a formal cited essay (Essay 3). Essay 2 requires students to use hyperlinking for citation (and thus practice evaluating on-line sources, etc.) and incorporate images.

My first-year writing course is grounded in both writing workshop and minimum requirements instead of grades. This minimum requirements include the following:

  • Submit all essays in MULTIPLE DRAFTS per schedule before the last day of the course; initial drafts and subsequent drafts should be submitted with great care, as if each is the final submission, but students are expected to participate in process writing throughout the entire semester as a minimum requirement of this course—including a minimum of ONE conference per major essay.
  • Each essay rewrite (required) must be submitted after the required conference and BEFORE the next original essay is due (for example, E1RW must be submitted before E2 submission can be accepted).
  • Demonstrate adequate understanding of proper documentation and citation of sources through at least a single well-cited essay or several well-cited essays. A cited essay MUST be included in your final portfolio.

I recognize that I must not only teach students how to write at the college level, but also how to fully engage in a process writing course.

That last point is where students have always struggled, but Covid/post-Covid students are struggling mightily.

I provide students a wealth of support material and models for assignment, such as the following for general support:

And these specifically for Essay 2/hyperlink cited essay:

For context, I should note that I do not grade assignments throughout the semester (I must submit a course grade, which is based on a final portfolio as the final exam), and I do not take off for late work because I require that all work must be completed.

Historically, despite no grades or late penalty, my students have submitted work fully and on time at about a 90+% rate. Students typically receive As and Bs in the course with a sporadic student or two who do not meet the minimum requirements and thus fail (which is a consequence of simply not being able to fully engage in process writing).

A couple weeks ago, my first-year students submitted Essay 2; only 4 out of 12 did so on time.

So, yes, Covid/post-Covid education is different, but the issues are not new, just heightened.

What I am noticing is that students struggle to follow guidelines (see above), and I spend a great deal of time prompting students on their essay submission to review the sample and checklist provided.

One recent example struck me because a student submitted their Essay 2 rewrite, which was not significantly different than the initial submission—although I provided comments, directed them to the sample/checklist, and conferenced with the student (conferences end with revision plans and students choosing their rewrite due date).

I did not respond to the rewrite, but returned it with the original submission, noted my concern about almost no real revision, re-prompted the student to review the sample/checklist, and recommended another conference to insure the student and I are using our time well with another resubmission.

Two aspects of the essay were not addressed at all; the essay failed to mention the focus/thesis throughout the body of the essay (three subhead sections), and despite the checklist explicitly requiring students use journalistic paragraphing structure (noting restricting paragraphs to 1-3 sentences), the resubmission included (as in the original submission) opening and closing paragraphs of 5-6 sentences.

The student’s response is notable because they explained how hard they worked on the rewrite, including working with our writing lab, and then apologized.

I want to emphasize that I have over 40 years of teaching writing had to help students let go of the fear of mistakes and the urge to produce “perfect” writing in one submission. Most students simply can’t engage in process writing because the dominant culture of their schooling has been reductive behaviorism that hyper-focuses on student mistakes, fosters a reward/punishment culture, and shifts student concern from authentic artifacts and learning to securing grades.

As I have examined before, students are apt to view all feedback as negative even as I carefully and consistently urge them to see feedback as necessary for growing as writers.

One strategy I incorporate is showing students the real-world process of submitting and publishing academic writing; for example, my own experience publishing a policy brief:

This context, I think, helps some with the anxiety students feel about feedback and their tendency to view that feedback as negative (even though I am not grading them and they are performing in a low-stakes environment).

None the less, students at the college level have been so powerfully trained into the reductive behaviorism of success/failure, tests/grades, and avoiding mistakes that authentic process writing and writing outcomes (students write on topics by choice) are too foreign for them to fully engage.

What concerns me beyond why and how my students are struggling (in justifiable ways) is that I also see teachers and professors complaining about “students today” on social media.

Those complaints are quintessentially American responses—blaming the individuals while ignoring the systemic influences.

Our students are struggling in heightened ways because of the disruptions of Covid/post-Covid formal schooling. But traditional and uncritical commitments to reductive behaviorism are also at the core of their struggling as well.

Many if not most of the traditional approaches to schooling in the US are antagonistic not only to learning but also to the basic humanity of students and teachers.

Learning to write is a journey, a process, but so is all learning.

Students are the canaries in the coal mine warning us that education is too often dehumanizing and reductive. When students choose not to fully engage with that education, they may be making the most reasonable decision by choosing themselves.

Daredevil: Born Again (and Again, and Again …)

[Header and all images property of Marvel and artists]

Many fans of Daredevil fell in love with the Netflix series. But when that relationship ended after three seasons and the Marvel/Disney era threatened a permanent end to more outstanding serialized Daredevil, we fans were cast into limbo.

Unlike the Marvel universe(s), in the real world, things can end end; yet, we continued to hope for resurrection.

Death and resurrection are one of the most persistent (and maybe even cliche at this point) motifs of the superhero comic book genre (Batman experiencing about 22 deaths, for example)—powerfully represented by the career of X-Men’s Jean Grey/Phoenix:

X-Men Vol 1 #101

When Disney announced a reboot of Daredevil, fans rejoiced, and the death/rebirth motif once again resurfaced. This filmed rebirth, similar to the Netflix series, appeared committed to Daredevil’s print comic book roots:

Yes, the Disney reboot leaned hard into a favorite storyline from the Miller era:

Daredevil Vol 1 #230

Increasingly in the comic book world, however, any joy we fans feel can be incredibly short-lived (I barely began collecting Black Widow during the stellar Kelly Thomas v8 run before the series ended, along with the Black Widow solo title, after only 15 issues).

As anticipation mixed with dread grew about the Disney reboot of Daredevil (when cast members were announced, Foggy and Karen were noticeably absent), a strike delayed most original productions. In that pause, even more troubling news came: ‘Daredevil’ Hits Reset Button as Marvel Overhauls Its TV Business.

Daredevil canceled.

Daredevil rebooted.

Daredevil paused.

Daredevil rebooted again (for the better?).

During that same time span, print Daredevil also experienced a significant shift after the highly praised Chip Zdarsky run over two (inexplicable) volumes, 6 and 7.

Zdarsky’s Daredevil focused on extended explorations of Frank Miller’s focus on Matt as a Catholic and an increased emphasis on Daredevil in the ninja/supernatural world with Elektra (fully removed from Matt the lawyer and Daredevil the street-level superhero). In short, there was an abundance of spiritual fretting and an inevitable trip to Hell—and back.

The current reboot (v8) of Daredevil with a new creative team—Saladin Ahmed and Aaron Kuder—includes a soft shift back to Daredevil as a street-level superhero with a clever twist, “Recently, Matt somehow returned to life—born again as a Catholic priest”:

Daredevil Vol 8 #2

As with Zdarsky’s run, the priest/devil duality of the newest volume hints at plenty of Miller still surviving, including a Miller variant cover of v8 issue1:

Daredevil Vol 8 #1

Fans of Daredevil remain in a sort of nervous limbo while waiting for how Disney finally achieves the series Born Again, but in the mean time, we are gifted a somewhat classic rebirth of Matt and Daredevil as priest and devil with spectacular artwork and spreads:

The superhero genre of comic books provides a bittersweet irony since the one thing readers can count on is the death/rebirth motif sitting beneath the distorted passing of time—Matt/Daredevil barely aging over 60 years of comics.

While we readers can only depend in the real world on time passing and the inevitability of death.

Yes, in this real world, things will end end.

So we cling to the things that matter, the things we love.


Daredevil 1 (1964) and facsimile from 2025: